Four New Paintings From An Artist-At-Large... Also, Shredding

• Four Live Paintings From Art Outside Festival & Bear Creek Festival

Juggernaut Paisley

2010 10 22 The Parish, 10 23 Art Outside Festival,

11 11 Bear Creek Festival

(Big Gigantic, Alex B, Govinda, Anahata Sound, Ricochet, Toubab Krewe, Alex B, Rebirth Brass Band, Umphrey's McGee)

24"x30" - paint markers on masonite

original for sale - check asking price / email me

11"x17" prints for sale* - email me

Dedicated to journalist and filmmaker Charles Shaw – who, after we struggled through the first three weeks of our Light & Shadow Tour, finally saw me in my element the night I started this painting in Austin. (Not that I don't love playing concerts to empty churches...seriously, I do.) It ain't easy to share the front seat with someone for six freaking weeks, but eventually, our buddy-cop-movie caricature grew into an assuredly lifelong friendship. Intense art-and-activism road trips come highly recommended, if you're looking for your own forty days in the desert.

Together & All Over The Place

2010 11 11, 12 Bear Creek Music Festival

(Umphrey's McGee, Garaj Mahal)

24"x30" - paint markers on masonite

original for sale - check asking price / email me

11"x17" prints for sale* - email me

Dedicated to Fareed Haque, guitarist of Garaj Mahal, with whom I had an excellent conversation while waiting in the dinner line later that night. Fareed's only moonlights as a rockstar; he's a professor of both jazz and classical guitar most of the time, and recently contributed to a book on the neuroscience of guitar. Needless to say, he has a refreshingly unique perspective on the intersections of music, psychology, and biology, and I hope that we're able to continue the conversation in public at some point...

These Things Happen...

2010 11 12 Bear Creek Music Festival

(Eliot Lipp, Everyone Orchestra, Chali 2na, Umphrey's McGee)

24"x30" - paint markers on masonite

original for sale - check asking price / email me

11"x17" prints for sale* - email me

The second mass extinction on an Earth-like planet three stars away, happening right now. Points to anyone who can identify the film from which I pulled the title for this piece. (Hint: The line is in reference to a different extremely rare and disruptive weather phenomenon...)

Dedicated to biologists Stephen Jay Gould and Niles Eldredge for their theory of "punctuated equilibrium," which argued that life maintains a kind of business-as-usual stability most of the time, then rockets through periods of rapid and radical transformation...not exclusively gradual or catastrophic. The fractal landscape of evolutionary change, vast and inexplicable.

Chihuly Oyster

2010 11 13 Bear Creek Music Festival

(Dubconscious, DJ Logic, Eliot Lipp, The New Deal, Bonobo)

24"x36" - paint markers on canvas panel

original for sale - check asking price / email me

11"x17" prints for sale* - email me

Keith Haring went on a date with H.R. Giger...

Dedicated to all of the other live painters at Bear Creek, alongside whom I busted my butt all weekend – and to Carrie Curtis and Chris O'Toole, who were hilariously (at least to me) each charged with the responsibility of coordinating the visual arts there. (What kind of festival hires competing art coordinators??) We had multiple visual artists working the main stage for the entire five-day event, and a real family vibe started growing on me by the end of it. I'm already excited about next year, and want to thank everyone involved for making it happen!

• Bear Creek Festival Gallery & MG/Odenedo Collab

Costumes, collaborations, body painting, and over a dozen live artists...this festival was a treat for the eyes. Check it out:

Bear Creek Festival pics at Facebook

Each stage at Bear Creek had large wooden placards with the band names painted on them. It was arranged that we live painters could go to town on them, ultimately auctioning them off to support the festival's greening program...so admirable artist Kevin Odenedo and I finally went to it on our first, long-awaited collaboration:

2010 11 13 Bear Creek Music Festival

(The New Mastersounds)
collaboration with Kevin Odenedo

24"x48" - paint markers & acrylic on laminate board

I doodled on numerous band placards over the weekend, but this is the only one that ended up looking even slightly coherent. (Having such a plenitude of live painters was kind of a traffic jam, but it was still a blast.)

• "Autocatalysis" Music Video From The Light & Shadow Tour

And lastly, here's a new video for an old (2005) solo acoustic guitar tapping etude from my first studio album, Get Used To Being Everything. I already have one video of this, but I wanted another that didn't have me yammering on about evolution before I start playing (although this take is somewhat slower than that one). Plus, the forests of North Carolina were too beautiful not to film something there. Enjoy...more for you next week!

Watch it in full HD / Download the track for free

* 11"x17" UV glossy poster prints (shipping included):

1/$25, 2/$40, 3/$50, 4/$60

10,000 Breaks & My Lark For Zuvuya

> MusicBefore we dive into the paintings, I'd like to invite you to dive into my latest album: Quixote's Lark For Zuvuya, a live recording of my recent opening set at Quixote's in Denver for Zuvuya (the acoustic side project of Zilla's Michael Travis & Jamie Janover, with Xander Greene on acoustic guitar). Being invited to play in support of these fantastic musicians was a tremendous honor, and I had no choice but to seriously step up my game for their audience. Which was easy enough, because it was already a very significant day (marking my little brother's 10th birthday, as well as the transformation of a very long and difficult romantic relationship into something more nameless and profound)...this recording captures one of my most energetic and passionate performances ever, as well as the debut of several new live looping arrangements for older songs. You can download it for free here – or name your price for the music, if you're in a generous mood.

For those of you who were there, thanks so much for your patience in getting this online! For those of you who weren't, check it out! The performance swerved from swinging balladry to acoustic guitar techno to spark-shooting instrumental etudes...and it's yours as a gift of appreciation for your time and attention. So please, download it and enjoy!

> Imagery
FYI, I'm having a liquidation sale f some of my earlier paintings, which have been discounted 30% - 50% from their original asking prices. If you've been waiting for this apparently seasonal event to roll back around so you and your buds can scoop up some affordable original work, have at it! You love art; I love health insurance. Let's play "win-win." Here's the list of available paintings (at facebook and at myspace). And now, onto the new work...

2009 07 24 10KLF (Everyone Orchestra) - 18x24
Certify Electrify

I got into my virgin 10,000 Lakes Festival last week, a delicious gathering in upstate Minnesota held on permanent festival grounds (flushing toilets and shaded camping = major luxury). I was granted entry on journalistic assignment for GratefulWeb.com (my extensive festival write-up coming soon) and spent most of the weekend taking pictures and notes, but found some time to paint for some of my favorite artists. The Everyone Orchestra show was spectacular – with Dominic Lalli of Big Gigantic on saxophone and Steve Kimock on electric guitar, and conductor Matt Butler's energy was higher than I've ever seen. The show was a benefit for The Rex Foundation, founded by the Grateful Dead, which was raising money to buy instruments for local music programs – check them out and offer support if you can.

As for the painting...I've been getting more and more into intricately preparing backgrounds with cross-color fades and metallic spraypaint. In this case, I got so carried away with the background that this piece was an exercise in leaving it visible behind my penwork. The result was a perceptual paradox in which foreground objects appear to be behind background objects, like those trick rooms you look into through a viewfinder and kids appear taller than adults. Entirely unintentional. The guy who bought this one named it...he was on a "certify" kick that night.

available - 2009 07 23 & 24 10KLF (Wilco, Steve Kimock Crazy Engine) - 18x24
Swimming In Words

I'd never seen Wilco before and wasn't expecting much...but they rocked my socks half off. That Nels Cline was wailing on the electric guitar – but unlike fellow headliners Widespread Panic, Wilco's lead lines were integrated into a jangly wall of sound, instead of pushing the rest of the band into the background. And that's my style; I prefer band-as-explosive-organism to band-with-a-badass-hired-gun. I set up in the concrete beach of a general admission area down front for this one, which was kind of foolish. It was a high traffic area but TOO high traffic. One girl spilled an entire new beer all over the place and very nearly destroyed my book of prints; I got bumped into a lot; it wasn't especially visible to anyone but the river of people, and difficult for anyone to actually stop and watch. It was much easier to finish this during Steve Kimock's set, although I was baking in the midday sun the entire time for that one. Regardless, I consider this one a successful experiment in laying down a complex monochromatic background beforehand and spending the "live time" pulling out details and creating many layers from one. It reminds me of what it must be like to live in the naked Logos, deeper than space and time, swimming through the fundamental language of reality.

available - 2009 07 23 & 24 10KLF (Garaj Mahal & Boombox) - 18x24
A Wall Of Windows

I had the honor of painting onstage during Garaj Mahal for this one...if you don't know Garaj Mahal, make it a point to and you'll know what I mean. Every member of this jazzfunk supergroup is a master of his own instrument, and two of them (Fareed Haque on guitar and Kai Eckhart on bass) are actually music professors for most of the year. This band is their recreational project, which gives the music a playfulness and spontaneity rare even among jam bands. And of course, I love painting for Boombox whenever possible. Another experiment in dualtone backgrounds with gold spray. Looking through a fan coral at the evening's first stars, or the reef's reproductive bloom...

2009 07 05 & 24 Rothbury Festival & 10KLF (EOTO, Shpongle, Alex B, Big Gigantic & Big Gigantic) - 18x24
10,000 Breaks Vestibule

I had started this one at Rothbury, painting as an unofficial member of the ReSOurce Center's IAMU visionary art gallery next to the Tripoli Stage. But I was pretty distracted by other things that weekend and didn't have the opportunity to lay the finishing touches until 10K, which was just fine: I had another opportunity to paint for Big Gigantic's heady mix of live drums and saxophone with killer laptop production, which is always a treat. It was weird to be (to my knowledge) the only itinerant sidestage live painter at this festival, but I got a lot of welcome appreciation for it when I set up in the entryway to the event's Saloon Stage (the only permanent indoor venue I've ever seen at a festival – very cool). Thus the title (again, courtesy of the buyer).

available - 2009 07 31 Beaumont Club (Nick Steady, Mixed Method, Galactic Soul Tribe, Clandestine) - 18x24
Bassdream

I can't seem to shake those ferns! This one "happened" at Cicada Rhythm's Sunshine Bassdream, a lovely two-stage mini-rave in downtown Kansas City, where I set up outside in the glorious and unseasonably cool evening air and listened to great local live electronic hybrid acts and uptempo DJs until the wee hours. My friend David Titterington, a truly amazing visionary painter who puts my work to freakin' shame, was in town from Japan, and I enjoyed having him around to offer his painterly advice. The first time I ever started one of these pieces with an intricate background from scratch at the show, which was messy but fun. And even though I didn't know where I was going with it at the time, it does seem to have captured both the "summer" and "bass" vibes of the event with fidelity. I'm sure watching Planet Earth's "Grasslands" episode the night before had something to do with that. :)

> Writing
I've been a busy writer this summer. Here are some recent essays for your reading pleasure, as well as a few solid little interviews:

Vivid Journal – "Michael Garfield: Exposed!"
(...in which they ask me about my artistic process and how I've braided together art and music and writing in my life.)

MusicAndSpirituality.com – Interview w/ Michael Garfield
(...in which I contribute to an ENORMOUS survey of music visionaries by offering my own interpretation of the spiritual significance of music.)

D/Visible Magazine – "Biomimicry: Breathing New Life Into Design"
(...in which I introduce the emergent field of biomimicry, which seeks to solve human design problems with nature's own pre-existing solutions.)

Colorado Music Board – "Field Guide To Colorado's Live Artists: Kenzie Page"
(...in which I interview one of Boulder's newest live painters for my ongoing comprehensive survey of Colorado's insane live art scene.)

Colorado Music Board – "Sonic Bloom Festival In Pictures"
(...in which I share a very tiny slice of a very lovely weekend at one of the most beautiful venues in the world.)

Colorado Music Board – "Luke Redfield's Folk Mysticism And Mystic Folk"
(...in which I review recordings by my friend, legendary nomad-meditator-troubadour Luke Redfield, who demonstrates that spirituality knows no genre.)

> Share this with your friends!

New Year's 2009 Week Paintings (Denver & Boulder)

Each painting is available in 11"x17" prints for $15 each.
(Email me - michaelgarfield at gmail dot com - if interested.)

18x24, available for sale - 2008 12 29 Cervantes (Everyone Orchestra, Eric McFadden Trio)
Experiment in pseudo-tesselating stars, hexagons, and diamonds; three variations on a bubbling fringe; suggestions of a hidden gold and white layer behind and between; broad hatches as background noise; an occasional eye; implying directionality in flow. At Everyone Orchestra conductor Matt Butler's suggestion, I got this one signed on back by half of the band (a first).


18x24, available for sale - 2008 12 30 Cervantes (Panjea, DNALand, Lynx & Janover)
Play with ribbons: creation of an "obstacle scape" through which to thread orbs while teaching myself about layering; precision trial in black outlining; attempted "curtain" effect with ambiguous implied-motion relationship between ribbons and orbs (Rising together? Falling together? Moving past one another?); use of simple color theory to suggest depth (blues behind reds to simulate "bluing" with distance).


18x24, reserved until February - 2008 12 31.1 Quixotes (Sporque, Vibesquad) (late show for the 30th)
One continuous field of hexagons (reiterated inside themselves) split into two "passing" schemes; an attempt at something more primordial and diagramatic (as if those two things go together). Purple lines in the blue sections half-create cubes, and half leave it looking like a cross-section. It reminds me of a microscopic view of pollen collected on some membrane, or maybe natural glass.


18x24, available for sale - 2008 12 31.2 Cervantes (Panjea, DNALand, Lynx & Janover)
Another study in curtains of helices and bubbles, this time more formally related. Hoping to follow the festive New Year's theme resulted in inadvertently and uncannily illustrating the purple ribbons hanging from balloons on stage (although they weren't released until after I'd started the painting...). People kept asking if I was painting the balloons. I guess I was.


18x24, available for sale - 2009 01 01 Crowne Plaza Hotel & Owsley's (Boombox, Everyone Orchestra, & Vince Herman) (late shows for the 31st)
Picked up from a monochrome tunnel pattern I started on this board but left in my trunk for a month, this one's awkwardly balanced between two and three dimensions (Are the minicubes inside the bigger ones, or attached to their faces? Are the bubbles emerging from the golden void within each cube, or resting on their golden lids? Are the cubes actually receding into the distance, or just getting smaller?). Ambiguity and liminality were kind of themes for the night, but I can't claim total intentionality.


18x24, reserved until February - 2009 01 02 Rock N Roll Grill (Project Aspect, Motion Montage, Jeff The Box)
I wanted the ribbons in this piece to obviously organize the orbs, sweeping them up into a coil rather than just interacting idly - not a caress, but a grab - thus the contrast between free-floating and "wrapped" elements. Hexagons give a "trellis" style backdrop, and I finally attempted some kind of patterning on the ribbon itself. Lots of silver outlining. The artists at this show are all local basement projects that merit your attention - I can easily see this same line-up selling out The Fox in a year, so take notice!


18x24, available for sale - 2009 01 03 The Fox Theatre (Bonobo, Big Gigantic, Future Simple Project)
Varying states of completion in two interlocking elements (the flowers and orb clusters) made for a quick background that still gives the sense of approaching/receding and various depths; "plants" and jellyfish in the foreground rooted the image in something recognizable and took the flow off the sides of the board. Simple foreground coloration didn't confound the already-intricate backdrop. Modularity was emphasized. After a year of people telling me I draw deep-sea stuff, this is the first one to put representational and nonrepresentational elements together in the same painting in a way that unequivocally shouts "aquarium!" Expect more stuff like this, probably integrated with the ribbons and helices, in the months to come.