Michael Garfield's Love Without End Tour Newsletter

06 July 2010

Sonic Bloom, Ramble On The River, Field Guide To Live Artists

"The way you stretch the envelope of culture is by creating language...Culture cannot evolve any faster than its language, because what cannot be said cannot be done. What cannot be said cannot be put in place."
- Terence McKenna

I am so, so committed to language creation. McKenna imagined a post-verbal world where we all broadcast our intricate messages on our skin like octopi, "as though the project of communication becomes high-speed sculpture in a conceptual dimension made of light and intentionality." Others have pursued the same posthuman xenolinguistics in myriad interesting ways.

So let's take a low value for the exponent here and assume that a picture is worth merely a thousand words. I have no choice but to try a new approach: less rambling and more imagery. I want to show you where I've been painting...detailed close-ups...strange angles that show the diversity of sheens and textures in each piece. I want us to paint the skin of each other's minds with the living rippling of our heart's tongues, a bright and noisy quiet in intimate explosion, like chatty squid with a direct line to the Beloved. So here's to that.

But first, preening.

• Press

Just a couple of delightful recent snippets about my art and music culled from the infowebs that I am honored to share with you. I got a wonderful shout-out in one of the more thorough write-ups on this year's Wakarusa Festival:

"[Michael's] work is multi-dimensional ethereal reflection; like peering into a vortex. His channel to the divine is wide open and clear, much like Alex Grey, and I wouldn’t be surprised if he achieves the same kind of world-renowned respect and affection."
- Caeli La, Lost In Sound

Less hyperbolic but equally exciting, my latest (free) instrumental EP, Daylighting: Electronic Improvisations on Acoustic Guitar, was somehow picked up by one of Colorado's most highly-regarded reviewers:

"Don't jump to conclusions based on 'acoustic guitar improv'...this sounds more like some of the sonic explorations that came out of the Robert Fripp/Brian Eno collaborations than some hippie 'jamming' on an acoustic in a park somewhere. [It's] full of odd timbres and textures, but the occasional splash of melody erupts and there's a strange, sci-fi psycho-Western feel to a lot of it – let's just say if they'd ever done a psychedelic drug sequence on Firefly, this would have worked perfectly as the accompaniment. It's occasionally beautiful, frequently evocative and never less than interesting."
- Cory Casciato, Denver Westword

• Illustration

Stun Flower
2010 06 23, 25, 26 Ogden Theatre & Sonic Bloom
(Hamsa Lila, Tinariwen, David Starfire, Eminence Ensemble,
Michal Menert, Signal Path, Merton, Octopus Nebula, Bluetech,
Zilla, Big Gigantic, ill Gates, Project Aspect, The Acidophiles, Deru,
Rena Jones, Vibesquad, Lynx & Janover)
24"x24" – paint pens on masonite
email me to inquire about or make offer for the original
email me to order $20 poster prints (11"x17")

Dedicated to the work of Dan Winter, one hell of a physicist and the man whose research so emphasizes the phi rosette phase-conjugate love fields emanating from the heart of someone in love.

Click to enlarge and see the painting in various states of completion:


Detail of the flower's heart, as the galactic arms spiral inward to sweet completion:


I had the color-shifting LED flashlight aimed at this thing almost all weekend. People kept bringing their friends back to me to ask me to show them, too... No promises that I'll actually paint something with one of those lights in mind – one of those ten-in-one pictures that distributes various scenes across the spectrum, coming together in a weird cluster of superimposed notions under full white light – but I'm thinking about it.

UFO Jellyfish Gnosis
2010 06 26, 27, 30 & 07 03 Mishawaka Ampthitheatre
(EOTO, Eskmo, Karsh Kale, Sonic Bloom Orchestra, D.V.S*, Jantsen,
Future Simple Project, Heyoka, Beats Antique, Post Paradise,
Holden Young Trio, Futaba, Dave Watts, P'Nut Daniels, Michal Menert)
24"x24" – paint pens on masonite
email me to inquire about or make offer for the original
email me to order $20 poster prints (11"x17")

Yet another reason I want to share more angles on what I do is because I get to paint in beautiful places – like the riverside idyll that is The Mish:

This one, dedicated to my friend Brandon Watson for letting me steal the title from his religious views (and facebook group – population: 2), has all kinds of shininess going on. Mmm:



Gem Chains
2010 06 Studio Commission
16"x20" – paint pens on canvas panel
email me to order $20 poster prints (11"x17")

As my live paintings have gotten larger in the last few months, the smaller end of things has opened up for more accessible custom work. That means modest canvas panels like the one above, and also hats, guitar cases, tattoo designs...I'm eager to get creative with venue as you and I all work together to think of cool places this could go.

And as increasingly the case, body painting figured hugely into my weekend at Sonic Bloom Festival. You can check out the gallery on my Facebook visual art page, here:


• Writing

Lastly (for now, with much cooking for the next newsletter), enjoy these two latest entries from my Field Guide To Live Artists at Examiner.com – an ongoing interview series with anyone and everyone who sets up their art studio at public events and works in front of an audience. This go, we have new interviews from two live painters active in the Denver scene...


If anyone you know is a live artist, invite them on board! The goal is to create the most comprehensive directory available, to give everyone free press and opportunities for cross-promotion, and ultimately to publish it all in a beautiful full-color coffee-table album. So join in!

24 June 2010

"Daylighting" Live EP Release & Excision/Papadosio Painting


[Join the party & leave your feedback at the Facebook event page!]

I'm delighted to present you my newest EP of cybernetic sound sculpture, recorded live at the MAPS Psychedelic Science Conference (San Jose, CA) and the Fantastic Hullaballoo (New Orleans, LA) this April. Everything you hear on this EP is improvised solo acoustic guitar and eBow routed through hardware FX and live looping, edited only for time. No software manipulation, multitracking, or post-production gimmickry. One more step down the road on my journey to completely reimagine the acoustic guitar.

In civil engineering language, "daylighting" is the uncovering of natural waterways that were once forced underground by construction. I learned the term from ethnobotanist Kathleen Harrison, who stretched this definition to include the process of reacquainting ourselves with our own rejected dimensions – bringing the buried back into the light, where it can breathe and nourish us.

This album is dedicated to Jeremy Jensen of Critical Beats, without whom there would not have been a concert to record.

Thanks for listening!


Gateway To Blue Truth
2010 06 11 & 12 Cervantes & Quixotes
(Excision, Liquid Stranger, RumbleJunkie, Sub.mission Residents,
Papadosio, Juno What?, Fresh2Death)
18"x24" – paint marker on cradled gesso board

Night one: The craziest dubstep show I have ever attended. At the end of the night, a sea of jagged broken pilsner glasses around the humble riser keeping me above the fray. It's nights like these that a few good souls volunteer themselves to keep the less-aware/respectful from pitching headlong into my entire set-up (as almost happened a few times). But wild, messy shows like that one are equally full of bright, beautiful, loving expression, sincere interest, and honest-to-God P.L.U.R. It's why I keep coming back.

Night two: A delightful mini-festival held by my favorite contenders for "Next Über-Famous Electronic Jam Ensemble," my boys Papadosio. I got to play the evening's opening set (clips coming soon...er or later...), and we saw lovely showings from my friends Anthony Fugate, Fresh2Death, and The Floozies, as well as numerous other excellent acts. A way less intimidating, way more heartfelt evening, all told. Less polarized, anyway.

According to David Deida, "blue truth" is like the blue part of a flame – so subtle you might miss it, even though it's the hottest part. Blue truth is the kind you can't grasp unless you've really sat with it, until you can feel it so deeply that it lives and acts as you. It can't be "understood" intellectually. Or, as he puts it: "Knowing the truth is fairly useless; feeling it is profound; living it makes all the difference."

I dedicate this one to Jason Takahashi, globetrotting trickster, exemplary passionate intellect, and the poor fool who has to take credit for introducing me to the 'Dosio family – and to Jeremy Goldstein, consummate band manager, who knows how to look out for his artists.

• Upcoming Gigs (full calendar here)


15 June 2010

Wakarusa Festival = Art Explosion!

First the "bad" news: Editing this next timelapse video from my Whole Earth Festival painting is taking longer than I thought. I have abhorrently high standards and want it to be at least as good as the last multimedia blitzkrieg, so thanks for your patience as I work to make it (and my new live album of cyberballadry from the spring Love Without End Tour) as awesome as possible. Can't rush the kiln...

Now, the "good" news: My second year as Wakarusa Festival's resident live painter was a spectacle of awesomeness and here's the proof: one new concert poster; three new live paintings; and my sweetest gallery of body art so far (including some pics of my first foray into live body painting on stage with the Nadis Warriors)...


Click the images for a better view...

Interstellar Meltdown 2010 Poster
2010 05 21, 22 & 06 01 Art Party!, Evolution Party, & Studio
(Stardust Output & many other Arkansas sound wizards)
16"x20" - paint markers on canvas panel
series of 100 - some poster prints still available

It only seemed appropriate that this painting, which started live at some deliciously underground Arkansas art parties, end up rep'ing the now-in-Arkansas Wakarusa Festival and its quasi-guerrilla party-within-a-party, Interstellar Meltdown. I dedicate it to Johnny Gallup and Jason Sterling, who are responsible for the still-burning flame of electronic music in Lawrence KS and Fayetteville AR, respectively – and without whom I would probably still be sending unrequited emails to Wakarusa's mainstage production team.

Time Spiral
2010 06 03 Wakarusa Festival
(Somasphere, The Heavy Pets, Earl Greyhound,
Resident Anti-Hero, Lotus, Kraak & Smaak, Mimosa)
24"x36" - paint markers on masonite
original painting, poster prints, and full-size giclees available

Don't tell anyone who thinks I'm cool that I named this painting after a Magic: The Gathering card. One of my friends remarked that he sees several of my previous paintings in this one – that it "transcends and includes" my prior work, enveloping it into a new and higher order. Well, alright! Subsuming the old by putting it to work in richer and more intricate structures is "what I'm all about."

Other people pointed out it looks like a top-down view of everyone's favorite medicinal angiosperm. What can I say? Good ideas like the logarithmic spiral show up everywhere.

This painting is dedicated to Richard J. Bird, ex-president of The Society for Chaos Theory in Psychology & The Life Sciences, and author of one of my favorite books.

Reverence
2010 06 04, 05, 06 Wakarusa Festival
(Spoonfed Tribe, Big Gigantic, Future Rock, EOTO, Sub Swara,
Nadis Warriors, BoomBox, Two Fresh DJ set)
24"x36" - paint markers on stretched canvas
original painting, poster prints, and full-size giclees available

I found an old canvas at Goodwill last year, painted with a crude mountainscape that its original owner clearly didn't care much for. This is the best way to pick up cheap canvases that I've found so far – FYI to all you other thrifty artists. Not quite painting on driftwood, but equally attentive to reclamation and re-use. The canvas sat in a closet until I had a gig epic enough to warrant something of this size, so here we are.

SOOOOO much gold on this one – perhaps due to the intense shininess of working inside the Outpost Stage's ludicrous lightshow of a tent. The last night of the festival, working at the unofficial stage set up on the vending avenue, the waning crescent rose behind the painting and begged for inclusion. This one is dedicated to Polly Babcock, whose finger pointed to that moon, and who gave me the most awesome little piece of hematite (which has been riding around in my pocket ever since).

That's What's Up
2010 06 05 Wakarusa Festival
(BoomBox, James Zabiela, Dub Tribe Soundsystem,
Ott, Mark Farina, Bluetech)
16"x20" - paint markers on canvas panel
poster prints and full-size giclees available

A tiny custom piece for a friend of mine...it oscillates between wings, hands, and whales, in that order (a personal perception confirmed by strangers, which is always equal parts cool and weird). Named by a random fellow near dawn; when it comes to nomenclature, I frequently go with fun suggestions. This one's dedicated to Nikita Kern, whom I suspect is an alien from the same planet I am.

Wakarusa 2010 Body Art Gallery @ Facebook

• Upcoming (full calendar here)

Click event titles for more info...

I'm reprising my live art residency at Colorado's premier electronic music festival, presented by unified-field-theory-preachin', hammer-dulcimer-shreddin' mad genius Jamie Janover. This year, I'll be painting alongside visionary art legends Robert Venosa & Martina Hoffmann, who on their own are worth the price of the ticket.

I'll be playing an afternoon set of my unique cyberacoustic balladry before painting for a full day and night of amazing music from the likes of Whitewater Ramble, Holden Young Trio, and many other Colorado legends including members of The Motet and the Kyle Hollingsworth Band...fifty cents of every ticket sold go to support the Larimer County Food Bank.

Another guaranteed rage-a-thon with my homies in Denver's Mile High Sound Movement, at which I'll be dropping improvised cyberacoustic setbreaks and rocking easel in rapid succession all night. Come on out if you want a taste of some of the finest emerging electronic music and hip-hop in the Denver scene...

An amazing ongoing exhibit from both locally- and nationally-renowned performance painters, organized by movement leader Scramble Campbell – to my knowledge, the first of its kind in the United States. This exhibit is paired with a retrospective on the late great Denny Dent, who with multiple brushes in each hand showed us all what it means to paint as a performance. If you're in Colorado at all this summer, don't miss this free exhibit!

I'm headed down to New Mexico this weekend to play, paint, and sermonize at a summer solstice party at one of the most beautiful, sacred places I've ever seen, so plenty more soon. In the meantime...love you all, stay in touch, and have a beautiful day!