Michael Garfield's Love Without End Tour Newsletter: Loopers' Night
Showing posts with label Loopers' Night. Show all posts
Showing posts with label Loopers' Night. Show all posts

05 January 2017

Happy New Year! It's An Art Explosion: John Speaker Collab // Free Ableton Live Pack // Future Fossils Episode 13 // Synchronicity & The Inner Eye

“We try to be conscious and respectful of our neighbors…and yet, we MUST prevail.”
– Alex Grey


Greetings, friends, and Happy New Year!  According to the Chinese Calendar, 2017 will be the Year of the Fire Rooster.  Given my love for sacred flames and bird-related things, I'm already gearing up for a year that feels like home:  wild independence, visionary ventures, channeled positive aggression, yang creative push to new horizons, yes let's do this!

Making room for new beginnings also means the end of some things I've held dear.  Tonight is the last Loopers' Night (the music monthly residency that I've hosted here for years).  I'm painting much less live work now, and more at home (where I can join you guys for webcast art jams, like next Friday's).

Fewer public appearances in general means more time to work on my book, album, and podcast – all part of an ecosystem of ideas and art I'm making this year to help people navigate our increasingly psychedelic century.  If you'd like privileged access to my new work and the satisfaction of supporting independent art, please check this out:


And now here are the new things.  Enjoy, and Happy New Year...!

New Collaboration with John Speaker
18"x24" // acrylic // canvas // sold

A collaboration with John Speaker, to whom I mailed this painting halfway through.  He took a piece that led to a dead end for me, and lifted it to new heights. (We've never met in person.)  Check out our as-yet-unclaimed other collaboration by mail here.

Free Ableton Live Pack

I've been making music with the amazing digital audio workstation Ableton Live since I got my first Macbook in 2004...but I've mostly kept it to myself. As I embark on the adventure of recording and publishing my first studio album in nearly a decade, I'd like to share with you some of the tools and toys I'm making for this project. So here is my way overdue first Live Pack, containing two drum racks I'm using for sample-based electronic percussion on the new album.

Both of these drum racks are based on a single-take sample recorded through a Beyerdynamic M88-TG microphone, a hypercardioid condenser mic renowned for its excellent flat EQ response and full-spectrum sound. Both slice one sample into sixteen short clips to be triggered as percussion hits (in my case with a Keith McMillen QuNeo MIDI controller – but you could use just about anything that will send pressure-sensitive commands).

Plenty more sample-based synthesizers and drum kits to come. My hope is that you have fun with these – and that you share whatever music they inspire!

(If you would like to learn the basics of music production and performance with Ableton Live, I'm happy to get you started with lessons over video chat. I'm eager to share more technical knowledge in the years to come, and share the joy of making music/paintings/writing/podcasts/anything I do...)

New Episode of Future Fossils with Rupert "Dr. Chill" Till

“I keep saying to people, this is work. I’m not here on holiday…I’m here disseminating the results from a 3.5 Million Pound European research project.”
– Dr. Chill

Our thirteenth episode features Dr. Rupert Till, aka Dr. Chill, the world’s first PhD in Electronic Chillout Music. Dr. Chill has a habit of reconstructing ancient acoustic spaces from caves and temples, then writing electronic chill out music with 3D printed replicas of the world’s oldest instruments. In other words, he’s a badass at the intersection of academic archeology and international dance festival culture. A pretty great place to be!

We had an amazing conversation about his research, rites of passage, and the perennial trance dance that defines us as human beings at Boom Festival.

Subscribe to, Rate, and Review Future Fossils Podcast on iTunes or Stitcher Radio.

(Or download the episode and read show notes here.)

Guest on Synchronicity Podcast

I had a wonderful time on the Synchronicity Podcast, discussing "the usual": psychedelics, shadow work, nonduality...dinosaurs...we really went for it with this one.

Give it a listen here.

Guest on The Inner Eye Podcast

The Inner Eye podcast is a collection of spontaneous and casual conversations with visionary artist Jake Kobrin exploring the subjects of art and creativity as well as things of relevance to navigating our existence such as religion and spirituality and psychedelics.  

Listen to our episode here.

Upcoming Awesomeness


The FINAL Loopers' Night is this Thursday.  For the last two years, my cohost cellist Jen Mulhern and I have led groups of daring instrumentalists through alternately groovy and hypnotic electronic live improvisations.  Every month we welcomed new musicians into the adventure.  This month Jen and I move on to dedicate ourselves to other projects, but we're going out in style...

RSVP and learn about participating acts here.

10 May 2016

MG on Third Eye Drops Podcast / Oodles of New Original Art / New Tunes from Paint Jam, Loopers' Night, and Austin Airport

This newsletter is already too long, as usual – so thanks for reading, and away we go!

love
Michael
––––––––––––––––––––– New Words –––––––––––––––––––––

I just love sitting in on Third Eye Drops – one of my favorite podcasts (and I listen to a lot of them).  Shane Mauss, you may already know, is a superb comedian, and host Michael Phillip does a great job of steering every conversation into splendidly bizarre directions.  Click the image for a listen:


Also worth a mention that my Third Eye Drops appearance with Erik Davis is now up on YouTube, in case you want to see the funny faces we were making while we spoke.  :)

––––––––––––––––– New Visual Artwork –––––––––––––––––

"Leviathan (or, Technocore in Love)"
oil and acrylic paint on masonite panel (48"x24")


(There are also plenty of pictures and videos of this piece in progress on my instagram profile.)

"Kaiju (or, This Time The Turtle Wins)"
oil and acrylic paint on canvas (36"x24")


This spring has been a total spree of small new canvases and other tiny pieces.  Lots of new collaborations, sketchbook pages, custom painted items – most of which are still available and very inexpensive.  This is the best way to grab original art from me right now, for less than a lot of you spend on your monthly internet bills:

- available, make an offer -

- available, make an offer -

- available, make an offer -

- available, make an offer -

- available, make an offer -

- available, make an offer -

- sold -

- sold -

- NFS -

- NFS -

- NFS -

––––––––––––––––––––– New Music –––––––––––––––––––––


Please accept this windfall of ripe fruit, raw and full of juice. By no means are these polished studio recordings; these are artists who have not all played together like this, diving headlong into mystery, elaborating silence, weaving light and color into music.

This free recording of the highlights from our second Paint Jam features a rare Chapman Stick appearance by yours truly; Math Judson (drums); Andrew Noble (violin); Noah Peterson (saxophone); Shane Dooley (acoustic guitar); Matt Belluomini (electric guitar); and Caitlin Callas (viola).  

(For fans of Cinematic Orchestra and Godspeed You! Black Emperor, because that’s what this reminds me of.)


And then there is this...

Sometimes I have a show on the other side of a security perimeter, no guests allowed.  This bugs the hell out of me, so I'm glad that Facebook now allows you to stream video from anywhere.  Although I've streamed a few live events on my YouTube channel (including my "historic first" Google Glass POV footage while performing at Gratifly Festival, as well as various podcast-format conversations), it was super fun to stream the second set from my recent solo acoustic gig at Waterloo Records in the Austin-Bergstrom International Airport.  

If you like acoustic music, percussive guitar and fretboard tapping, songbird baritone-tenor warbling, and deep-as-space songs, you will enjoy this set.

But for those of you who like a more carefully curated package, not the raw live feeds with network latency disasters and potentially embarrassing stage banter, I've just added one more song (my favorite performance yet of "Let It All Get Out," with a slow-burning apocalyptic outro) to Live at Strange Brew Loungeside.  Strange Brew is a fantastic listening room, and these recordings really sound "alive" – it gives these songs, for which I've usually spent years in composition and rehearsal, something special.


Also new this month: three new (and fantastic) free recordings in the Loopers' Night musical archive with yours truly alongside Jen Mulhern (cello); Shane Dooley (guitar); Sarah Jane Hargis (flute); Ana Barajas (voice); Jason McKenzie (percussion); Math Judson (drums); Andrew Noble (violin); Art Pinsof (iPad synth); and Todd Sloan (flute).

Follow us on Facebook if you like live looping music – there will be more, oh yes!

––––––––––––––––––– Upcoming Events –––––––––––––––––––

Full calendar here with many more events.  Let me know if you'd like for me to visit your town and we can get started scheming it to life!


Giving two talks at this amazing event in just one week!  Moogfest is "The Synthesis of Music, Art & Technology" and devotes a very awesome daytime program to the future of creativity and the human experience in an era of technological empowerment.  Thanks to a referral from polymath-wizard Bruce Damer, I'll be speaking on the festival's "Technoshamanism" theme,  getting into a bunch of the issues I discussed with Erik Davis in our last YouTube chat – as well as providing my first interactive live looping playshop.  Read on for more info:

Presentation:
Workshop:


I'm back at Sonic Bloom Festival this year, on an incredible live painting lineup as well as presenting my new talk (tongue-in-cheek title: "How to Live in the Future") alongside some real wizards and witches.  No live music this year on any stage, although I may plan some late-night psy-ambient sets in the SolPurpose Gallery...


Is anybody else attending Boom Festival this year?  My first trip to Europe and I'm super honored that I get to play and speak amidst the international community of visionaries that converge there.


A dream come true!  I'm teaching my first workshop – and playing my first concert – at Alex & Allyson Grey's Chapel of Sacred Mirrors this fall.  I'll have more to say about this later.  Details here.

And that is "all" for now.  Thank you so much for reading, looking, listening, and all of your support!

“Polar flip-flops are the engines of conversions and suicides.  Preferred is the witnessing of the infinite polarities without sinking into the conflict.”

– Alex Grey

05 April 2016

My Most Prolific Month to Date! New Full-Band Recordings, Solo & Collaboration Paintings, Mural, Podcast, & New Show Announcements


Hello from Santa Fe, New Mexico!  I'm here at Synergia Ranch this week to join in an historic moment with some of the psychedelic revolution's luminaries – folks like Ralph Metzner, Rick Doblin, Dennis McKenna, Allan Badiner, Gay Dillingham, and more (this place is such a trove of first-wave genius, I am soaking up as much as possible).

More on that soon.  But in the meantime, can I suggest you keep this open in a separate tab and graze on it occasionally?  I promise never to finish this many projects in one month ever again.

Love you for even reading this.

May all this crazy season's life and movement be a great adventure for us all.

And now...

A NEW COMMUNITY PROJECT!


Enjoy these tunes!  They are the kind that happen when a big band magically emerges from the intersection of a motley crew of hand-selected instrumental talent and jams together in conjunction with a dozen painters – this is raw, immediate, spontaneous, lush, textured, driving, spacious, beautiful material, and I'm honored that I got to be a part of it.  

Paint Jam ATX is a new monthly in Austin I just started to address this culture's need for places where live music and live art can get together and inspire each other.  Bring your own art supplies and soak in all the creativity.  It's our little prayer to the continued thriving of this city's Red River and the cultural district on its banks, now threatened by a meteoric rise in rent that could destroy the vibe that makes this place so great.

This is the kind of party Austin needs, perhaps the kind of party all of these United States could use, real medicine for those of us who need more substance and participation in our revelry.

I hope that you can join us for the next one! RSVP for our May 1st event here.

FOR YOUR VIEWING PLEASURE:

Paint Jam #1 Collaboration 
w/ Omar Chow & Tourmaline Todd

oil, acrylic, and aerosol paints
on 40"x30" stretched canvas

The residue in pigment of our first Paint Jam ATX event.  I am on a new collaboration bender – there is no better way to manifest real magic and accelerate the learning of all those involved.

Binary System

oil & acrylic paint pens
on 48"x24" stretched canvas
SOLD

Another window into what I think the future of humanity might be – a world in which the made and born, machine and biological, the other and the self, are all so intimately intertwined that all these basic categories lose their meaning.

Painted live at Gem and Jam Festival and The Music Run, as well as during plenty of intense late nights at home and in my friends' apartments.  May I recommend you click to view this piece as large as possible?  There is so much detail and delicacy here, such intricate biomechanics...

Particle Accelerator

oil, acrylic, and aerosol paints
on 48"x24" stretched canvas

Another piece that is so damn detailed you won't appreciate the time I put into it if you don't zoom in a little...once I made the leap to disciplined and regular studio work, I've noticed major changes in my sense of daily rhythm and experience of being something called an "artist."

This piece – reminiscent of and dedicated to the submicroscopic realm and those cathedrals of modern science that explore it – was a commissioned album cover for Mystical Sun's new LP of live in-studio analog modular synthesis – a deeply psychedelic ambient endeavor that I resonate with as a fellow wizard working in the great Electrical Imaginary.

(On that note, if anyone you know would like to buy a VIP pass to this year's incredible Moogfest, I'm speaking on technoshamanism and leading a workshop on live looping...and I'm glad to part with either of the two I have for less than their face value.)

Cretaceous Texas

My largest piece as of March 2016 is this mural of the prehistoric ocean that was where this water tank now sits in Johnson City, Texas. Once upon a time – that time is 70 million years ago – there was a vast (but shallow) Intercontinental Seaway that is now the Midwest USA and Canada.

This region was the source of life for much of the ancient world, and the hardest hit when something (comet, asteroid, or meteor) collided with the Yucatan Peninsula to end the Mesozoic Era, punctuating the 5th Mass Extinction. But for much longer than we can imagine, this was paradise: a warm and shallow sea, inhabited by giant marine lizards like Mosasaurus and flying reptiles like Pteranodon, as well as giant sea turtles like Archelon and many species of now-extinct shelled Ammonites.

I'm always eager to portray the natural world as I imagine it must be to those whose brains do not use language – the vivid and immediate intensity of raw sensation, not papered over with our words. The Texas of the Late Cretaceous, violent though it must have been, was truly beautiful. I love to think about it as I walk this land today.

Sea Horse Lovers

collaboration with Chaeli Cardenas
oil and acrylic paints and Copic pen
on 10"x8" stretched canvas


Oh, and since I picked up this delicious 12-string guitar in Arizona after Gem and Jam, I had another case to paint.  Above are the results of me + one paint marker + an evening in the golden light...

Email me if you would like for me to ornament your [anything] with art.  
No project is too big or small!

AND NOW TO BLOW YOUR MIND


As the host of Third Eye Drops put it on his page:

Welcome back friends and thank you for once again plugging your consciousness into our nest for catma-filled novelty nuggets!

Erik Davis is an author, scholar and lecturer. His tremendous book, Techgnosis Myth Magic and Mysticism In the Age of Information draws novel, fascinating correlations between technology and mysticism.

Michael Garfield is an all-around silver tongue-tipped spear of information. He also writes for websites like Big Think, creates art and music and is just generally bordering on star child territory.

This conversation is all about evading the awe-sucking tentacles of society’s deeply-entrenched dogma dealers. It’s not easy, but to do it, we need to expand, reconsider and diversify the types of knowledge we’re willing to explore. We’ve got to be active wonder-seekers. We have establish our subjective inner-worlds as frontiers worth exploring, developing and celebrating.

We’ve also got to be careful not to take our catma (I’m in love with this word) quest too far, for if we do, we’re sure to end up deep in the realm of woo, a place where few are taken seriously.

SOME UPCOMING SHOWS

These are just some of the amazing things I get to do this year, while I'm not grinding at the noble goal of making a living selling paintings, starting conversations, and playing and teaching music (I give lessons now, online and in person, if you're interested).

You can find my full calendar here.  If you don't see your town, please let me know you'd like to have me pay a visit!  Maybe we can figure something out.  :)





Lo, soul, seest thou not God's purpose from the first?
The earth to be spann'd, connected by network,
The races, neighbors, to marry and be given in marriage,
The oceans to be cross'd, the distant brought near,
The lands to be welded together.

A worship new I sing,
You captains, voyagers, explorers, yours,
You engineers, you architects, machinists, yours,
You, not for trade or transportation only,
But in God's name, and for thy sake O soul.

- Walt Whitman, Passage To India

21 January 2016

MG on Lucid Planet Radio, New Woven Art Blankets, New Live Painting & Studio Painting, Printed Leggings & Cases


"Creativity is a consequence of action, not its motivation. Do what needs to be done and then ask whether it was possible. Orthodoxy is the enemy of invention, despair an insult to the imagination."
– Wade Davis

I hope that this first blog update of 2016 finds you well! I just turned 32, and looking back at this newsletter that I started at age 24, I'm rekindled with enthusiasm to make this year's offerings my best yet.  This year feels like the year to dream and create as big as possible – and I'm glad to tell you that two of my most overdue, ambitious projects are now underway!

Specifically: My friend Evan "Skytree" Snyder and I just started recording episodes of our new podcast, Future Fossils (join our Facebook group for some great conversations) and Evan has also volunteered to produce my next studio album (my first legitimate musical release since before I started painting!).  Expect more news on both of those endeavors here soon.

In the meantime, this year's off to a great start.  Enjoy, stay in touch, and have a beautiful day!

MG on Lucid Planet Radio with Dr. Kelly:
"The Psychedelic Imagination and the Future of Humanity"


Nothing like kicking off your birthday week with a live radio appearance.  How we managed to have such a deep and far-ranging conversation while getting interrupted every fifteen minutes for commercials, I will never know – but we did!

Kelly and I talked about anxiety management and the wisdom of insecurity; asked if it's really possible to put a price on art (or happiness); gave our practical suggestions for how to be creative; and discussed my crazy thought that psychedelics might offer us the best metaphor for understanding how the Internet is changing humankind.  Read her show notes and stream/download our chat here.


Yay! I finally received the sample of these new gorgeous jacquard loom visionary art blankets – scientifically designed to trap heat and attract synchronous encounters.

This is the same company that manufactures blankets for some of my favorite artists, including Alex Grey – and they don't mess around.  These are big ol' throws for full-on hiding: 77" long by 51" wide. (Observe the difficulty I endure to hold it fully open!) Super soft 100% cotten grown and woven in the USA (with 60% recycled material, because Nature).


Turnaround is just over a month right now, so the sooner you can put in your order the better!  I want to make sure you've got plenty of cold weather left this year in which to benefit from this.  :)


Painted live with oil & acrylic markers and aerosol paint on masonite (32"x24") at:

• 2016-01-06 – Vulcan Gas Company for Solstice Live Presents: 
CAPYAC, Henry + The Invisibles, Food Group, Blanc, Pyrograph

• 2016-01-09 – Fair Market for Utopiafest & Black Fret Present: 
Holiday Mountain, Shinyribs, The Midnight Stroll, Calliope Musicals, Mobley

Talk about some New Moon manifestation! I finished this painting on a Saturday night, deciding it looks like a space salad and naming it "Share What You Have." None of this was especially intentional. Then on Sunday, the next morning, I went to sing at the Hope Farmer's Market here in Austin, slinking back into my singer-songwriter chops and unwittingly putting the painting's title into practice. I got paid in vegetables from Johnson Backyard Garden: fennel, bok choy, kale, collard greens, cabbage, cilantro, beets, sweet potato, dill, salad greens, and carrots! How is that for painting your own future? I do not believe that time is linear.


New Studio Painting: "Dogfight"
Painted at home with oil and acrylic paint markers (12"x12")

Just a small commission for a friend based on the Norse myth of twin wolves, Skoll and Hati. The sons of monster wolf Fenrir (who it is foretold will kill Odin at the end of time), Skoll is the black wolf who chases the sun, and Hati is the white wolf who chases the moon. At Ragnarok (Norse Judgment Day), they will both succeed, hastening the end of the world. Daaaaaaamn! This piece is irreverently titled "Dogfight" and was made with oil and acrylic paint pens on a 12" square canvas.



Loopers' Night celebrates its first birthday (thirteen straight months!) at Strange Brew Lounge in Austin this February 4th.  Come if you can!  We have an absurd lineup of amazing musical guests, which you can read more about by clicking the banner above.

(And if you'd like to learn more about live looping music, join our Loopers' Night Facebook group!)


My first Gem & Jam Festival was in 2009, and MY how it has grown!  Since Firefly Gathering is taking this year off, this may be my only festival in Arizona for the year.  I'm bringing lots of art on this trip – if you are going to be there and see anything in my gallery of available originals that you would like, please let me know and I'll make sure to bring it.



A totally beautiful homegrown event in Central Texas, dedicated to the beauty of this planet and its natural elements.  I will be playing two sets and live painting and enjoying gorgeous open skies and worldclass rock art talent at this free event.  So fun!  More details if you click the banner.

...And A Last Word From Your Under-Ornamented Life

Until I have my Patreon campaign online, there are a precious few ways you can show the world that you believe in what I'm doing (or that you just like to decorate yourself intelligently).  Here are some options from my Hall of Magical Things over at Society6:


"The most important things that we know fifty years from now will be things we have no idea about right now.”
– Lawrence Krauss