MG Joins Re:Evolution Media, A Live Art Opus, & More Awesome News!

"The artist is not a special kind of person; rather each person is a special kind of artist"
– Ananda Coomaraswamy

"It is often said that men are ruled by their imaginations; but it would be truer to say they are governed by the weakness of their imaginations."
– Walter Bagehot

Looking at this bevy of announcements, it occurs to me that life is moving too fast for a biweekly newsletter, anymore.  I'd rather send you something you can actually read in one sitting, so I hope you'll stay with me as I switch to more digestible weekly updates.  But if you'd prefer, you can always follow me on twitter, or at my facebook music and art pages.  Thanks again to everyone for your support!

Michael Garfield Joins Re:Evolution Media

As part of my "Take it to the next level AGAIN!" agenda, I am now on the roster at Re:Evolution Media – the same group that books Alex & Allyson Grey, The Nadis Warriors, Desert Dwellers, Govinda, Birds of Paradise, Kaminanda, & D.V.S*!  These guys throw some of the best events I've ever seen, and after two years of collaborating with them on The Manifestation Celebration and other great shows, I'm honored and excited to join the family as a musician, live painter, and public speaker.

Stay tuned at my facebook music page for more news as things develop – these guys are blowing up all over the country and it's now considerably more likely I'll be back in your town soon to help raise some holy noise!  (It's already getting silly, if you haven't checked my concert calendar recently.)

And speaking of holy noise, here is a clip from my improvised acoustic-electronic "cyberguitar" performance at Ruta Maya in Austin last month:

"Leave Your Face At The Gate"

Watch on Youtube

This is track two on Rainbows At Night, a new and ongoing archive of free live recordings to tide everyone over while I'm working on my next studio album.  I'll be posting a new track for the newsletter every couple weeks.  There are some really juicy ones coming up...enjoy!

And now, to share the most ambitious and time-intensive live painting I have ever accomplished.  Be sure to click the image to view it in full-size, with every rich detail:

Many Worlds

2011 09 01, 02 Burning Man Festival - Fractal Nation Village

(Left Coast, Heyoka, Mimosa, Dov, FreQ Nasty, Ill Gates, An-Ten-Nae)

2011 09 10 Red Rocks Amphitheatre (STS9, Savoy)

2011 10 25 Cervantes' Other Side (Bridging The Music Presents Electronic Tuesdays)

2011 11 12 Om Vibrations Experience (Nadis Warriors, Desert Dwellers, Rara Avis)

2011 12 30 The Parish (Nadis Warriors, Spoonfed Tribe, Hatch)

2012 01 07 Whomp (Polymyth & various other local DJs)

2012 01 30 Ruta Maya, Esoteric Monday Dubstep & Gypsy Bazaar

2012 01 31 Beauty Bar (Seven Circles, El Commode, Borrisokane)

2012 02 02 The Parish (An-Ten-Nae, Gladkill, Psymbionic)

2012 02 07 Club 606, Whompadelic Wednesdays (Polymyth, Soundshaman, DRRTYWULVZ)

original painting, 24"x36" – paint markers on stretched canvas – make a bid
signed and numbered full-size stretched canvas giclée fine art prints
(limited series of 100): $300 each – order

signed 11"x17" poster prints:  $20 + $5 s/h – order

I posted about this painting in its early stages last fall...now this epic beast, carried from Nevada to Colorado to Texas over the course of six months, ripples with the energy of each of those realms – and, appropriately, contains miniature paintings of over a dozen other live pieces.  This is a "God's Eye View" of the multiverse from which I draw my inspiration...inspired, in turn, by the work of all of my fantastic friends in the global visionary art community who urged me to invest more (more, more!) time into a stupefying, gallery-level piece.

Due to the terrific amount of work I put into this one, the original will be held on extended silent auction and I will make a very limited run of full-size fine art canvas prints so a top-quality version will be available to everyone at a reasonable price.  The giclée prints will be made from a scan of the image, signed and numbered, and shipped for free to anywhere in the United States.

Click this image for an up-close walk-through of how I completed this, one improvised step at a time:

...of course, while working on a huge opus monster of a painting, it's good to blow some steam on smaller, less time-intensive works:

Subduction Zone

2012 01 18 Barcelona Austin (B. Lewis & Insightful, Maintain, Applied Pressure Collective)

2012 02 09 Beauty Ballroom (Gaslamp Killer, Bird Peterson, Grommit, Applied Pressure Collective)

original painting, 18"x24" – paint markers on stretched canvas

signed 11"x17" poster prints:  $20 + $5 s/h – order

This piece is a return to the eightfold geometries that captivated me in the fall of 2009...a revisitation of some familiar patterns from a new perspective.  Local beats collective Applied Pressure made it extremely easy for me to enjoy myself while painting; I know I'll be working with them more in the future...

Click for a close-up look at how this came together:

Two New Interview Videos!

The inevitable consequence of making as much mouth noise as I do.

On proposing over Skype, the threat of solar storms to our electrical grid, and full-body thinking...a conversation about intuition in the Age of Information and the ways that technology both connects and divides us, with host Alexis Neely of The Whole Truth Show:

   

Watch on Youtube

On how to sidestep and overcome creative blocks, the inspiration behind "Many Worlds," and why "imagination is our greatest natural resource"...a conversation about seizing the dream of a fulfilling creative lifestyle, with host Jessie Elaban of Austin art and culture blog, Collective Perspectives:

Watch on Youtube

Custom Hats Galore!

Three of my latest designs for happy heads – plenty of hats still for sale in my gallery of available original art, and of course you can always email me with your budget, hat size, and color and style preferences if you'd like me to make you one that's especially yours.

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Parting Thoughts

From my article "Godhood Is Boring: Thoughts on Radical Life Extension" – now online at the excellent blog, Spirit Of Spider:

Science is, in the final count, not about the increase of knowledge, but the increase of ignorance – if every question answered means two more questions asked, what we don’t know is growing faster than what we do. And so a mature science, grounded in the same wonder at mystery that impelled natural inquiry in the first place, welcomes this mystery. It is not a program of rapturous domination, or prideful power en route to ultimate mastery of the matter, but the cultivation of wisdom through the exploration of nature as macrocosm and the self as microcosm, of the ego embedded in a world defined by interbeing. 
(Read the article...)

Two Paintings-In-Progress, Going Away Concerts, & More Cyborg Philosophy

"As if snapping out of a trance, I found myself not out of my mind, in the sense that I was crazy, but rather, inside of my mind, which was now discovered to be everywhere, in that I was beginning to realize that I was dreaming."

- Paul Levy

"Everything is funny as long as it is happening to Somebody Else."

- Will Rogers

As summer turns to autumn and my impending move from Boulder to Austin looms ever-nearer, change is in the air.  Appropriate to the season, it's a time of closing accounts and kisses goodbye.  But I won't wear black to my own funeral – so the next couple of weeks are going to be full of parties!

Beyond hosting a flexible-price sale on all of my original paintings to raise money for the move, here is how I'm celebrating the end of four years in Colorado and the leap into a new adventure:

• 14, 15 October, Denver CO - Cervantes Masterpiece Ballroom

8 pm - 2 am: live painting & body art by donation at SONIC BLOSSOM

with Ott, Random Rab, Kraddy, Janover & Karsh Kale, Octopus Nebula, Project Aspect,

Phadroid, Govinda, The Human Experience, Bird of Prey, and more

- last scheduled live art gig in CO -

• 21 October, Denver CO - Jake's Denver

8 - 11 pm: three full songbird & cyberacoustic guitar sets (FREE)

• 25 October, Denver CO - Cervantes' Other Side

9 - 10 pm: cyberacoustic songbird set w/ Three-Legged Fox ($7)

• 28 October, Estes Park CO - Aspen Lodge

6:30 - 9 pm: balladry & cyberacoustic guitar sets (FREE)

- last scheduled concert in CO -

...and now on to the juice.  We got new artwork, new writing, and new music in this one.  But first, here are pictures from last weekend's live painting fiesta at Art Outside – an absolute gem of a festival, positively overflowing with amazing undiscovered artists and musicians.  Click through to the gallery, and feel free to comment!

Photos: Art Outside 2011

As part of my emphasis on process, I've always tried to find ways to make this blog more immediate and immersive – to bring the people who can't be at every show into the experience of live art and music.  (Hence the photo album above.)

But I'm spending more time on each piece these days, which means a longer lag between when you saw me at the show working on the painting and when it finally spreads its feathers and does a mating dance for your brain.  So here are snapshots of two paintings-in-progress that I started over the last month, caught in their awkward pimply adolescence.  Click to view full-size:

Many Worlds (tentative)

2011 09 01, 02 Burning Man Festival - Fractal Nation Village

(Left Coast, Heyoka, Mimosa, Dov, FreQ Nasty, Ill Gates, An-Ten-Nae)

& 2011 09 10 Red Rocks Amphitheatre (STS9, Savoy)

paint markers on stretched canvas - 24"x36"

A minor homage to the worlds-within-worlds paintings of my friend Melissa Leigh...minus the worlds, of course!  So that's where this piece is headed:  a unique terrarium ecology for each of those floating orbs.  If something goes horribly wrong, I might just paint a big Brontosaurus on top.

Mobius Brain (tentative)

2011 10 07, 08, 09 Art Outside Festival

(Psymbionic, David Starfire, Bird of Prey, Riders Against The Storm, Sorne, Ricochet, Dolomites, Soundfounder, Butcher Bear, Kinder Lo Phi, Ntropy, Nicoluminous, Happy Happy James)

paint markers on canvas panel - 24"x30"

As many paradoxes as I can fit into a single painting...it's like the Impossible Fork times a million.  Painted myself into a corner with this one, and eager to see how I paint myself out of it.

Recent Philosophy Riffs

For those of you who enjoy heady ideas (and that's hopefully all of you), here are two recent articles I wrote for transhumanism website Acceler8or about 1) our evolving relationship with emotional machines, and 2) the implications of CERN's recent superluminal neutrino research...some of the more interesting topics, I think, here at the edge of the future:

"Coevolution & The Technology of Desire"
A few years ago, the first emotional robot pet hit the market. Designed by the co-inventor of Furby, Pleo the Dinosaur is an adorable little beast, big eyes and feet, curious and playful and a little awkward...just like a baby dinosaur, except it comes in a box and is full of electronic innards.  Pleo — as well as earlier incarnations like Furby, Teddy Ruxpin, and even the Pet Rock — speak to a deep-seated human desire to relate with the world around us. It only makes sense that as the machine world becomes more and more a part of daily life, our technology’s rocket trajectory out of the spirited and sentient world of our ancestors would plunge right back into an age of cute computers. (read more)

"And Now, Faster-Than-Light Culture"
Last week’s discovery at CERN of neutrinos traveling faster than light has physics forums buzzing about the possibility that this is “solid” evidence of long-hypothesized additional dimensions. This is big news. For the first time in the modern world, the existence of invisible spatial dimensions is in the public discourse. Science is the closest thing much of the literate planet has to religion these days, and this is far closer to the otherworldly transcendent mythos of early cities than the heady, highly existential relativity physics delivered to us from on high by Einstein. (read more)

New Cyber-Acoustic Guitar Videos From Burning Man

I was honored to play the Center Camp 2011 Aerial Dance Showcase at this year's Burning Man.  Unfortunately, dust got into my digital audio recorder and the only surviving record of that performance is here, captured in these two short videos...a glimpse of dust and light, love and survival:

Much more music video on its way as I gear up for the 11/11/11 release of Rites of Passage: Live At Burning Man – in the meantime, all of my music is (as always) free or pay-what-you-like at MichaelGarfield.net.  If you haven't already, take my latest live album, Alive in the Zone of the Rose, for a spin...it's a transporting hour of my signature blend between acoustic songwriter fare and electronic guitar looping psychedelia, the musical version of my visual art.

HUGE thanks to everyone for supporting my tireless efforts by buying music, introducing your friends to my work, offering your thoughtful feedback, and inspiring people with your own creative lives.  Don't hesitate to write if you have something to say, and have a beautiful day!

New Paintings from Papadosio, Burning Man, STS9 – and Vinyl Stickers!

"One doesn't discover new lands without consenting to lose sight of the shore for a very long time."

- André Gide

"In their daily life, all are braver than they know."

- Henry David Thoreau

My adventure at Burning Man 2011 was a success.  I played five concerts in an inhospitable desert environment, including one as "opening act" for living legend John Perry Barlow and one improvising the score for an aerial dance showcase; spoke to a packed house at Red Lightning Camp and sat in on a now-annual panel discussion with my friends Daniel Pinchbeck and Mitch Mignano; and helped hold it down at the kick-ass new visionary art camp, Fractal Nation Village in my own modest way.  More importantly, however, I helped friends new and old navigate their own rites of passage, and they helped me through my own.  I wrote a short note about it you can read here, if you like.

The music and talks will all be ready to share in time for the next newsletter...

In the meantime, here are the latest offerings from my visual universe.  Click any image to enlarge:

New Vinyl Stickers!

2"x6" die-cut vinyl indoor/outdoor stickers

$3 each or $10 for five (shipping included)

(to order, use the "donate" link at my blog – leave your address

and the name of the prints in a note when you check out)

This is the closest thing I have to a slogan – I came up with it in 2008 as a retort to the argument that capitalism could not continue to grow unchecked, because obviously if we trade in ideas we can have a closed-loop material infrastructure and continue to expand exponentially into the imagination.  Or maybe I'm wrong.  But insofar as the invisible environment of one age becomes the conscious canvas of the next, I do think it's time we took a lead from Terence McKenna and Bucky Fuller, and started treating our planetary problems as shortages of imagination.  There's always an overlooked perspective that solves even the most impossible paradoxes...and now you can share that insight with anyone who sees the back of your laptop.  Maybe – just maybe – this will help us reach critical mass.

River Dragon

2011 08 24 Hodi's Half Note & 2011 08 26 The Fox

(Papadosio, Damn Right)

24"x36" - paint markers on stretched canvas

signed 11"x17" poster prints $20/1 $30/2 plus $5 s/h

(to order, use the "donate" link at my blog – leave your address

and the name of the prints in a note when you check out)

original painting negotiable – serious inquiries, email me

I just finished reading David Wade's excellent Crystal and Dragon: The Cosmic Dance of Symmetry and Chaos in Art, Nature, and Consciousness – basically, a thorough overview of the ways that crystalline and fluid patterns have alternately dominated human art, religion, and philosophy.  Wade contrasts the intensely crystalline tradition of Islam, with its emphasis on extraordinarily precise geometries as a way of pointing to the ultimate reality of divine perfection, and the chaotic tradition of Taoism, with its emphasis on the light and motion of water, gnarled pines, and other ephemeral natural phenomena as a way of pointing to the ultimate reality of the ever-changing Tao.

He turned me on to an an awesome new term:  "shang shui," or "mountain-water," the name for an entire school of Chinese painting that praises the fluid forms of nature.  To the shang shui tradition of painters, it's less important that you capture the exact shape of a thing than its motion, life, and essence...and by that criterion, I identify with this tradition.  "River Dragons" is an attempt to connect with the vitality of this lineage and their higher truth.

Fiestaraptor

2011 09 01 Burning Man - Fractal Nation Village

(Imagika Om, Janover, Ganga Giri, Future Simple Project, Sub Swara, FreQ Nasty, Opiuo, LowRIDERz, PussyMonster, Heyoka)

24"x36" - paint markers on stretched canvas

signed 11"x17" poster prints $20/1 $30/2 plus $5 s/h

(to order, use the "donate" link at my blog – leave your address

and the name of the prints in a note when you check out)

original painting negotiable – serious inquiries, email me

Most of y'all know I was trained as a paleontologist and scientific illustrator, and every once in a while I try to bring my old life into my new life.  I get the feeling, after working on paintings like this one, that I'm not doing it frequently enough.  Somewhere between festival culture and museum culture lives "Fiestaraptor," the painting I made during Fractal Nation's opening night of all-star programming at Burning Man.

(For the record, I'm still kind of ambivalent about the idea of a big-budget production theme camp at what is supposed to be a radically-participatory event...putting on huge concerts out there seems to support spectator culture and ends up being a weird badge of pride for the producers, when what I really love about Burning Man is the emergent, collaborative, collective, personal, intimate, and weird experiences everyone creates together that cannot be reproduced anywhere else.  That said, this was basically a party put on by my friends, and it was an honor to contribute to it.)

While I was working on this piece, I was also responsible for keeping people out of the backstage area – so there was a lot of "bouncer" energy that went into it.  Sometimes I had to use my longer-than-Tyrannosaurus arms and actually grab people and pull them while they were jumping over the gate.  I can't help but think it influenced this intense, roaring, guardian vibe this one radiates.  Maybe, also, the fact that Tribe 13's unprecedentedly awesome sixty-foot dome visionary art gallery was just two hundred feet away had something to do with it.  I didn't see any ayahuasca-sauruses when I was down in Peru last March, but Lord knows Tyrannosaurus is one of my spirit animals...

STS9 Red Rocks 2011 (Guerrilla Poster)

signed 11"x17" poster prints $20/1 $30/2 plus $5 s/h

(to order, use the "donate" link at my blog – leave your address

and the name of the prints in a note when you check out)

My latest foray into hybridizing the hand-painted work with basic digital layering techniques to create something that shines with the best of both worlds, this piece alloys work from The Manifestation Celebration, Bear Creek Festival, and Electric Forest Festival.  It wasn't quite a full moon when STS9 showed up to rock Colorado's most legendary sandstone slabs, but close...so I worked to make something that conveyed what a lot of people were probably feeling (maybe even seeing) that weekend, crowded between the rocks and gazing into the extraordinary fullness of theater and the sky beyond.

This is a signed and numbered series of 75 prints and I have a few left, if anyone would like one.

Press

First, here's an entertaining short interview with me about my crazy path from biologist to vagabond-artist by precocious and inspirational video blogger Kevin May (aka Phil Osophical). I had the pleasure of meeting Kevin last month at Papadosio's Rootwire Festival and was happy to talk while we ran to the bathrooms in the crescendo of anticipation right before they burned the Man...the excitement is palpable all around us as Kevin and I run from my panel discussion to the bathrooms:

In music news, taste-making electronic dance music site TheUntz.com just gave my latest album, A Million Anniversaries, a sterling review – especially cool, given it's not really EDM:

"It takes creativity to make the next step in a newer, more shocking direction, but it takes a visionary to go beyond the breaking point and meet music on the other end of the spectrum. That’s what Michael Garfield does."

(read the whole review here)

Musician and blogger Skinny Hendrix also gave me a feature on his site and had some kind things to say about that same album.  It's always a special pleasure to find approval from a fellow artist:

"Beautiful soundscapes....Garfield has a dynamic ability to express himself on the acoustic guitar and to allow the listener to climb inside of his head and connect with him on a deep level."

(read the whole review here)

...and while it's not exactly a review, this lovely poem by my friend Sofia was inspired by the album and is a kind of tribute:  "The Dripping Place"

Enjoy!  Thanks to everyone for your time, attention, and support.  It takes a planetary village to raise the emergent starchild of the human "superorganism."  We're all in this together.

- Four New Live Paintings From Wakarusa 2011 -

"Art is only a means to life, to the life more abundant. It is not in itself the life more abundant. It merely points the way, something which is overlooked not only by the public, but very often by the artist himself. In becoming an end it defeats itself."

– Henry Miller

"It is the function of art to carry us beyond speech to experience."
– Joseph Campbell

(I apologize in advance for the seasonal shift from a biweekly to a weekly newsletter in order to keep up with the flow of new work – I know we're all feeling the acceleration by now (whether you consider it technological, spiritual, or both) and as the evermore rapid influx of information and energy builds toward a local climax over the Summer Solstice, it's all I can do to get the art, music, and talks I've given over the last couple of weeks online before they start to ferment. For a little while here, we'll be in full-bore festival season mode...hold on tight and open wide!)

This week chronicles my third annual stint as the Wakarusa Festival's resident live artist – and this was the year of fruition. The festival granted me permission to coordinate their first-ever Live Art Team & Gallery, and I was blessed to invite eight of my favorite emerging artists to join me in a forty-foot tent poised directly center of the 50,000 person festival's vending area. With the help of Ehren and Renee Cruz of SolPurpose.com and installation artist Nate "Nature" Hogen, we turned it into a glorious, altar-filled chill spot – a sanctuary from the blazing heat, and a non sequitur sacred space in the midst of the event's commercial bustle. It was the fullest realization yet of my efforts to transmute the raw energy of the festival environment into an opportunity for growth, empowerment, and change, as I mentioned in my popular manifesto, "The Problem – & Promise – of Festivals" back in March.

Huge thanks to all of the live artists and friends who contributed to the space, and to Tia Christiansen at Moving Parts Productions and Ami Heinrich at Tsunami Publicity for helping us make this a reality!

Very soon, I'll have much more to share about that – including video of all of us set up en force at the Main Stage painting to acts including STS9, Thievery Corporation, Shpongletron, & Umphrey's McGee – but until that's ready I want to show you my own work from the weekend. For the first time ever, I had every painting sold before they even started:

(Click on any image to enlarge it for a better look!)

Love Bites

2011 05 28 3SidedWhole (Banu Noor, Kobiana and Friends, Faracet and Autumn)

& 2011 06 02 Wakarusa Festival (Papadosio, Umphrey's McGee)

24"x24" - paint markers on masonite

11"x17" prints available, $25 for 1 / $35 for 2 (s/h included - email me)

I think this one is pretty self-explanatory. And no, it's not about my mommy issues...more about the dual nature of creation and destruction with a cheeky nod to the Cheshire Cat and other slippery archetypes. Plus, I like vampire romance – not teeny-bopper fang fiction, but the gothic profundity of what love means when you live forever and recognize that you subsist on violence (and we all do).

I'm surprised that there aren't more stories out there with enlightened ancient vampires...after thousands of years of satiating your every carnal desire, don't you think you'd long for something more and eventually grow into a deeper wisdom than one human life can hold?

Tree of Eyes

2011 06 04 Wakarusa Festival

(Shpongletron, Ott, Hallucinogen, STS9, My Morning Jacket)

24"x24" - paint markers on masonite

11"x17" prints available, $25 for 1 / $35 for 2 (s/h included - email me)

I just finished reading Catherynne M. Valente's immensely lush and sensuous fantasy, The Habitation of the Blessed, about a lost Oriental kingdom ruled by the legendary Christian king Prester John. In this magical land, anything planted in the ground will return as the fruit of a tree that grows in its place – so the dead are never really dead, only transformed. In a passage I found especially moving, one character brings another to the grave of his wife, whose eyes gaze out from the leaves and branches. He laments how the whim of nature gave back only her eyes and how, even though he is blessed to look upon her still, he misses being able to hear her voice. In line with my mention of vampire love above, I'm increasingly possessed by a fascination with how eternal life shifts our values and experience. What it is to be Forever.

This painting alludes to the sentience of the vegetable world, to the voiceless reaching of our own planet's living skin to the touch of other distant worlds...the drama of cosmic communion in the fathomless depth of space. "I know you're out there somewhere..."

Paradigm Shift

2011 06 04 Wakarusa Festival

(Emancipator, Nadis Warriors, Thievery Corporation, STS9, Big Gigantic)

24"x30" - paint markers on masonite

11"x17" prints available, $25 for 1 / $35 for 2 (s/h included - email me)

Regarding the interplay of one reality emerging from another – of recognizable from crystallizing from the hyper-order of chaotic flow – of layers upon layers shining diaphanous emergence. This piece is a more well-considered continuation of the themes I established last year, in which one painting is interrupted and dominated by another (see "Let It Go" from last year's Rootwire Festival, here). The best stories start in medias res – and the changes we're going through now are no exception. I don't know if I buy into the whole "Ascension" mythos, but I definitely agree that radical change and black swan events in general demand that we surf the change with as much grace as we can muster.

Maria

2011 06 05 Wakarusa Festival

(EOTO with Beats Antique, Jamie Janover, & Karsh Kale)

16"x24" - paint markers on masonite

11"x17" prints available, $25 for 1 / $35 for 2 (s/h included - email me)

My first live painting started and finished for a trade – in this case, the beautiful jewelry by Carl Weiseth of Third-Eye Pinecones. Like Carl, I see more than just a reminder of our own human pineal organ in these natural wonders...I see a potent lesson in the wisdom and intelligence of the natural world. A pinecone is an advertisement for sex, a testament to selfless progeneration, and a window into the timeless now. No wonder this painting ended up with the same mandorla that graces portraits of the Virgin Mary. They both speak to our wonder at the same enduring archetype of creation...

More soon! In the meantime, I've posted a few new summer dates on my calendar – including appearances at Electric Forest Festival (Michigan), Rootwire Festival (Ohio), and Burning Man (Nevada) – and am always available to answer your questions. Have a wonderful week and thanks for reading!

Tasty New Videos & Three Paintings From New Orleans

(View this in the vastly-superior web format and click to enlarge every picture for a closer look!)

"More conservative minds deprive coincidence of meaning by treating it as background noise or garbage, but the shape-shifting mind pesters the distinction between accident and essence and remakes this world out of whatever happens. At its obsessive extreme such attention is the beginning of paranoia (all coincidence makes 'too much sense'), but in a more capacious mind it is a kind of happy genius, ready to make music out of other people's noise."

- Lewis Hyde, Trickster Makes This World

You guys! I can't tell you how excited I am about how this year has been shaping up. I mean, check it out...

Entheogenic & Michael Garfield at Geoparadise Festival

Comment on & share this video!

The Art Is A Part Of My Body

Comment on & share this video!

(The voiceover is from my contributions to the 2010 Integral Theory Conference Integral Art Panel, which you can stream for your own cerebral binging pleasure at the link.)

And now for the paintings.

Night Bulbs

2010 04 29, 30 12 Bar & The Republic

(DS@STR, Big Gigantic with Murph, Rusko, DJ Quickie Mart, Yo Mama's Big Fat Booty Band)

18"x24" - paint markers on 1" laminate (check price & comments)

11"x17" prints available - $25 or 2/$35 (s/h incl) - email me

This is actually an older one (back from when I was busy exploring artichoke-related themes last spring) that I didn't have the opportunity to properly photograph until my latest trip back down to New Orleans last week. My friends kept it safe.

The night I made this, I gave Murph of Sound Tribe Sector Nine a print of the live painting I made from the seats of their first-ever acoustic show...and now Murph apparently has cancer and the band has had to cancel a few months of gigs. I've never been a rabid STS9 fan, but my heart goes out to him during his recovery...hopefully this is just the shamanic illness he needs in order to bring a new luminosity to their music.

Emigration

2011 01 13 - The Republic New Orleans

(Twelfth Planet, Quickie Mart, Kaiser, Eddie Gold)

24"x30" - paint markers on masonite (check price & comments)

11"x17" prints available - $25 or 2/$35 (s/h incl) - email me

People kept telling me this was a Van Gogh thing. Okay, yeah...I mean, everyone's interpretation fills out the living significance of an artifact. But I mostly see some kind of Greek-Chinese influence. In unrelated news, apparently Miley Cyrus and Kelly Osborne were at this show. My promoter friends in New Orleans are blowing up, apparently!

Lots of sheen effects in this one. Check out the detail pic below for a better shot of that transparent blue shimmer making it with the gold background layer. Mmmm. Thanks to Winter Circle Productions and ActionPacker Pro Productions for bringing me back out to one of my favorite cities!

Voodoo Revival

2011 01 15 - Maison

(Lorn, Teebs, Shanook, Mono/Poly, Ryan Pearce, Rekanize)

24"x30" - paint markers on masonite (check price & comments)

11"x17" prints available - $25 or 2/$35 (s/h incl) - email me

I was on this kick in my sketchbook last week with the idea of one animal's third eye becoming a second eye on a "more evolved" (that's bad science, people) animal...the third eye of a person is the second eye of an angel, and so on for ever and ever. (Likewise, a snake's second eye would be the third eye of a...fish?) But it's pretty obvious that a serious bayou groove got into this one and the finished product gives me the sense of some resurrecting swamp wizard reassembling himself from the local herpetofauna on a moonless night...and my friend Mackenzie mentioned that the whole "snake with a big ol' third eye" thing is totally a Martina Hoffmann trope (although she takes it in a totally different direction). Seems like maybe my forthcoming trip to Chimbre in Peru is already taking hold of me...

Thank you, four years of drawing reptiles and amphibians at the University of Kansas Natural History Museum, for giving me the experience necessary to paint this piece.

Other things worth mentioning this week:

• A lovely spread of my paintings is hanging in 1111 Wellness, up next to The Fox Theatre in Boulder. I should be announcing details on the reception soon, but in the meantime go pay them a visit and check it out! For those of you who can't make it, I'll be sure to post pictures.

• Last November's Bear Creek Music Festival was a hurricane of live art...now you can watch the explosive creativity, complete with bouncing face-painted ragers and color-changing LEDs, on either Facebook or Vimeo.

• And here is a short reel to give you an idea of the crazy time we all had together at Circus 8 in Detroit, last December...as well as the body art gallery from that night and a couple of others. Can you find yourself in there?

• I've been booking a lot of great gigs for the next few months...you can check out my tour calendar for more details about upcoming shows with Papadosio, Heyoka, Alex & Allyson Grey, D.V.S*, and many other amazing artists this spring! Plenty more to be announced soon.

Album Review: EOTO's Fire The Lazers!!!

When I starting keeping an ear and eye to EOTO two years ago, I had no prior experience with the duo's wildly different band-of-origin, The String Cheese Incident. I knew nothing about these guys, actually, except that they were trying something that combined live instrumentation with software audio looping technology to create improvised electronic music – and that, as a looping musician uninterested in retreading someone else's creative terrain, I would do well to pay attention.

And at first, I was mightily unimpressed. Without the starry eye of a rabid Cheese fan, I saw no reason to privilege this project with the benefit of a doubt. What I saw was one guy admirably drumming his ass off and the other guy just goofing around – no matter what a monster musician Michael Travis was in his other ensembles, here he was just twiddling knobs, more stage presence than virtuosity. When I saw them for the first time at Wakarusa Festival in 2007, I waited fifteen minutes for him to pick up the guitar, and then he put it back on the stand after looping a positively uninspiring two-note diddy that didn't take long to start drilling into my brain. Jason Hann's drumming was stamina-licious, but didn't hold my attention for long. I didn't understand the hype.

How things have changed.

What at one point a was loosey-goosey garage jam of a psytrance outfit has hit the books and the road hard, executing heroic workaholic tours and internalizing the diverse idioms of the world's finest electronic musicians. When these guys aren't practicing, they're asleep, and it shows. Jason Hann has significantly stepped up his game, wresting the King Kong Drummer title from KJ Sawka and Zach Velmer of STS9 by learning a veritable zoo of beats. And Michael Travis is now back-of-hand familiar with the synthesizers and looping programs that define their sound. Together, the two exercise a telepathic sensitivity to the energies of their audiences, uncanny in their capacity to know just when to remix the beat or kick up the intensity, drop out one theme or introduce the next.

I'm a bit embarrassed to admit this, because I know these guys, and I call myself a fan; but it used to be that I was only in EOTO's scene because they had a crowd that liked to watch me paint at their shows. Now, I hold these guys in high respect. I look up to them not only as musicians but as working musicians, people who are constantly challenging themselves to grow and learn, experiment and play, with fair dues paid to what they don't know and a sharp eye to the road ahead.

And in this shift, I've gotten kind of attached. Emotionally invested. I'm not a big sports fan, but I imagine this is what it feels like – when they execute a sterling endgame play, I'm out of my seat and in the air whooping; when I see them slump back toward autopilot mode I'm waving my fist because damnit I know you can do better!

So I'm of two minds about their latest studio release, Fire The Lazers!!!

In one respect, it's the most intense and apocalyptic of the three albums so far – and that feels right, given that their name is an acronym for End Of Time Observatory. There was always something dark and tremendous I wanted them to capture and now they've not only netted it; they've tamed it and bred it into something even more monstrous and awesome. Dubstep and glitch hop have been good to these guys; they know how to ride the scene. I'm amazed that what is in essence a live instudio concert, produced in exactly the same fashion as their live shows and edited only for length, manages to evoke such grandiosity with only two guys. Tone choice is perfect. The mix is crystal clear. And it should not go unsaid that the album's design is pretty classy, perfectly branded with tongue-in-cheek 1950's comic space adventure art and even a trippy lenticular insert. (Although, as an aside: It's not a "hologram," guys. They're two totally different technologies; please stop muddying the waters of lexical precision.) It's one of the most epic sets I have ever heard from these guys, if I block out 2008's Halloween show in Lawrence, KS.

But I'm not too happy with what they've left behind in the process. In spite of its faults, early EOTO managed to balance their darkness with something sparkling and transcendental. No matter how much I felt sucked into the maw of Kronos by their explorations, there was a happy subcurrent, something I came to associate with the influence of Pleiadians and Buddhas they wore on their sleeve. If I suspended disbelief, I could damn near believe this duo was a conduit for divine energies, holding down some seriously sacred vibes while still getting me deeper in my own embodied groove. Plus, I got spoiled: I caught Travis actually wail on that guitar once or twice, saw what he's capable of with a fretboard. I saw the fruit of this holy union between laptops and a live band that reached heights that, with all due respect, groups like STS9 and Boombox would never dare to go. They stirred me into ecstasy with that stuff. And it's painfully missing from Fire The Lazers!!!, which seems a bit more wrapped up in the concept and cool, the groovy club dimension, something...kind of...smug.

In all fairness, I do occasionally see the contours of a gothic cathedral traced in the terrible majesty this album evokes, like in its chill-inducing first track, "Flying Red." But it's never long before those arches disappear into the murky fog of what other listeners would describe with words like "nasty," "sick," and "dirty."

Not to mention, grit aside, the fact that the studio presents a unique opportunity for a band like this to do something truly different, something impossible in their live shows, to stir it up with more sophisticated and fantastic arrangements, inconvenient instruments, and freaky post-production magic tricks. And they blew that one completely.

It isn't easy to be notorious badasses and still keep it fresh; you're constantly at risk of alienating your audiences (no pun intended). And so I'm finally giving these guys the benefit of a doubt. I'm willing to believe that I'll look back on this as EOTO's Dark Night of the Soul, their fling with the Dark Side, where there are no guitars and the shimmering depth is momentarily replaced by some kind of sexy-but-nasty postmodern chic. In fact, I'm almost certain, knowing these guys, that they're probably already kind of embarrassed with this stuff. That the last few months since their last studio sessions have seen a resurrection after their three days underground, a glorious and newly-integrated resurgence I can't wait to hear on the next album.

In the meantime, I love EOTO and what they do enough to tell you that Fire The Lazers!!! is worth a spin. It's a perfect album for certain situations – mostly the kind in which you want to be turned on and spooked out at the same time: autumn midnight drives, deliciously dark psychedelic forays, edgy sex and its neon club seductions. It has kind of a David Lynch-directs-Tron vibe, which is great, and certainly close to what they had intended. And it's light years ahead of their earlier live sets.

But I know they're going to read this review. And I hope they take it as a friendly challenge to bring back the divine intergalactic exultation I fell in love with. Crop circles, after all, aren't made with lazers.

(Written for Colorado Music Board.)