Michael Garfield's Love Without End Tour Newsletter: 2019

31 August 2019

Attention is our greatest natural resource. [New Stickers | New Music | New Paintings | New Conversations]

Hey friends! Here's the best of what I've been up to for the last month.  

Hope you're staying sane, calm, responsive, loving, and alert...

Feel free to write me any time.  Good luck out there.


I used to think imagination is our greatest natural resource – until I realized that attention is the upstream, limiting reality. In our distracted, breakneck age, sometimes we need a good reminder to pay more attention to our fleeting lives.

Inspired in part by Aldous Huxley's awesome novel, Island (in which his utopian society trains birds to squawk "Attention!" randomly, reminding citizens of opportunities to be more mindful), these glossy laminated vinyl stickers are so close to indestructible that they will keep inspiring mindfulness for years to come.

This is guerrilla intervention against the mind-eating nonsense of our tech-plutocracy. Concerned too many people live in algorithmic feed-scrolling fugues like thumb-bearing farm animals? Just slap a few around town and sit back marveling as your town becomes more aware!

While I have your attention:

Bandcamp (download in any audio format you like)
Feedbands (streaming plants trees, pays in Bitcoin)
Spotify (since you're there already)

My sentimental final gig in Austin before relocating to New Mexico was special for more than one reason: long-time musical conspirator and ally Andrew Noble joined me for two days of live performance at the Developer Week Conference. Andrew was a regular at Loopers' Night, the two-year monthly residency that I hosted at Strange Brew, Austin's best small listening room – someone with whom I had developed such a stage rapport, I knew that I could count on him to jump in with me – no rehearsals and no plan – and improvise four hours of killer music.

Most of these two fire days were lost in a recording error – but the music that survived demonstrates something rare and wonderful amidst the sea of mostly-solo tunes in my back catalog: two artists who have played together regularly for a while and learned to follow one another's lead; two voices that contribute to each other, finish one another's sentences, erupt into ecstatic swells and spacious interstices with a trained and listening synchrony.

It's yours to do with as you please – including remix, share, play backwards during rituals, etc.

Same goes for this 17-minute electric guitar instrumental from my performance at EFF-Austin's SXSW party in 2018, fresh on all the streaming platforms (cover art by David Titterington):

Bandcamp (download in any audio format you like)
Feedbands (streaming plants trees, pays in Bitcoin)
Spotify (since you're there already)

And here are the six latest amazing conversations that we've had on Future Fossils Podcast – including the first of three patrons-only book club calls for Liu Cixin's Three Body Problem trilogy:


I’ve also appeared on a number of other people's podcasts, lately:

The Myths That Make UsFuture Tech PodcastTap IñThird Eye DropsAwake Aware AliveMutations...I won't play favorites, but my personal best was probably on display for Artsy AF.

Speaking of being artsy AF, here are two new small paintings I made for my first gallery show in Santa Fe (at Eye on the Mountain).  Both of them are 12"x12" on stretched canvas and available for a crisp Ben Franklin apiece (or its digital equivalent).  Email me if you'd like one or both – I've been hanging them from the corners and they look great on the wall together:


13 July 2019

New Prog Folk Single "Indecision" • Live Notes from #IPFest 2019 • Upcoming Shows • New Archaeopteryx Painting • Secret Future Fossils Episodes

Happy summer, everybody!  We're well into the hot months, and insofar as life is the spontaneous formation of order for the dissipation of excess energy, I've been an actively engaged in the metabolism of our cosmos – making more art and music, I fear, than you can actually absorb.

So be it.  May this love's labor find you on a good day, when you're looking for some fresh and interesting stuff.  We seem to have less time for taking in new art and music than we did when this blog started in 2009, but I'm convinced the work just keeps on getting better, and I'm honored that I get to share it with you.

In this newsletter:  new (and very different) music; new live art (both analog and digital); two Future Fossils Podcast episodes (on time loops and on driverless hotel rooms); and a secret stash of never-to-be-aired recordings.


New Song: "Indecision"

"Mars Volta meets what Dave Matthews might hear after trying DMT? I love it."
- James Boswell (Ming Dynazty)

"Fantastic. Like a The Books track with extremely creative vocals."
- Anthony Thogmartin (Papadosio, Earthcry)

"It's like TOOL and Herbie Hancock had a baby."
- Matthew Foglia

"A great sonic achievement! Reminds me a lot of Peter Gabriel's best stuff."
- Norman "Dr. Blue" Katz

In the moment before acting lies a void
where every future gleams, reflecting every other
every moment a uniquely blooming world.
In the space between two thoughts
where every other instant grows
expanding now into infinity
and every possibility unfurls...
How do you choose your next life?

I'm finally back in the saddle with the project I began way back in 1998: to join the Great Parade of visionary and alchemical songwriters, marrying acoustic and electric elements for tunes that gesture toward the singularity we live within in every moment.

Whatever else I do, the songs I've offered to this world in a handful of rare studio efforts (2006, 2008, 2014) are the sharpest and most polished work, the closest to my soul and sense of what is truly meaningful.

"Indecision," paintstakingly produced by my partner in crime Mitch Mignano, is the fruit of an epic co-creative pregnancy.  Read all about it on my Patreon account...

(Special thanks to Randal Roberts for the perfect cover art!)

Upcoming Concerts:

27 July – Santa Fe – Oxygen Bar Apothecary Restaurant

New Painting: "Our Lady of the Late Jurassic"

Here is my latest painting, "Our Lady of the Late Jurassic" - a tribute to the amazing Archaeopteryx, my spirit animal and one of history's most legendary fossil creatures – painted live at Meow Wolf for my first Santa Fe gallery show at Eye on The Mountain.  (Acrylic and oil pens on 20"x20" panel.)

Read the whole story at michaelgarfieldart.com.

Notes from InterPlanetary Festival 2019

Signed Canvas & Cardstock Prints

Last year, Santa Fe Institute's InterPlanetary Festival changed my life: this confluence of luminaries celebrating complex systems thinking and space exploration inspired me to move to Santa Fe. (Here's the free live album of my concert from last year's event.)

This year, on staff at SFI, I got to sit on stage and take live notes on a huge LED wall for some epic panels on synthetic biology, science fiction, and visionary architecture:

Check out this Google Photos album for all of the notes I took this year (both final images and time-lapse videos), plus the painting that I made on stage alongside Santa Fe's Tone Ranger:

I highly recommend you watch the full-length videos of each discussion, with my notes unfolding in real-time behind the panelists, because those conversations rocked.  But if you aren't that curious, here's a fun 360º time-lapse of the UFO piece you can groove to in less than one minute:

New Podcast Episodes

The latest episodes of Future Fossils cover both ends of the spectrum this show seems to span:  on one hand, Eric Wargo's brilliant take on how the future co-determines history; and on the other, Nathan Water's genius mashup of self-driving cars, technomadism, and the blockchain.

And lastly, I have finally made good on promises to drop a cornucopia of secret episodes on Patreon supporters with more than eight hours of never-to-be-aired recordings – including a totally bizarre panel discussion on the nature of time from my 2017 Australia tour, chats with a tantric instructor and a standup comic, and three other would-be episodes too weird to live, too rare to die:

Subscribe on Patreon for Secret Fossils

"If the truth is so important, then why am I in trouble for trying to find it?"
- Shane Mauss

17 June 2019

Velociraptor Painting + New Tunes + Ten Amazing Conversations

Whew, okay!  This "biweekly" newsletter I've been keeping since 2009 went three whole months without an update...
but it's because I just became a dad!  I hope you'll understand and stay on board.  Thank you for tuning in!

Here are some of the new things I've created for you (and for the sheer fun of it):
Four new paintings, one new live album and a 360º video "single," and an entire treasure box of awesome conversations.  Enjoy, and drop me a line anytime if you're inspired!

gratefully yours,


"Our Lady of the Late Cretaceous"
24"x36"• acrylic and oil paint pens on canvas

"Xenoscaping III & IV"
2x 12"x24" • acrylic and oil paint pens on canvas

"Fire Jelly Fronds"
12"x24" • acrylic and oil paint pens on canvas

Live at the Apothecary
(Santa Fe, NM • 2019.05.11)
Bandcamp • Patreon • Spotify

My first concert as a father, and my first concert as a Santa Fean, this show was warm, intimate, and magical. Dear friends were in from out of town, and new friends were won over from the dinner crowd. My old friend Sydney Wright from Austin, Texas – one of the regulars at my two-year Austin residency, Loopers' Night – joined me while starting off her tour of the Western States, and captivated all of us. (Her songs were not recorded at this show, but I encourage all of you to check her out.)

Big thanks to Mya Kass & Cheryl Casden for inviting us to play this show at the Santa Fe Oxygen Bar Apothecary Restaurant – and even more for buying an entirely new PA system so Sydney and I could have the best possible sound for this. And thanks to Andee Jean Ostara for her concert photography – you can and should follow her new professional instagram account.

Here's one of my favorite moments from the show:

"Indecision" (Ukulele Arrangement) in 360º

In the moment before acting lies a void 
where every future gleams, 
reflecting every other 
every moment a uniquely blooming world. 
In the space between two thoughts 
where every other instant grows 
expanding now into infinity 
and every possibility unfurls... 

How do you choose your next life? 
It may seem your heart has stopped between two beats. 
It's not the universe that's ended 
but that you're already dead,
remembering everything at once 
seeing past the limits of your head. 

In the seconds it would take to drain 
the oxygen from your exquisite brain 
a few mere seconds, all your life replays 
an intimate refrain. 
It isn't just the fireworks of dying neurons firing. 
You are slipping from the grip 
of that which kept you in the slow procession. 
Now your feathered eyelids open to behold the whole terrain...


I'm especially excited about the Future Fossils Book Club on Patreon and the amazing video calls we've been having about the most mind-blowing books I can find.  Our first call on the science fiction horror masterpiece Blindsight by Peter Watts was great, and our second call on Diana Slattery's psychedelic science and philosophy opus Xenolinguistics was (for me, anyway) even better.

We're doing a call for Cixin Liu's Hugo-winning The Three Body Problem sometime next month.  
I'd love to hear you chime in on our next group call!

And since it's been so long since my last update, here are NINE new episodes of Future Fossils.
There's something here for everyone: Nadja Oertelt teaches scientists to speak to non-scientists; Bruce Damer's team might have figured out the origins of life; Erick Godsey has the most inspiring stance on personal mythology; Android Jones and I discuss what being visionary artist dads is like; Mitsuaki Chi leads therapeutic mushroom groups in Amsterdam; Sean Esbjörn-Hargens is about to teach a course about the philosophy of science through the lens of UFOs; Bernie Taylor has a powerful new angle on some of the oldest cave art in the world; Eliot Peper offers his empowering and sober view of history and tech; and Kevin Wohlmut offers up the first guest episode with essays on the next ten billion years.  Enjoy!


“All that is becomes connected even in its difference, as being and becoming share the same confused territory of ‘feathery incandescence’; ontology itself becomes not only dynamic but synesthetic.” 
– Richard Doyle, Darwin's Pharmacy

26 February 2019

Waterloo Festival Team Mural | Listening To Plants | Psychonautics | New Coloring Pages & Timelapse | Future Fossils Book Club

Okay, it's been too long. So much is happening and it's all just getting faster all the time (unless you're software). My partner and I are about to have a kid. We moved to Santa Fe. I work for these insane(ly) brilliant people now. I'm almost out of paintings, and I can't make them fast enough with all the other things I'm doing at the moment...

That said, here's tons of stuff, as usual. I'm always here if you write back, and hope the upgrades' going smoothly for you – meaning easily, which probably means a river-bending, highly corrugated kind of way, like brains (they're better at computing when they're dense, so take it as a compliment).

I love you all and feel a thing about this taking so damn long to make it to you. Anyway!

The Waterloo Music Festival Collaboration Mural

A painting made in the craziest environment, at the most complete and awesome festival installation I have ever proposed, with a team of artists I can't believe I mustered into such intense collaboration.

A giant piece – nine-plus feet wide and four high – that spilled over into months of meetings and late sessions, seven of us focusing on areas and balanced coverage, and arguing a lot, and learning...all the while the looming focus of my living room, for months, and detailed in this photojournal.

This piece is in a private collection in Austin, now, but we finally can make some prints for everyone who cheered us on through this foolishly ambitious project.  Thank you!

Artist Instagram Accounts:

New Music: Listening to Plants at Starseed Gardens

Recorded in maybe the most magical place I have ever been, late on a sweaty summer night, surrounded by an acres-wide nursery of medicine plants growing from the black earth of a dead volcano, a short walk from a giant ancient fig tree and a slightly longer walk from the easternmost point of the continent and white sharks. 

Starseed Gardens was a standout moment in my tour Down Under and a precious, moving place. This is the music that emerged in ritual there, a song to the intelligence around us. 

Performed on acoustic guitar and hardware electronic effects. 

In memory of Dan Schreiber. 

I'm In This Movie (Speaking & Music)

If you don't already know, Shane Mauss is one of the smartest comedians on the beat right now; he hosts Here We Are, a science interview podcast that's really cool; and he's been candid (on Duncan Trussell's show, as well as on Future Fossils Episode 58) about how his psychonautic adventures helped push him over the brink into a delusional mania and temporary institutionalization (although, I think he needs to emphasize that he also quit alcoholism stone cold at that time, which may have had some tiny thing to do with it). 

This is his documentary of those adventures, and I'm in it cross-cut with the legendary James Fadiman, talking about Richard Doyle's writing on human-plant co-evolution and its role in the emergence of language...I also have a music credit, and a handful of great queues throughout, along with awesome animations by Ramin Nazer and the most paradoxically sober reflection you could expect from a documentary about psychedelic self-experimentation.

But for many other reasons that will make sense in retrospect, I highly encourage you to preorder it. One of those reasons is to help it up the charts. (I don't get a cut; I just want this conversation on the front page.)

This New Time-Lapse Video with John David Ebert (Future Fossils #65)

These New Future Fossils Coloring Book Pages

Five new coloring book pages for a total of 25 so far. I add new ones as often as I can!

These New Podcast Episodes & Special Features


In addition to the six latest episodes of Future Fossils Podcast, which span the gamut from the most confessional and bizarre episodes I've ever released to the most professional and discrete, here are two special offerings – one public and one for Patreon supporters only. 

We've started Future Fossils Book Club with an awesome conversation on the even-more-awesome Blindsight by Peter Watts, a truly important and unsettling work. And I also compiled dozens of my favorite excerpts from the show's 2018 run to make The Sediment of Sentiments, a kind of meta-fossil for everybody to enjoy:


These Two Silly Interviews:

Voyage Dallas • Voyage Houston

Origin stories, if you're bored. Weirdly got asked to do the same interview by the same magazine in two different cities where I don't live, but hey. It was an opportunity to play. :)

This Isn't New, But Still:

Patreon supporters get 10-20% off all my prints and merchandise at michaelgarfieldart.com: