Whoops – I guess I went a month without updating everyone about the new work...you were probably as busy as I was so let's just call it even. Hope that this newsletter stays inspiring, not overwhelming. God forbid that I contribute to the distraction avalanche.
If you'd prefer a bite-sized update every time I make a new thing as opposed to monster digest updates like this one, there's always Patreon (and if you've been enjoying my emails for years, I hope that you'll consider making the migration – subscribers helps immensely and I make a point of showing you I love you).
As an aside, I just republished some of my old fan-favorite essays on Steemit: "Ode To A Paradigm Shift"; "Transformational Festivals Are A Symptom of Dissociation"; and "A Manifesto For Live Painting". And I was on my friend's great podcast Third Eye Drops again, this time (Episode 102) discussing the evolutionary biology and mythological dimensions of MONEY. I say a lot of things I haven't said on record anywhere else, on a topic that is pretty key for all of us. (Don't know when I will say more on these things, but I really should...)
That's all for now. Thank you for opening this message and I hope you benefit from what's inside.
love
Michael
New Coloring Book Time-Lapse Video:
"On James P. Carse's Finite and Infinite Games"
I have decided to make the coolest dinosaur coloring book ever – AND the coolest reptiles and amphibians coloring book ever. At least those two. As I complete each page I'm giving every Patreon supporter at $5 and up the PDF and PSD files for it, to print out or color on a tablet.
I'd love to make more integrated coloring book time-lapse + music + podcast excerpts videos like this one above a bigger part of what I do – but I'm stretched pretty thin right now. So to that end I've mademore coloring book pages and more videos the object of my current Patreon stretch goal (to make a clean $1000 a month on that platform, which isn't too too far away...)
I'd love to make more integrated coloring book time-lapse + music + podcast excerpts videos like this one above a bigger part of what I do – but I'm stretched pretty thin right now. So to that end I've mademore coloring book pages and more videos the object of my current Patreon stretch goal (to make a clean $1000 a month on that platform, which isn't too too far away...)
Here are pictures of the first dinosaur and reptile coloring book pages, both of which have extensive backstories dating back to my childhood that you've been spared, here:
24"x18" – acrylic paint on canvas
This spring I took a part-time gig with Save Our Springs Alliance and I'm finally starting to feel like a citizen of Austin. You all know how much I care about the history of place, and it's awesome to sink into the decades-old lineage of conservation work this organization holds and continues. Austin's one of those rare cities that has not yet totally destroyed the natural resources that made it beautiful to live in in the first place...
Austin's Barton Springs is home to a totally unique salamander that exists nowhere else in the world. I painted this to raise awareness of the valiant efforts by Save Our Springs Alliance to preserve the habitat of this beautiful creature, and to alert people to the importance of the Edwards Aquifer in general – which is also the source for clean water for millions of people, and is currently endangered by both deregulated development within city limits and secret fracking about 40 miles west of Austin. This piece is the second I've made of the Barton Springs Salamander, Eurycea sosorum.
Wherever you live, take care of it. Other creatures depend on you. If you live nearby, you can support the Save Our Springs Alliance by donating here.
Lastly – here are four of the best episodes of this podcast I've ever had the honor of releasing. The show's on every platform, and you can find links to the show's page on Apple Podcasts, Spotify, etc. in each episode's show notes:
Wherever you live, take care of it. Other creatures depend on you. If you live nearby, you can support the Save Our Springs Alliance by donating here.
For those of you unfamiliar with my music, you're coming in at a very good time.
This set was improvised live on acoustic guitar, pedalboard, voice, and iPad Pro to an international audience of professional flow artists: hoopers, fire dancers, poi spinners, and many others.
This informal collaboration, as well as the glorious Central Texas wildflower eruption all around us, and the sweet song of the frogpond in the distance, led to what I believe is one of my strongest instrumental freestyle sets of all time.
(It also happened to be on the Eve of Easter and on the third anniversary of my first gig - also at Flowstorm - with my beloved guitar Charlotte, a Taylor 322e.)
All of the tracks are named after local wildflowers. The album art is from one of my greatest inspirations, the legendary Ernst Haeckel, author of Art Forms in Nature.
This set was improvised live on acoustic guitar, pedalboard, voice, and iPad Pro to an international audience of professional flow artists: hoopers, fire dancers, poi spinners, and many others.
This informal collaboration, as well as the glorious Central Texas wildflower eruption all around us, and the sweet song of the frogpond in the distance, led to what I believe is one of my strongest instrumental freestyle sets of all time.
(It also happened to be on the Eve of Easter and on the third anniversary of my first gig - also at Flowstorm - with my beloved guitar Charlotte, a Taylor 322e.)
All of the tracks are named after local wildflowers. The album art is from one of my greatest inspirations, the legendary Ernst Haeckel, author of Art Forms in Nature.
Recorded live on 11 and 12 November 2017 in the amphitheater of the legendary Arcosanti, Arizona – an historic experiment in ecologically-integrated architecture – for Convergence, a first-of-its-kind collaboration between visionary architects, artists, and permaculturists.
Arcosanti is one of the most inspiring places I've ever been and playing there was the fulfillment of a dream I've had since I first visited in 2005. The vibe was high, the desert winter beautiful, the crew and venue incomparable. This double album is a landmark record of the sweet, ripe moment when it all came true – if only for a moment.
Most people have no clue that I've been a devoted songwriter since 1999 and that my music matters more to me than almost anything I do...the songs on this live album are the fruit of that long practice and I've polished each of them with love and patience over years.
This really was a magical concert and I'm glad I get to share it with you.
Arcosanti is one of the most inspiring places I've ever been and playing there was the fulfillment of a dream I've had since I first visited in 2005. The vibe was high, the desert winter beautiful, the crew and venue incomparable. This double album is a landmark record of the sweet, ripe moment when it all came true – if only for a moment.
Most people have no clue that I've been a devoted songwriter since 1999 and that my music matters more to me than almost anything I do...the songs on this live album are the fruit of that long practice and I've polished each of them with love and patience over years.
This really was a magical concert and I'm glad I get to share it with you.
New Future Fossils Podcast Episodes
with Doug Rushkoff, Charles Shaw,
Tim Freke, & Steve Brusatte
Tim Freke, & Steve Brusatte
Lastly – here are four of the best episodes of this podcast I've ever had the honor of releasing. The show's on every platform, and you can find links to the show's page on Apple Podcasts, Spotify, etc. in each episode's show notes:
That's enough for now. I'm sure that you agree. ;)
Gratefully Yours,