Michael Garfield's Love Without End Tour Newsletter: book club
Showing posts with label book club. Show all posts
Showing posts with label book club. Show all posts

05 April 2023

✨πŸŽΈπŸ¦– Leaving SFI for Even Bigger Projects...

I'm building a new website! This is my last blog post at Blogger.
Please follow my updates and new work at MichaelGarfield.Substack.com
and stay tuned for the launch of FutureFossils.org. πŸ’—πŸ––πŸΌ✨


Announcing A New Book + Book Club on Jurassic Park • Guest Appearances on KMO.show + Rainbow Brainskull • New Live LP + Music Videos + Concert Dates


✨ Saying Goodbye to The Santa Fe Institute


Last Friday was the end of an era. Leaving SFI was not an easy choice, but it is time to synthesize what I have learned from years of complex systems science study and communication in some “grown-up” projects.

Here is my announcement (also pinned to Facebook and to LinkedIn):

🧡 Today is my last day at @sfiscience! It's been an honor and a pleasure to oversee SFI's social media for the last 4.5 years, to launch and grow #ComplexityPodcast into an internationally-charting show, and to work amidst such a thriving and inspiring intellectual community...

πŸ¦– Join My Book Club for Jurassic Park!


What's next? Here is an update on the HUGE undertaking I'm already working on — a new book, book club, and podcast project exploring how the science and philosophy of the Jurassic Park franchise (books, films, games, AND rides) sheds light on and entangles with the evolution of AI, VFX, biotech, and other monsters of modernity since JP’s first edition back in 1990:


Michael Crichton’s legendary techno-thriller is more relevant than ever now…which is why I’m resurrecting the Future Fossils Book Club to explore it! Grab your copy here.

The JP Book Club starts on April 29th and will mix asynchronous discussion in the Facebook group and Discord server with live calls. Patrons get a deep dive into privatized science, the breakdown of the boundaries between reality and virtuality, chaos and complex systems sciences, and science fiction as self-fulfilling prophecy.

There will be at least two live calls for this book, and then more for The Lost World later on this summer. If you have to miss them, they will be recorded.

Then, in the months to come, I'll interview a very heavy-hitting roster of scientists, philosophers, critics, and artists about all this on Future Fossils…including several of the SFI researchers whose planned episodes of Complexity Podcast I had to cancel. These two shows will start to bleed together…Future Fossils will stay weird, but also start to feature more rigor and prestigious guests.
It is a GIANT leap of faith to take this on…I hope you'll grab your front row seats, become a paid subscriber, and help me feed my family while I’m bringing all of this to life!

Read more and weigh in on Facebook or Twitter.


🎸 New Videos + Live LP Reviewed



My latest live recording marries science-inspired folk songs, high-tech improv explorations, and psychoactive concert banter into a truly magic stew I’m glad to share in full with everyone as a Bandcamp exclusive!

Anyone who buys it gets a secret playlist link with videos showcasing twenty extra very juicy minutes from the show (also available to Patreon and Substack members, if you missed that email).
"I think this is his best yet...not just a good record but this is an interesting person...worth making an effort to appreciate."

πŸ™πŸΌ @WarmthHighest reviews my latest live @Bandcamp-exclusive #psychedelic #folk album: https://birdboyblizzard.music.blog/2023/04/01/a-better-trip-live-at-the-jean-cocteau-cinema-supporting-shane-mauss-by-michael-garfield/ cc @shane_mauss @CocteauCinema



🎧 New Podcast Guest Appearances



Guest on KMO.show Episode 1 (with my buddy Kevin Wohlmut!)

"In this inaugural episode of the KMO Show, KMO, Michael Garfield of the Future Fossils podcast and mutual friend, Kevin Wohlmut, discuss the dawning of the epistemological apocalypse. Thanks to AI, we can't really trust our eyes or our ears anymore. Deep faked images and voices can produce 'evidence' that people said and did things they never said or did. How do we select our reality tunnels when almost anything can be faked in real time? Do we give up on truth seeking and just believe whatever floats our boat, or are there general principals [sic] or trustworthy oracles we can depend on?"

Part one of a two-part trialogue that will conclude on Future Fossils 201. Stay tuned!


Guest on Rainbow Brainskull Episode 81

If you want to hear me at my absolute SLOWEST, then enjoy this conversation I had with Ramin Nazer after pulling an all-nighter taking care of a cranky baby. I'm ordinarily not a fan of people listening to conversations at 2x speed because I try to pack my own episodes with as much information as possible, but in this case I think you might actually get something approximating my ordinary cruising velocity if you did so. Anyway, it was a superb conversation in spite of the fact I was a total mess (and he didn't bother to cinch it up in post-production, which I take to be basically a love letter to my mind, however ill-conceived) and I love Ramin to High Heaven so go show him some love…


🎢 Upcoming Musical Events


I WILL be making audio and video recordings of these shows for everyone who couldn’t make it. But if you live in or near Santa Fe I hope I’ll see you there!

03 October 2021

Autumnal Cornucopia: The Infoboros • New Zelda Song • Carbon-Neutral NFT Future Fossils • Podcast Tour • Back at Meow Wolf Soon!

Thanks for reading! I am trying to get back more, but shorter, more digestible emails...but that means catching up first with a major info-dump. (It's my love language!) Hope your upgrades have been and continue to be mostly pleasant, and that you find something in here that hits the spot. Write back any time...

New Book Cover & Future Fossils NFT Collection


The brilliant Vidur Mishra, gifted undergraduate student of my mentor Richard Doyle, just wrote his first book and it is one hell of a debut. The Infoboros: Recursion Across Mind, Matter, and Information blends neuroscience, yoga and meditation, and information theory together into a mind-altering ride on the nature of consciousness and what to notice about it.

I feel very lucky to have done the cover for this book. The commission sparked my passion for photomanipulation art, and got me deep in some awesome apps that have become my go-to flowstate protocols when it's too late at night for me to mess with paint or music. And of course, the honor of doing the cover for a book this good...

It's also my first NFT (non-fungible token, a unique digital instance of a work of art, minted on a blockchain) at the carbon-neutral digital art marketplace Voice.com, which I've been following with interest since 2018, well before it launched. I like that they want to make it as easy as can be for artists to produce collections and for people unfamiliar with cryptocurrencies to collect art without having to understand the infrastructure.

And making 1-of-1 "official" versions of each work, in addition to paper and canvas prints, makes me feel like I can recognize my finished products as unique, like paintings, even though the art is easy to mechanically reproduce (although it's worth noting that my NFTs use JPGs orders of magnitude more detailed than what anyone will find online...and that the real utility of NFTs has less to do with owning an art file and more to do with what else having a verifiable on-chain identity opens up — for instance, I can send new works to people who've acquired older ones, or grant them special access to decentralized communities or projects...I'll be writing more about this soon).

Here is more info on the book:


And here is where you'll find the NFT for this piece, and paper or canvas prints.

(I was pleased to learn that Voice promoted my work and this piece in a recent sponsored feature at Gothamist, a New York culture mag with nearly 1M Twitter followers...)

Also on Voice: FINALLY, the series of digital portals I've been diving into, rendered as unique digital collectibles with psychedelic scifi microfictions for each piece (which you can read there). I've always imagined "Future Fossils" as literal objects, time traveling messages from the future, kind of like reverse time capsules. Having, finally, the right place to enact this concept in a series, I'm reveling in the trippy glimpses of "the" future that each one invokes for me, and captioning them in that way...

I'm doing prints for these as well — but nonthelesss believe displaying the 9K-pixel-wide NFT version on a huge solar-powered OLED screen would be impressive.


Find the NFTs and read the microfictions here.

New Song About The Legend of Zelda: Breath of the Wild

And then there's this. Sometimes a song just overtakes me and writes itself in minutes. This is one of those. I love it and the people whom I've shown this demo take have ROFLed. Patreon supporters can expect more stuff like this — I'm writing music far, far faster than I can produce definitive recordings, and it seems to me that the best way to honor my undying songbird muse is to just slap these out as rapidly as possible, and loop back when I can. If that sounds fun to you, hop on board and let's do this:


New Podcast Episodes

This show has been quite satisfying for me, lately, as a host. The quality of conversation — the amount of heart and presence, the grace with which we engage in deep stuff with well-balanced levity — has been nourishing.  The latest two are no exceptions:


The Future Fossils Book Club Is Back!


As of this week, all three authors have agreed to be on the show. As always, Patreon supporters at all levels are welcome...and I will set up channels for asynchronous group discussion in the Future Fossils Discord Server so we can yarn together about these both before and after the actual live calls. By all means, start reading whenever you like, but I'll be active in the channels in the order I can actually get to these books, starting with Civilized To Death, and will treat these discussions as crowd-sourced notes in preparation for the episodes.

2021 Podcast Tour

I've also been on a lot of other people's amazing podcasts lately, for which I am grateful. A very diverse set of conversations spanning leadership, spiritual inquiry, creative work, sustainability, and much more. I know time is limited but let me know if you would like me to refer you to just one of them in address to a given living question in your heart:


"For episode 33, Layman [Pascal] is joined by Michael Garfield for a stroll along the highlands of weirdness. Ostensibly orbiting Michael's Complexity and Future Fossils podcasts, and his work for the Santa Fe Institute, they riff on the four types of individuals who channel creativity into society; the difficulty of translating novel insights down in the marketplace; ontological pluralism; 'pace layers' in social and artistic transformation; UFOs; Pepe the Frog, cunnilingus, and neo-Shamanic symbology; alternative voting systems and maximizing collective intelligence; dinosaurs; transhumanism, the bicameral mind, and alien modes of consciousness; tantra; retro-causation; the hummingbird at the edge of time; and -- well, frankly, Layman finally found a guest and conversation partner that out-taxed my powers of summary .... Just hop in, strap on, and see for yourself."


"We talk on everything from free will, to the future of civilization; from incentivizing integration over innovation, to staying childlike into adulthood in order to adapt to the disruptive economy we've created. If you like deep thinking, fractal conversation, you will one-hundred-percent-love this episode. Thanks and shouts to Michael for all the insight and good humor he brought to this episode!"


I'm honored to be a grantee of this rad project Idea Market, which seeks to fix the vital problems of mass media reputation market and fact factories. This conversation with founder Mike Elias and co-host James Ellis (also of Hermitix) was extremely fun.

"Discussed: Time-space synesthesia; Corporatization of the natural; 'The incentive structures of society are misaligned with the incentives of individuals'; Scaling laws of life and society; Be open to the unknown or perish; Tokenization of everything and the inability to quantify value; 'Story is the active ingredient in epistemology'; 'The truth owes you jack'; The Century of the Self & why values are more important than incentives; 'I'll probably ruin your entire company'; the need for dissenters...


"Our conversation explored the need for generalists in a highly specialised world and interdisciplinarity, including the following questions: What is the purpose of polymaths? Why is neuroplasticity is the best antidote to uncertainty and complexity? What is the nature of the technological and evolutionary transition we are in right now? Why would we want to live in the future versus the long now?"


"We explore how humans have been evolving with technology, what happens when innovation becomes the problem, and how we can best navigate societal collapse. It's a nourishing buffet of optimistic outlooks and critical evaluations on the very real issues that we're currently facing on the world stage."


They didn't break down this episode with detailed show notes, but I remember this conversation with Taran Rosenthal and Lukas Wolf as a candid trialogue about spiritual practice and psychological inquiry. Very broad, friendly banter that ranged far but stayed close to the heart of things...

Upcoming Concert

Lastly! I'm excited to announce that two years to the day after my last pre-pandemic day, and on the same amazing stage, I'll be back at Meow Wolf's House of Eternal Return to open for the awesome electroacoustic harpist Mary Lattimore! If you live nearby (meaning as far as Denver), join me on December 14th and we'll have a grand old time:


“Be messy and complicated and afraid and show up anyways.”
— Glennon Doyle Melton

19 June 2021

Life Finds A Way • Hyperstition • Freak Flag Mailbox • Psychedelic Book Club • Post-Covid Festivals • Art & Science • The Future Is Disgusting

"We're in a freefall into future. We don't know where we're going. Things are changing so fast, and always when you're going through a long tunnel, anxiety comes along. And all you have to do to transform your hell into a paradise is to turn your fall into a voluntary act. It's a very interesting shift of perspective and that's all it is...joyful participation in the sorrows and everything changes."
– Joseph Campbell

Consummations and conversations: I've been very busy lately in the Future Fossils Facebook group and Discord server but have nonetheless brought these works — some very long in the incubator — to completion. The relief is real, the resolution deep! Here are my latest psychoactive brain treats to augment your navigation of the weirdness that is 2021:

NEW MUSIC 65 MILLION YEARS IN THE MAKING




"Life Finds A Way" (and the one-minute instrumental coda "Hyperstition") have been in the works since my dorm room days in 2002 — so not exactly the Cretaceous, but might as well be.


This latest addition to my ongoing album-in-progress The Age of Reunion (which you can scope out and pre-order here) brings acoustic guitar, synthesizer, Chapman Stick, organ, electronic drums, and four-part vocal harmonies together into something appropriately bombastic, groovy, operatic, and apocalyptic to serve as the vehicle for proggy epic pop adventures into the pre-and-post-historic.


Here are a few different ways to engage.  Get out your headphones and hold onto your butts:


πŸ¦– Soundcloud (for time-stamped commenting) πŸ¦–

πŸ¦–Bandcamp (for lossless audio downloads) πŸ¦–
πŸ¦– Spotify (for saving to playlists) πŸ¦–


Patreon supporters get some sweet exegesis with an extra half-hour of my Ian Malcolm-esque ranting on the inspiration behind this song: technological evolution, complex systems, accidental magic, reality ruptures, and the end of the world. If you're "like me...a digger," then dig into all that here:




UPCOMING BOOK CLUB CALLS


Speaking of awesome science fiction and general weirdness, we're discussing two amazing books in the Future Fossils Book Club this summer.  I hope you can join us!



I PROMISED YOU I WOULDN'T STOP PAINTING


And now that I have a place I can customize however I like (the pressure!), I started small by upcycling our trashy old mailbox into something that screams "weirdos live here."  Next up: my closet doors...




NEW FUTURE FOSSILS EPISODES


Lastly, while I'm not toiling away at my admittedly-excellent (4.8 stars on 147 Apple Podcast reviews) day job show, Complexity Podcast, I've been knocking out some wonderful conversations and solo casts for Future Fossils. And here they are:


I talk with Mikey Lion, music producer and co-founder of Desert Hearts, and Malena Grosz, creator of The Party Pro Toolkit and director of Stargate Reunion, about the pandemic’s distortions of time and community, flow states and festival time, gatherings in the No New Normal, the impact of stage design and architecture on how community events shape individual experience, the tension between intimacy and scale, DMT and other life-changing experiences, the good parts of tribalism, psychedelic integration, and the future of festival economics…


On 23 May 2021 as part of the latest Complexity Weekend hackathon, I hosted a live panel discussion with four unique and fascinating minds: 

Michaela Emch is a communication and marketing specialist, translator, cultural mediator, biomimicry practitioner, safari guide, keen naturalist and biology enthusiast. AndrΓ©a Naccache is a psychoanalyst and a doctoral student in philosophy of law at the University of SΓ£o Paulo, with an MBA in finance. Meredith Tromble is an artist and writer who makes installations, drawings, and performances. Timothy Clancy work ranges from sophisticated simulations of violence & instability to systems thinking for business.

We discussed the relationship between the arts and sciences, conflicts of interest between systems and individual people, and many more interesting threads at the intersection of complex systems research and creative innovation.


The first in a new biweekly, patrons-only sidestream for author-read essays, commentary on current events, mailbag replies, and experimental format episodes. First up is a reading of and commentary on my Part Six of my book-forever-in-progress, How To Live in The Future: "The Future Is Disgusting."

Here's a teaser:

The future that I want, the only future I believe worth living in, is full of love — and love is all about relaxing boundaries. Erupting into our Italian gardens, smashing manicured taxonomies, and popping our extropian illusions of a better life beyond constraints, love is the greatest trickster that reveals distinctions in imagined unity and unifies apparent opposites, to hell with definitions; it is time for you to learn.

And that ensures the future will be positively gross, because as every set of paired antitheses resolves within the immanent-transcendent whole appearing as the herald of another era, nemeses are written into myth together; warring faiths combine their efforts to create economies; and everything you loathe today is indispensably a part of who you are, in truth, and who you could become if you survive and live receptive to the gnarly lessons of reflection offered up to you by love.

Someday all you hate will lose its charge within a greater truth — which, in a way, is even worse than knowing it will just persist. No: it becomes a part of you, and therefore worthy of your love; you learn to dig the things you feared; your brain adapts to shifting norms; we really are remarkable in our plasticity, and you’ll regard you-reading-now as hopelessly naΓ―ve, and small, and understandable, for all your ignorances are enshrined and glow within as relics of the origin of that more terrible and beautiful, awake and all-embracing thing you are.

MISCELLANY



04 January 2021

πŸŽ‰ Happy New Year! Lasers + Dinosaurs + Singularities

Now that we're TRULY over the rainbow...


Happy New Year, everyone!  My birthday comes two weeks after Christmas, so this time of year is always hopeful and uplifting in spite of — or rather in juicy harmony with — the vibe of wintry contemplation, holiday burnout, and bare-treed, sky-wide reflections on time, life, and everything.  02020 gave us all so much to think about and learn from, recover from and build on.

Like I imagine you are, I'm looking forward into 02021 a little battle-worn but clarified and eager to explore some new horizons. This year is going to be different — I'm not quite sure yet how, but I am always grateful for this moment when our culture calls us to reach into mystery and possibility each year. And in the meantime, I have a trove of unpublished work I'm eager to share in the months to come.


Thanks from the bottom of my heart to everyone who bought a painting in my moving sale and helped us fix up and furnish our new family home!  Still some time left to contribute and score art at wholesale prices — I have just a handful of originals remaining, and I'm at work on a raft of new small studio pieces, but I'm also open for commissions — email me with inquiries.

And now here are a few new things. More soon. See you in the Future Fossils Discord Server...!

Love,

Michael

"Urvogel" (First Bird) Archaeopteryx Wood Ornaments


I made these on my Glowforge as Christmas gifts — short philosophical musing below on what it feels like to try and translate the analog uniqueness of painting to this digital medium.

They're not currently available for sale but I'm happy to talk about commissioned laser-enabled designs, if you're interested! Scheming about additional perks for Patreon supporters and happy to take suggestions for the best possible applications of my artwork to laser cut and engraved merchandise.


Sometimes I think there must be something like ASMR for eyeballs, looking at very tiny things or seeing things in neat rows, that satisfies the brain's prediction reward circuitry and is partly responsible for the mechanized aesthetic that dominates modernity. It feels like an ironic hijack of biophilia and our biologically innate love of forms like tree branches and river deltas: the fractal order of our evolved life-world swapped out for a lower-dimensional shadow of the ancient mystery of reproduction.
Walter Benjamin explored this, and asked about what sacredness still lives in mechanically-duplicated art forms, in his most famous essay; WJT Mitchell updated that essay for our biocybernetic century. And as technology evolves according to the same rules as everything else, it looks and acts more and more like the kind of living systems we're used to: dynamic, mutable, branching, turbulent, unpredictable. 

Something of that was captured in these laser cut Archaeopteryx ornaments I made to break in my Glowforge this year — like (but admittedly much simpler than) printing Leeloo in The Fifth Element, seeing row after row of echoes of one of the world's most unique and precious fossils feels to me like a portal into a future in which human and nonhuman life alike becomes both more ephemeral and priceless, and we develop a more nuanced understanding of individuality and selfhood.

(When you can be copied like any other computer file, what makes you unique? Your context. Your history. What cannot be copied. See also Westworld, which I discussed with Michael Phillip way back in Episode 14 of Future Fossils Podcast, and Episode 65 with John David Ebert and I unpacking the mythical and spiritual themes of Blade Runner 2049.)
Anyway...

Mid-Singularity Trialogues with Ramin Nazer & The Teafaerie



Reporting from mid-singularity, friends and returning guests Ramin Nazer, The Teafaerie, and I run for several full-court passes on augmented reality, telepresence, simulation theory, the science fiction of Charles Stross and Hannu Rajaniemi, how to enjoy the rapids of change, and much more.

If that doesn't satisfy your thirst for weird sh*t, go listen to more about virtuality, artificial consciousness, and neuroscience, in my appearance on the Voices in the Dark podcast.

Book Club Recordings Now Free For Everyone


ICYMI I've made all of the Future Fossils Podcast Book Club recordings entirely free, moving them from behind the Patreon paywall so everyone can appreciate the deep and illuminating discussions we've had about some of the coolest books I've ever read. Enjoy!

Follow My Chill Spotify Playlist (Recommendations)


This is where I share all of the cool new music I discover. Chillout, electro-folk, acoustic instrumentals, avant-pop, film scores, and more — it is as everywhere as I am, but I hope that you agree it all coheres.

If you have tracks you'd like to add, please share them in the Future Fossils Discord Server!


Follow me elsewhere:

Spotify | YouTube | Twitter | Instagram | Facebook | Soundcloud | Bandcamp

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17 June 2019

Velociraptor Painting + New Tunes + Ten Amazing Conversations

Whew, okay!  This "biweekly" newsletter I've been keeping since 2009 went three whole months without an update...
but it's because I just became a dad!  I hope you'll understand and stay on board.  Thank you for tuning in!

Here are some of the new things I've created for you (and for the sheer fun of it):
Four new paintings, one new live album and a 360ΒΊ video "single," and an entire treasure box of awesome conversations.  Enjoy, and drop me a line anytime if you're inspired!

gratefully yours,

Michael

"Our Lady of the Late Cretaceous"
24"x36"• acrylic and oil paint pens on canvas

 
"Xenoscaping III & IV"
2x 12"x24" • acrylic and oil paint pens on canvas

"Fire Jelly Fronds"
12"x24" • acrylic and oil paint pens on canvas

Live at the Apothecary
(Santa Fe, NM • 2019.05.11)
Bandcamp • Patreon • Spotify

My first concert as a father, and my first concert as a Santa Fean, this show was warm, intimate, and magical. Dear friends were in from out of town, and new friends were won over from the dinner crowd. My old friend Sydney Wright from Austin, Texas – one of the regulars at my two-year Austin residency, Loopers' Night – joined me while starting off her tour of the Western States, and captivated all of us. (Her songs were not recorded at this show, but I encourage all of you to check her out.)

Big thanks to Mya Kass & Cheryl Casden for inviting us to play this show at the Santa Fe Oxygen Bar Apothecary Restaurant – and even more for buying an entirely new PA system so Sydney and I could have the best possible sound for this. And thanks to Andee Jean Ostara for her concert photography – you can and should follow her new professional instagram account.

Here's one of my favorite moments from the show:


"Indecision" (Ukulele Arrangement) in 360ΒΊ

In the moment before acting lies a void 
where every future gleams, 
reflecting every other 
every moment a uniquely blooming world. 
In the space between two thoughts 
where every other instant grows 
expanding now into infinity 
and every possibility unfurls... 

How do you choose your next life? 
It may seem your heart has stopped between two beats. 
It's not the universe that's ended 
but that you're already dead,
remembering everything at once 
seeing past the limits of your head. 

In the seconds it would take to drain 
the oxygen from your exquisite brain 
a few mere seconds, all your life replays 
an intimate refrain. 
It isn't just the fireworks of dying neurons firing. 
You are slipping from the grip 
of that which kept you in the slow procession. 
Now your feathered eyelids open to behold the whole terrain...

 

I'm especially excited about the Future Fossils Book Club on Patreon and the amazing video calls we've been having about the most mind-blowing books I can find.  Our first call on the science fiction horror masterpiece Blindsight by Peter Watts was great, and our second call on Diana Slattery's psychedelic science and philosophy opus Xenolinguistics was (for me, anyway) even better.

We're doing a call for Cixin Liu's Hugo-winning The Three Body Problem sometime next month.  
I'd love to hear you chime in on our next group call!

And since it's been so long since my last update, here are NINE new episodes of Future Fossils.
There's something here for everyone: Nadja Oertelt teaches scientists to speak to non-scientists; Bruce Damer's team might have figured out the origins of life; Erick Godsey has the most inspiring stance on personal mythology; Android Jones and I discuss what being visionary artist dads is like; Mitsuaki Chi leads therapeutic mushroom groups in Amsterdam; Sean EsbjΓΆrn-Hargens is about to teach a course about the philosophy of science through the lens of UFOs; Bernie Taylor has a powerful new angle on some of the oldest cave art in the world; Eliot Peper offers his empowering and sober view of history and tech; and Kevin Wohlmut offers up the first guest episode with essays on the next ten billion years.  Enjoy!

        

“All that is becomes connected even in its difference, as being and becoming share the same confused territory of ‘feathery incandescence’; ontology itself becomes not only dynamic but synesthetic.” 
– Richard Doyle, Darwin's Pharmacy