Michael Garfield's Love Without End Tour Newsletter: body painting
Showing posts with label body painting. Show all posts
Showing posts with label body painting. Show all posts

05 August 2012

The Enlightenment Conference, New Print Store, & Plenty More Art

"People wish to be settled; only so far as they are unsettled is there any hope for them."

"When patterns are broken, new worlds emerge."

Register for The Enlightenment Conference!
Click here for more info


I was just confirmed as a speaker for one of the most awesome online events I've even heard of: The Enlightenment Conference, a three-week intensive with luminaries the world over, including Alex & Allyson Grey, Lama Surya Das, Father Thomas Keating, Jean Houston, Howard Bloom, my singer-songwriter role model Stuart Davis, my friends The Nadis Warriors, and dozens of other amazing people who will be sharing their insights on how to wed spiritual development with life in the world of business, family, and the everyday.

Not only can you just sign up for free and get all of the recordings as they're released, but you can also apply for a student or low-income scholarship (although the whole thing costs less than a hundred bucks, if you're sitting pretty).  They're also accepting late registrations...sign up today and get access to the collective wisdom of an utterly inspiring group of people!

My Latest Article on BigThink

When I have the time for it, I write and speak on issues of human-technology co-evolution in loose affiliation with the Hybrid Reality Institute, whose blog on BigThink.com has featured some of my finest writing.  The latest installment is an excerpt from my epic two-hour conversation with poet-philosopher William Irwin Thompson, one of the most incandescent minds I have ever encountered.  We spoke about why prophecy is not prediction, compared the futures of Arthur C. Clarke and Ray Kurzweil, discussed elemental magic, and much more...


If you're interested in how the past connects to the future – and who isn't? – it's a great read.  :)

New Video: "All That's Left Is Stars"

From my April show at the Austin-Bergstrom International Airport.  An old song, a sweet song, one that captures that feeling I went on to try and express in almost all of my improvised instrumentals...the lyrics are below so you can read along while you listen:
We laid on the lawn, the grass to our backs
and emptied our minds in frozen silence.
Night stretched on with imperceptible swirls,
our ghosts through space in a patient spiral.

The constellations drifting apart.
Meaning is lost and all that's left is stars.

Dim clouds milkshade the pointillist black.
There's nothing but breeze through open quiet.
It's a slow pulsing fade from tense and withdrawn,
expanding in place with broken lightness...

The constellations drifting apart.
Meaning is lost and all that's left is stars.

You can download the whole album here:
An Aria For ABIA: Live at Austin Airport

New Convenient Way To Buy Prints

Until today, ordering my prints has been kind of a pain: by email only, and there wasn't a single place online where you could see absolutely all of my paintings and make an informed decision.

But I fixed it!  Take a look at my new merchandise shop at Bandcamp and scratch your head, as I did, at how I managed to crank out over 250 paintings (!) in four and a half years. Once you've enjoyed a stroll through the archives, it's easier than ever to buy the ones that sing to your inner ear.

(As always, I offer discounts if you want two or more prints; for that you'll still have to contact me with your order.) 

Verdilux
Collaboration with Chaeli Cardenas and Jeremiah Allen Welch
6" x 12" – paint marker & spray paint on masonite

This was an orphan piece for almost two years, after Jeremiah Allen Welch gave me this stenciled board during the MAPS Psychedelic Science Conference in 2010.  But then I pawned it off to my friend Chaeli Cardenas and she got me inspired to work on it again...  Lord only knows what we're looking at, here.

Body Art at Firefly Gathering

Custom-Painted Hats

Wheee!  All the live long day.  If you want one, hit me up with your hat style, size, favorite colors, any ideas for symbols or patterns, budget (typically between $80 – $150), and mailing address.  Right now touring slows everything else down but I'm still turning around orders in about three weeks.




Upcoming Festivals

I book new shows all the time, so be sure to check my full calendar on the blog or facebook – especially if you live in Texas, North Carolina, Ohio, Michigan, or Indiana – but here are the biggie festivals I'm excited about:



Thanks for reading, stay in touch, and have a beautiful day!

20 July 2011

Paintings from an Electric Forest; Music from an Acoustic Jungle

"Lend your ears to music, open your eyes to painting, and...stop thinking! Just ask yourself whether the work has enabled you to walk about into a hitherto unknown world.
If the answer is yes, what more do you want?"
– Wassily Kandinsky (possibly the first live painter)

"The waking mind is the least serviceable in the arts."
Henry Miller (reinvented the novel; also a painter)

This is how I started 2011:  playing and painting in the mountainous rain forest village of Sinai, Costa Rica; watchless, clockless, countdownless, uncertain of when consensus time made the New Year official; enchanted by strange bugs and the quiet depth of its isolated village culture.  New Year's Day, I played a concert outside the village kitchen to a receptive lawn-full of international appreciators, deep in the dreamy mystery of our strange little festival.

That show is now my latest free live recording, Vive En Costa Rica.  I released this album in secret back in March – made it available for people who paid for a copy of The Body Electric – and then figured it might as well just be out there for everyone to enjoy:


The spacey, kinda spooky improvised first track (named in honor of a genuine faerie sighting) scores this reel of the travel clips I took down there.  Looking through my eyes:


And here are the paintings from my Fourth of July weekend up in Michigan at Electric Forest Festival. Click on each picture to see it in terrifying full detail:

Looking At The Blue Flame
2011 06 30 & 07 01 Electric Forest Festival
(Toubab Krewe & String Cheese Incident, Tiesto)
18"x24" – opaque pens on stretched canvas
$20/1 or $30/2 for 11"x17" signed posters – email me

My original plan was to have a blue-and-gold series of sculpted pieces based on themes I'd started at Sonic Bloom...but original plans don't count for much in an improvisational sport like live painting.  Especially when the skies open up and drop a huge "welcome to the festival" storm on everyone...which is perhaps why the design ended up with so many little blue dots:


Rainbow Tunnel
2011 07 02 Electric Forest Festival (String Cheese Incident)
18"x24" – opaque pens on stretched canvas
$20/1 or $30/2 for 11"x17" signed posters – email me
check availability/price of original painting

The festival's official documentary team caught a delicious HD timelapse of me (and Christian Jaxtheimer, and Rae Vena) working on this piece, start to finish – check 1:48 of this video to watch the whole Saturday Night String Cheese Incident concert breeze by.  It was a return to older themes, dating all the way back to my idle classroom sketches in college...but in a lively, tribal style that capitalized on my chisel-tip bold markers and completely ignored the patient layer upon layer of outlining I developed in my own pen-specific voice.  Working in the ghost sunlight of my awesome new powerful battery-powered LED lamp, this painting came together like the holographic tunnels in some private realm of sylvan dreaming...I've never felt so eerily transported while working on any other piece.




Lesage's Wall
2011 07 02 & 07 03 Electric Forest Festival
(REO Speedwagon, Big Gigantic, Shpongletron & Railroad Earth)
18"x24" – opaque pens on stretched canvas
$20/1 or $30/2 for 11"x17" signed posters – email me
check availability/price of original painting

In honor of Augustin Lesage, coal-miner turned compulsive visionary artist whose enormous early 20th Century paintings evoked the transcendental architectures of Ancient Egypt as if transcribed onto even greater scale into grandiose heavenly landscapes.  I don't even know where to start in describing how hypnotized I am by Lesage's work, but maybe you'll see it in this Navajo-inflected homage:



...and I painted on a lot of beautiful people while I was there.  Check out the full gallery on my facebook art page:


Body Art at Electric Forest Festival 2011

08 June 2011

...in which I organize a benefit for Sasha Shulgin, paint with Alex Grey, talk to NASA, and rock the Nelson Ledges

"We are all completely dependent on everyone else. The point is to live freely, in the present, freely giving and freely taking, which is the way of nature. The idea is to give up control of credit and debt, and just trust the cycle of nature."

"We have been hypnotized into this scarcity-based thinking. At every corner of our society, there is a conversation revolving around how much there is not enough to go around. If you can, not in a cheesy and unauthentic way, but in a truly heartfelt way embrace the world, and engage the world with that faith, and that conviction of the ultimate abundance of life, you will change the world. You will, and you will not be trying to change it, and you'll be having fun."
- John Marshall Roberts

Hi everyone. ♥ I am still love-drunk from organizing Wakarusa Festival's first-ever Live Art Team & Gallery, but it'll be a little while before I can get all of that online. Besides, there's still a lot to catch up on! Firstly, and most proudly, I coordinated this:



Alexander "Sasha" Shulgin is probably the most important chemist alive. In addition to rediscovering MDMA and popularizing its therapeutic use, he also synthesized hundreds of new psychoactive chemicals and – with his wife and companion Ann – chronicled their effects in the extraordinary detail of two legendary volumes, PIKHAL & TIKHAL.

At the age of 85, Sasha recently suffered a stroke and now requires full-time medical care. This benefit compilation is the response from an international network of musicians whose work and lives have been enriched and inspired by the work of these two pioneers and their courageous exploration of nonordinary consciousness.

The L.A.B., or "Large Animal Bioassay," was the pet name given to visionary chemist Sasha Shulgin's small group of friend-volunteers who spent years exploring the effects of his newly-discovered molecules on their consciousness. This heroic team of psychonauts were the first to experience hundreds of novel states of consciousness, and it is in their honor that we name this compilation of eclectic tracks.

Just as their own journeys took them into realms of both the profound and profane, pleasure and anxiety, these two hours of music – spread over two discs, one danceable and one ambient – are the perfect accompaniment for an adventure to the human mind's furthest horizons...

Support the Shulgins in their hour of need by purchasing this epic 27-track album for at least $5!

"Can't Shut Us Down" by McDonough, Garfield, Uzzardi

A couple of weeks ago Jeremy McDonough, Renee Uzzardi, and I burned across country from Denver to eastern Ohio to play at the legendary Nelson Ledges Quarry Park. We rocked the festival's closing set, facing an enormous lake made from a filled-in forest gravel quarry...beautiful red pebbles everywhere, bats flying around, the woods full of revelers... Visuals provided by my nearly completed painting (see below) and Jeremy's glow-in-the-dark laser-reactive shirt. This improvised number was the festival's final moment.

Simmer on that for a while until I'm done readying the next album of acoustic-electronic guitar loops...

River To The Source
2011 04 29, 30 Cervantes (Nadis Warriors, Octopus Nebula, ESKMO)
2011 05 20, 21 Nelson Ledges Quarry Park
(Elemental Groove Theory, Boogie Matrix Mechanism, UV Hippo, The Werks, Broccoli Samurai)
2011 05 22 The Church (Jazzam)
32"x24" - opaque pens on masonite
signed 11"x17" poster prints - $20 or two for $30 (plus $5 s/h)

(click to view in hi-res)

Well, I'm in it. You are too. I'm not always proposing we view time as linear and goal-oriented, but even in an endless field there are divots - in an endless ocean there are whirlpools - and we are rolling into one. And as we whip around the margin of this strange attractor, the feeling of inevitably increases, but it's important to remember that there's no such thing as capital The capital End...


I started this piece at the Denver Alex & Allyson Grey shows in April, but was so busy body painting that weekend I had to wait around until my trip to Ohio and Pennsylvania to complete it. The final touches were laid on during an overnight in Pittsburg when my bandmate, lunatic keyboardist Jeremy McDonough, lost his keys after a reunion gig with his old band Jazzam back home. (Turns out the keys accidentally made it home with someone else in order that the universe might keep him around an extra night with his friends. Sneaky freakin' universe!)

While at the Nelson Ledges (and big thanks to The Werks for throwing that one and inviting us!), I managed to body paint a few people...it turned out pretty well. Check out pictures in my ongoing gallery:


Also, lastly – until next week, when I'll share all of the awesomeness that came out of our art team's work at Wakarusa – here's a video made by NASA, interviewing me at Yuri's Night 2010 at Moffett Air Force Base during one of the more unlikely concerts I've ever painted. To this day, I'm still the only person ever allowed to paint in an Air Force hanger. I had just driven nineteen straight hours to make it there on time to set up and then painted for twelve straight hours, so please excuse my rambling for being slightly more incoherent than ordinary. This might be the most honest NASA video you ever see:



More soon, with love.

17 May 2011

Two New Live Paintings, More Body Art, & A New Electronic Trio!

“The greatest achievement was at first and for a time a dream. The oak sleeps in the acorn;
the bird waits in the egg; and in the highest vision of the soul a waking angel stirs.
Dreams are the seedlings of realities.”

"At that instant he saw, in one blaze of light, an image of unutterable conviction, the reason why the artist works and lives and has his being. It is to snare the spirits of mankind in nets of magic...to wreak the vision of his life, the rude and painful substance of his own experience, into the congruence of blazing and enchanted images that are themselves the core of life, the essential pattern whence all other things proceed, the kernel of eternity."

In the past few weeks I was blessed to participate in some rare and truly amazing convergences of visionary artists and great minds – Boulder shows with Martina Hoffmann and Amanda Sage; the Sonic Bloom Festival Pre-Party with Alex & Allyson Grey; and The Manifestation Celebration in Dallas (an era-defining, boundary-smashing event at the Dallas Museum of Nature & Science). Explosively creative shows lead to a profusion of intense new live paintings, body art galleries, and sketchbook pages, as you'll see below.

Somewhere in there I had the time to spark a so-new-it's-nameless live electronic trio with fellow Papadosio family friends Jeremy McDonough on keyboards and Renee Uzzardi on tablas. We captured one of our instudio performances on video...I'm on electric guitar for the first time ever (I bought it long ago from a gypsy in an ice canyon), and it's a beautiful sound.

It'll be a little while before I can release the new cyber-guitar recordings from Dallas (or my speech about the relationship between Earth's magnetic fields and human consciousness), but there's already a huge art harvest to share. You can listen to the new sound while you check it out:

"Space Migration" by McDonough, Garfield, Uzzardi

download this track free / watch on Youtube

If you happen to be in or around Ohio this weekend, come enjoy our first show at the Nelson Ledges Quarry Park's Mayflower Springdance Festival!

And now for the art:

- (Click any image to enlarge it for detail.) -

Under Another Sky
2011 04 20 The Root (Sacred Plants Visionary Art Panel) & Studio
24"x24" – opaque pens on masonite
original painting for sale – make an offer
signed poster prints for sale – 1/$20 or 2/$30 + s/h

4/20, Boulder CO – quite possibly the cannabis capital of the world. In the midst of this storm of heedless intoxication (once a campus display of civil disobedience, now an epic rager celebrating marijuana's medical legalization) we assembled a crew of respected "visionary" artists – Martina, Amanda, Krystle Smith, Mackenzie Page, Jumbie, and myself – and we had a nice long panel discussion about sacred plants and their role in the creative process. Kind of an antidote or counterbalance. Thoughtful and provocative, the discussion was well-received...and I went home loaded with the other artists' visionary mojo to finish the painting I'd started. Maybe you can see a hint of their flavor in this piece, another in a series of vegetable landscapes on other planets.



Moon Well
2011 05 06 The Kessler (Language Love, DVS*, Archnemesis)
2011 05 07 Dallas Museum (Bluetech)
2011 05 08 Ruta Maya (Polymyth, Dimitri's Ascent, Jamie Janover)
24"x24" – opaque pens on masonite
original painting for sale – make an offer
signed poster prints for sale – 1/$20 or 2/$30 + s/h

Still not getting tired of drawing golden spirals and moon portraits. What can I say? I have also been obsessed for years with creating gradients of complexity, leaving unelaborated sections, showing the weaving-into-being caught in action. Seems only appropriate for The Manifestation Celebration, which turned Dallas – if but for a moment – into one of the coolest places on the planet. Thanks to the hard work of the big-hearted people at Re:Evolution Media. Post script: I finished it up in Austin, during a few days of satiated lounging. Grounding that love, Texas...grounding that love.



Temporary flashback to April. While listening to Martina and Amanda give presentations on their artwork at Boulder's Shining Mountain Waldorf school last month, I regressed to "classroom doodling" mode and went to town on the paper plates they gave us for cheese and crackers:

The Love You Withhold Is The Pain That You Carry

I'm Too Wrapped Up In Not Being Wrapped Up

My extreme thanks to everyone who invited me to paint on them for Denver & Dallas's Alex & Allyson Grey shows. I take body painting seriously – a precious opportunity to see someone's soul and unfold it on them – and I got to work on some beautiful human beings. Here are links to body art galleries for both two-night events...as you browse, see if you can't absorb the ambience of each party:



Festival season is upon me (curious people: summer calendar on the blog), which means a lot more art and music, and less time to publish it. I already have a lot of work in store I'm honored-eager to share with you...in the meantime, take care and thanks for reading!

25 January 2011

Tasty New Videos & Three Paintings From New Orleans

(View this in the vastly-superior web format and click to enlarge every picture for a closer look!)

"More conservative minds deprive coincidence of meaning by treating it as background noise or garbage, but the shape-shifting mind pesters the distinction between accident and essence and remakes this world out of whatever happens. At its obsessive extreme such attention is the beginning of paranoia (all coincidence makes 'too much sense'), but in a more capacious mind it is a kind of happy genius, ready to make music out of other people's noise."

You guys! I can't tell you how excited I am about how this year has been shaping up. I mean, check it out...

Entheogenic & Michael Garfield at Geoparadise Festival


(The voiceover is from my contributions to the 2010 Integral Theory Conference Integral Art Panel, which you can stream for your own cerebral binging pleasure at the link.)

And now for the paintings.

Night Bulbs
2010 04 29, 30 12 Bar & The Republic
(DS@STR, Big Gigantic with Murph, Rusko, DJ Quickie Mart, Yo Mama's Big Fat Booty Band)
18"x24" - paint markers on 1" laminate (check price & comments)
11"x17" prints available - $25 or 2/$35 (s/h incl) - email me

This is actually an older one (back from when I was busy exploring artichoke-related themes last spring) that I didn't have the opportunity to properly photograph until my latest trip back down to New Orleans last week. My friends kept it safe.

The night I made this, I gave Murph of Sound Tribe Sector Nine a print of the live painting I made from the seats of their first-ever acoustic show...and now Murph apparently has cancer and the band has had to cancel a few months of gigs. I've never been a rabid STS9 fan, but my heart goes out to him during his recovery...hopefully this is just the shamanic illness he needs in order to bring a new luminosity to their music.


Emigration
2011 01 13 - The Republic New Orleans
(Twelfth Planet, Quickie Mart, Kaiser, Eddie Gold)
24"x30" - paint markers on masonite (check price & comments)
11"x17" prints available - $25 or 2/$35 (s/h incl) - email me

People kept telling me this was a Van Gogh thing. Okay, yeah...I mean, everyone's interpretation fills out the living significance of an artifact. But I mostly see some kind of Greek-Chinese influence. In unrelated news, apparently Miley Cyrus and Kelly Osborne were at this show. My promoter friends in New Orleans are blowing up, apparently!

Lots of sheen effects in this one. Check out the detail pic below for a better shot of that transparent blue shimmer making it with the gold background layer. Mmmm. Thanks to Winter Circle Productions and ActionPacker Pro Productions for bringing me back out to one of my favorite cities!



Voodoo Revival
2011 01 15 - Maison
(Lorn, Teebs, Shanook, Mono/Poly, Ryan Pearce, Rekanize)
24"x30" - paint markers on masonite (check price & comments)
11"x17" prints available - $25 or 2/$35 (s/h incl) - email me

I was on this kick in my sketchbook last week with the idea of one animal's third eye becoming a second eye on a "more evolved" (that's bad science, people) animal...the third eye of a person is the second eye of an angel, and so on for ever and ever. (Likewise, a snake's second eye would be the third eye of a...fish?) But it's pretty obvious that a serious bayou groove got into this one and the finished product gives me the sense of some resurrecting swamp wizard reassembling himself from the local herpetofauna on a moonless night...and my friend Mackenzie mentioned that the whole "snake with a big ol' third eye" thing is totally a Martina Hoffmann trope (although she takes it in a totally different direction). Seems like maybe my forthcoming trip to Chimbre in Peru is already taking hold of me...

Thank you, four years of drawing reptiles and amphibians at the University of Kansas Natural History Museum, for giving me the experience necessary to paint this piece.



Other things worth mentioning this week:

• A lovely spread of my paintings is hanging in 1111 Wellness, up next to The Fox Theatre in Boulder. I should be announcing details on the reception soon, but in the meantime go pay them a visit and check it out! For those of you who can't make it, I'll be sure to post pictures.

• Last November's Bear Creek Music Festival was a hurricane of live art...now you can watch the explosive creativity, complete with bouncing face-painted ragers and color-changing LEDs, on either Facebook or Vimeo.

• And here is a short reel to give you an idea of the crazy time we all had together at Circus 8 in Detroit, last December...as well as the body art gallery from that night and a couple of others. Can you find yourself in there?

• I've been booking a lot of great gigs for the next few months...you can check out my tour calendar for more details about upcoming shows with Papadosio, Heyoka, Alex & Allyson Grey, D.V.S*, and many other amazing artists this spring! Plenty more to be announced soon.

06 July 2010

Sonic Bloom, Ramble On The River, Field Guide To Live Artists

"The way you stretch the envelope of culture is by creating language...Culture cannot evolve any faster than its language, because what cannot be said cannot be done. What cannot be said cannot be put in place."
- Terence McKenna

I am so, so committed to language creation. McKenna imagined a post-verbal world where we all broadcast our intricate messages on our skin like octopi, "as though the project of communication becomes high-speed sculpture in a conceptual dimension made of light and intentionality." Others have pursued the same posthuman xenolinguistics in myriad interesting ways.

So let's take a low value for the exponent here and assume that a picture is worth merely a thousand words. I have no choice but to try a new approach: less rambling and more imagery. I want to show you where I've been painting...detailed close-ups...strange angles that show the diversity of sheens and textures in each piece. I want us to paint the skin of each other's minds with the living rippling of our heart's tongues, a bright and noisy quiet in intimate explosion, like chatty squid with a direct line to the Beloved. So here's to that.

But first, preening.

• Press

Just a couple of delightful recent snippets about my art and music culled from the infowebs that I am honored to share with you. I got a wonderful shout-out in one of the more thorough write-ups on this year's Wakarusa Festival:

"[Michael's] work is multi-dimensional ethereal reflection; like peering into a vortex. His channel to the divine is wide open and clear, much like Alex Grey, and I wouldn’t be surprised if he achieves the same kind of world-renowned respect and affection."
- Caeli La, Lost In Sound

Less hyperbolic but equally exciting, my latest (free) instrumental EP, Daylighting: Electronic Improvisations on Acoustic Guitar, was somehow picked up by one of Colorado's most highly-regarded reviewers:

"Don't jump to conclusions based on 'acoustic guitar improv'...this sounds more like some of the sonic explorations that came out of the Robert Fripp/Brian Eno collaborations than some hippie 'jamming' on an acoustic in a park somewhere. [It's] full of odd timbres and textures, but the occasional splash of melody erupts and there's a strange, sci-fi psycho-Western feel to a lot of it – let's just say if they'd ever done a psychedelic drug sequence on Firefly, this would have worked perfectly as the accompaniment. It's occasionally beautiful, frequently evocative and never less than interesting."
- Cory Casciato, Denver Westword

• Illustration

Stun Flower
2010 06 23, 25, 26 Ogden Theatre & Sonic Bloom
(Hamsa Lila, Tinariwen, David Starfire, Eminence Ensemble,
Michal Menert, Signal Path, Merton, Octopus Nebula, Bluetech,
Zilla, Big Gigantic, ill Gates, Project Aspect, The Acidophiles, Deru,
Rena Jones, Vibesquad, Lynx & Janover)
24"x24" – paint pens on masonite
email me to inquire about or make offer for the original
email me to order $20 poster prints (11"x17")

Dedicated to the work of Dan Winter, one hell of a physicist and the man whose research so emphasizes the phi rosette phase-conjugate love fields emanating from the heart of someone in love.

Click to enlarge and see the painting in various states of completion:


Detail of the flower's heart, as the galactic arms spiral inward to sweet completion:


I had the color-shifting LED flashlight aimed at this thing almost all weekend. People kept bringing their friends back to me to ask me to show them, too... No promises that I'll actually paint something with one of those lights in mind – one of those ten-in-one pictures that distributes various scenes across the spectrum, coming together in a weird cluster of superimposed notions under full white light – but I'm thinking about it.

UFO Jellyfish Gnosis
2010 06 26, 27, 30 & 07 03 Mishawaka Ampthitheatre
(EOTO, Eskmo, Karsh Kale, Sonic Bloom Orchestra, D.V.S*, Jantsen,
Future Simple Project, Heyoka, Beats Antique, Post Paradise,
Holden Young Trio, Futaba, Dave Watts, P'Nut Daniels, Michal Menert)
24"x24" – paint pens on masonite
email me to inquire about or make offer for the original
email me to order $20 poster prints (11"x17")

Yet another reason I want to share more angles on what I do is because I get to paint in beautiful places – like the riverside idyll that is The Mish:

This one, dedicated to my friend Brandon Watson for letting me steal the title from his religious views (and facebook group – population: 2), has all kinds of shininess going on. Mmm:



Gem Chains
2010 06 Studio Commission
16"x20" – paint pens on canvas panel
email me to order $20 poster prints (11"x17")

As my live paintings have gotten larger in the last few months, the smaller end of things has opened up for more accessible custom work. That means modest canvas panels like the one above, and also hats, guitar cases, tattoo designs...I'm eager to get creative with venue as you and I all work together to think of cool places this could go.

And as increasingly the case, body painting figured hugely into my weekend at Sonic Bloom Festival. You can check out the gallery on my Facebook visual art page, here:


• Writing

Lastly (for now, with much cooking for the next newsletter), enjoy these two latest entries from my Field Guide To Live Artists at Examiner.com – an ongoing interview series with anyone and everyone who sets up their art studio at public events and works in front of an audience. This go, we have new interviews from two live painters active in the Denver scene...


If anyone you know is a live artist, invite them on board! The goal is to create the most comprehensive directory available, to give everyone free press and opportunities for cross-promotion, and ultimately to publish it all in a beautiful full-color coffee-table album. So join in!