Michael Garfield's Love Without End Tour Newsletter: studio
Showing posts with label studio. Show all posts
Showing posts with label studio. Show all posts

07 March 2013

Too Much Great New Stuff - But What Else Is New?

"We have to continue to learn. We have to be open. And we have to be ready to release our knowledge in order to come to a higher understanding of reality."

The waters are really flowing, these days, aren't they?  So much to catch up on, and so little time to share it or even read it.  Thank you for sharing your time with me so I can share with you.

(Full as it is, this newsletter came late so I'll send out another next week, on schedule – with new music, my talk and live painting from AURA Festival, and news on my amazingly great gigs this spring!  You can sneak a peek on my web calendar...anyone here into Papadosio or Stuart Davis?)

Let's start with some small, largely studio, paintings my friend Chaeli and I just conjured up.  This year has already fruited so many fantastic collaborations and there are even more to share real soon!

Lioness (Collab w/ Chaeli Cardenas)

This piece, like most of our work together, involves layer after layer of working over each other, literally filling in the missing pieces of each other's styles.  Chaeli has a way with cats, obviously – and her brushwork grew so naturally out of her way with pens.  Victory.

"Even though alone in a dark room, be as if you were facing a noble guest. Express your feelings, but become no more expressive than your true nature."
– Zengetsu (T'ang dynasty master)



Chibi Kirin (Collab w/ Chaeli Cardenas)

"The aim of life is to live, and to live means to be aware, joyously, drunkenly, serenely, divinely aware."
If You Are A Hat, I Will Tattoo You

Here are some of the pay-what-you-want personalized panels I've been painting for the people who tip me when they order my latest embroidered design with Grassroots California:


I still have some in most sizes – if you'd like one, here are some pretty pictures of the hat as well as how to order yours at less than retail price (plus whatever you might spend to customize it).

Meanwhile the painted hat game is going so well that I have to cut down on them to make time for everything else!  I apologize for limiting my availability but in order to work on my music I have to ask that you please only inquire about orders of $130 or greater.  If I haven't put you off, feel free to drop me a line with your ideas...




Somewhat more affordably, I made these hats below for my friends at The Headspace – they have a lot of great work from my friends on their site as well, so go browse around and be impressed if you've got a minute.  I believe some of these are still available even if they're not pictured on the website, so you might want to write them and ask...







Mind-Blowing Ideas

I have told many of you in person that I believe one of the main functions of art is to draw each other into inspired and inspiring conversation.  As I see it, I'm just one warp in the global fabric of the planetary bioplasm, exchanging quanta of selfhood with other/selves like how our Last Universal Common Ancestor was basically one giant genetic orgy without any true species boundaries.  Even today it's pretty hard to argue for the concrete reality or temporal continuity of the self with any scientific credibility.  

Now that I have just over 6200 (!) of you getting these emails (supreme gratitude!), I need to make sure I'm not just showing off but showing up and sharing some of my most profound inspirations.  SO:

• Thunderbolts of the Gods - a film about the Electric Universe Theory

This is the most important science link I have ever shared with you all.  Please, just find the time to watch it as soon as you can (if you haven't already).  Seriously.  There's an amazing stream of comments about this film in my the thread on my Facebook profile.  Please feel free to follow my profile and join in with your own science links, crazy space news, etc.

• Last and First Men - the most influential Sci Fi novel of all time

Written in 1930 by the British Olaf Stapledon, this visionary flyover of the next two billion years of human evolution prompted both Arthur C. Clarke to proclaim that, "No other book had a greater influence on my life," and H.P. Lovecraft to call it "the greatest in all the field" of science fiction.  His version of the distant future is uncanny, familiar, prescient:

Each of us is mentally a distinct individual, though his ordinary means of communication with others is 'telepathic.' But frequently he wakes up to be a group-mind. When this communal awakening occurs, each individual experiences all the bodies of the group as 'his own multiple body,' and perceives the world equally from all those bodies. But over and above this simple enlargement of the experienced field, is the awakening into new kinds of experience. Of this obviously, I can tell you nothing, save that it differs from the lowlier state more radically than the infant mind differs from the mind of the individual adult, and that it consists of insight into many unsuspected and previously inconceivable features of the familiar world of men and things.


...And that's it.  Thanks again for your precious time and attention.  May this newsletter serve all beings!  You know how to get ahold of me if you want to.

17 November 2011

New Paintings from Art Outside, Sonic Blossom, & The Parish | Denver Live Art on the Cover of Kush Magazine!

“Purpose is the place where your deep gladness meets the world’s needs.”
- Frederick Buechner

"Whatever I do is done out of sheer joy; I drop my fruits like a ripe tree."
- Henry Miller

I want to start by expressing my enormous gratitude to everyone reading this newsletter.  You've given me a voice – a way to satisfy my urge to share and maybe kindle some creative purpose in others at the same time.  I subscribe to marketing guru Seth Godin's blog, and he had this to say about Thanksgiving:

‎"A great way to give thanks for the privileges we've got is to do important work. Your job, your internet access, your education, your role in a civilized society...all of them are a platform, a chance to do art, a way for you to give back and to honor those that enabled you to get to this point. For every person reading this there are a thousand people (literally a thousand) in underprivileged nations and situations that would love to have your slot. Don't waste it."

Thank you for helping me not waste it.  (I'm always open to suggestions for how to waste this opportunity even less by helping more people.  Let me know if you have some...)

"Introducing Denver: Live Art Capitol of America"
on the cover of Kush Magazine

One thing I love is using my work as a writer to applaud, exalt, and promote my artist friends and the venues that support us – and I'm lucky enough to do this as the new Colorado Arts Correspondent for national cannabis culture journal Kush Magazine.  You can read my first feature with them, an ode to the special magic that makes Colorado's Front Range such a uniquely excellent place for the emerging live art community, right here in their sleek e-reader on pages 74-75.

If you've been looking for a way to explain what live art is all about, here's a good place to start:

Here on the edge of the Midwest, perched on high ground where the crisp air and mountain view gives everything a sense of adventure, a growing cadre of live artists is working to liberate three generations of suburbanites from their alienation.  Live art isn't just a symptom of the internet's new society of transparency, or a gimmick; it's a spiritual guerrilla movement to help everyone recognize their personal calling and collaboratively create a new positive vision for society.  It's leadership by example, telling people, "You can do this too. Don't deny your creative spirit.  Get out there.  Take the initiative and shine." (read more)

I'll continue to report on the Colorado scene in the months to come.  Stay tuned!

Mobius Brain
2011 10 07, 08, 09 Art Outside Festival
(Psymbionic, David Starfire, Bird of Prey, Riders Against The Storm, Sorne, Ricochet, Dolomites, Soundfounder, Butcher Bear, Kinder Lo Phi, Ntropy, Nicoluminous, Happy Happy James)
2011 10 14, 15 Sonic Blossom at Cervantes Masterpiece Ballroom
(Ott, Kraddy, Random Rab, Octopus Nebula, Kaminanda, The Human Experience, Karsh Kale & Jamie Janover)
2011 10 16 Fusion Gallery (Bird of Prey, Kaminanda, The Gaia Experiment)
24"x30" - paint markers on canvas panel (click image to enlarge)

Possibly my most time-intensive painting yet, and certainly my most deconstructed, this one rides the divide between my lives in Colorado and Texas.  (I don't know if you can tell, but all of this music was super inspiring, beautiful sounds for the creative process.)  In response to my friend Jonathan Zap's suggestion that I "rupture the plane" more frequently, it marks a deliberate attempt to break as many of my own rules and inject as many visual paradoxes as I can...a kind of glossy, cortical Devil's Fork.  Painting myself into and then back out of a problem is delicious, and of course I have high esteem for plane-rupturing geniuses like Oliver Vernon, whose work helped to inspire this piece.  Here it is in stages:


Homeward
Commissioned Studio Painting for Thomas & Ruth Carter
16"x24" - paint markers on masonite (click image to enlarge)

As above, so below.  Trying to imagine the world through animal eyes, to feel it as they do.  My first attempt at moonlight on the water.  (Can you find the lady bug?)

Sunny With Pteranodons
2011 11 18 The Parish (Paper Diamond, Run DMT, One4All, White Noise)
18"x24" - paint markers on stretched canvas (click image to enlarge)

Ah, my first gig as an Austinite, painting at the legendary 6th Street venue for none other than Boulder's own Alex Botwin (DJ'ing as his alter ego, Paper Diamond).  This is how I feel in my new home – easy, lucky, and free, like I caught a tall thermal and have a belly full of fresh fish under the warm prehistoric sun.  It was a pleasure to work alongside fellow live art mainstays Tourmaline Todd and Chance Roberts, and much love goes out to the guys at Polaris Presents for welcoming me on such short notice.  My friend Jonathan Garza took great pictures of this show, which you can find on his Austin arts/music/culture blog, Collective Perspectives.

Painted Hats Galore

I've found some awesome allies in Austin with Whomp, a new art and fashion store now selling my hats and paintings as well as a tremendous amount of other cool stuff.  Here are the latest adventures in headwear I've cooked up:

 

...and for those of you who missed them, here are my most recent live albums.  Together, they represent the full spectrum of my work, from passionate jazz-pop through guitar-tapping instrumentals and into improvised psychedelic loopscapes.  Until I get my next studio album together, these are the definitive recordings.  And like all of my music, you can download them free:


I've started booking my spring and summer festival circuit, so if you know of events that'd like conscious, intelligent acoustic-electronic music to put a star in people's eyes, please refer me to the organizers!  Few things in my life are sweeter than creating sacred space with an audience and feeling into it together.  I'm nourished by the opportunity to play for you, and deeply appreciate your support as I start to weave a year of pilgrimage to creative, genuine communities where I can put my work to the greatest good.

That's it for now.  Have a spectacular day and don't hesitate to write!

24 November 2009

Rediscovered Mini Studio Painting

> Imagery
The Tenderest Moment Of Our Lives - 2009 06 ?? - studio
8"x12" - opaque pens on canvas
original and 11"x17" prints available for sale

I accidentally left this piece at a friend's house in Kansas City when I left for Colorado and forgot I'd taken this picture of it to share with everyone. But here it is! This painting was completed on my friend Rick's couch back in June sometime. The background is a layer of semi-metallic blue dry pigment marker, which gives the original a lovely dull sheen that shifts in changing light kind of like interference pigment (which I LOVE).

This piece captures very simply the yearning and poignancy I so often find myself striving to express in my work, be it (examples:) art, music, or writing. Behind all the bold colors and flashy technique is the same sentiment that drew a plaintive howl from all of us at the Temple Burn this year at Burning Man, when the final stairwell collapsed in flames...not a raging against the dying of the light, but a simple cry of the heart. It's what connects you and me.

17 November 2009

Three New Studio Paintings

> Imagery
2009 10 28 - Snowday Vajras
18"x24" - opaque pens on masonite
original and signed 11"x17" prints available
This is the sequel to my piece Vajrayanarama...the feminine counterpart, the little sister. Getting twenty three inches of snow in one day meant cozying up at my friend's house with some pens and trying new techniques. This one started with a trellis of the Islamic Breath of the Compassionate pattern on naked masonite, covered by a semi-transparent layer of fat-tipped green marker. It inhabits a weird liminal zone between rigid geometry and curvaceous floral persuasion.

2009 11 08 - Hypnagogic Dream Tunnel
18"x24" - opaque pens on masonite
original and signed 11"x17" prints available
Start with a fake-woodgrain brushed dichromatic background. Fill with semi-regular tesselating geometric "cookiecutters." Bake for six to eight hours on your friend's couch. Presto: a breathing molten fountainscape.

2009 11 11 - Your Heart Sings Renewal
20"x30" - opaque pens on masonite
original and signed 11"x17" prints available
I couldn't get enough of the style so I came back for more. There's something simultaneously trendy-graphic-design and eyes-closed-on-psilocybin about these in a way that has always eluded me... Given my tenaciousness this will probably end up being the second in my first actual themed series of paintings. Semi-metallic purple and intense lime green pigments really make this glow in person, and if you look closely the hearts have little fountains running out of them (hence the title).

30 October 2009

The Studio Evolution Of A Live Painting

> Imagery

In honor of live art's transparency of process, this time I'm not going to just throw a finished piece out there and call it a day. For my latest painting, I want to give some exposition and a before-and-after, because the photograph of the finished piece verges on not communicating what is actually going on. First, the after:

2009 08 07 & 10 28 Dancin In The Streets Festival & Studio
(Darkstar Orchestra, Chicago Afrobeat Project, Billy Kreutzmann and Papa Mali, Nailhouse)

18"x24" - opaque pens, acrylic, & spraypaint on masonite
original available for purchase - signed 11"x17" prints available for $15

Once upon a time, I started by brushing on a uniform background in black, then gold acrylic paint...then I took the board to Dancin' In The Streets Festival back in August and tried my hand at the kind of colorful plaques I see coming out of Indonesia and Tibet – you know, lots of gold, intricate central design, kind of a pointy floral thing going on:

And then this painting spent nearly three months in a stack while I made disappointed faces at it. What happened to my grand vision of layering? The gold isn't really integrated; it's just sitting in the background doing nothing. All the right angles really kill the flow, and in spite of the clutter of colors and angles, it didn't give me any feeling of depth. So I decided I'd wait until the painting was least suspecting it, then pounce with gold spraypaint and turn the whole thing into Layer One.

It worked out pretty well. Boulder got hit by 23 inches of snow the other day, giving me the perfect opportunity to hole up with my friend and wire-wrapper extraordinaire Dan Donohue and devote our day to the muses. First I applied a coat of noxious spraypaint. (For those unfamiliar with illegal street art or home renovation, there's a special touch that will get the spray paint canister to spit out fat drops instead of a fine mist, leaving semi-transparent galaxies instead of a uniform blanket.) Then I followed the original implied octagons with the good old Breath of the Compassionate, an Islamic tiling pattern that signifies the infinite expanse of divine creation and destruction. Throw a snowflake in there for good measure, ignore the inner nagging voice about how the six-fold and eight-fold geometries don't quite line up, and call it a day.

The end result is one of my subtlest and deepest pieces – really hard to get a feel for from just the above photo. Here are some details that demonstrate how the spraypaint alternately hides and reveals the red underlayer, depending on the light: