Michael Garfield's Love Without End Tour Newsletter: Electric Forest Festival
Showing posts with label Electric Forest Festival. Show all posts
Showing posts with label Electric Forest Festival. Show all posts

15 August 2011

New Tour Video, Rootwire Paintings, & Four More Hats

“Buy stout shoes, climb the mountains, search the valleys, the deserts, the sea shores, and the deep recesses of the earth…for in this way and in no other will you arrive at a knowledge of the nature and the properties of things.”
– Severinus 

"And so it was I entered the broken world / To trace the visionary company of love."
– Hart Crane

In this few quiet weeks of respite between the bulk of summer festival season and my whirlwind adventure with FractalNation Village at Burning Man (our camp's last all-star fundraiser party is this Friday at Temple Nightclub in San Francisco), I've been musing on why it is I keep throwing myself into these things.  Living on the road on some fool's crusade to inspire the world is definitely not thankless work – in fact, I am deeply nourished by everyone's appreciation and heartfelt criticism – but sometimes I'm almost overwhelmed with the appeal of getting a weekly gig playing music in some hotel and just laying low.  Getting a studio somewhere and letting my car rust in the parking lot.

Then I remember the travel.  The sacred and secret openness that comes from the chronic shock of constant exposure to new places.  The incredible blessing it is to share these journeys with a global web of friends whose lives don't throw them quite so far as mine does...

Made from highway footage taken on last year's Love Without End Tour, this latest video from A Million Anniversaries is an homage to the sense of wonder that simply moving can instill in you.  Life in fast forward is a lot like death in slow motion, incidentally – as my friend David Titterington puts it, we're moving through tunnels of gates:


While you're listening, here's a recap of the art explosion on my end of Papadosio's Rootwire Music & Arts Festival in Logan, Ohio.  Definitely click on each painting to get a full sense of the detail:

Patience
2011 07 03 Electric Forest (Papadosio, SCI, Pretty Lights)
& 2011 08 04, 05 Rootwire Festival
(Govinda, Papadosio Live PA, Octopus Nebula, The Werks, RoeVy, Emancipator)
24"x36" – paint markers on stretched canvas

11"x17" prints – $20/1, $30/2 + $5 s/h – email me to order

Starting with the first layer of improvised (some might say channeled) script during Papadosio's set at Electric Forest Festival, this painting just drilled deeper and deeper into scaly, flowing detail until looking at it made my head twist.  Look closely and you can see the reticello pupil and doily iris; look long enough, and it might actually move.  After completing this piece I started wondering how the rest of this entity's face must look...expect richer, more intricate scapes in this style.



Symbiotes
2011 07 22 Jazzhaus (Future Shock)
& 2011 08 06, 07 Rootwire Festival
(Third Nature, Papadosio, The Malah, Damn Right, Invisible Allies, Bluetech, Kilowatts)
18"x24" – paint markers on stretched canvas

11"x17" prints – $20/1, $30/2 + $5 s/h – email me to order

Something about this one just screams microscopy to me.  Maybe it's the vaguely photosynthetic critters living in the middle of each larger object, or the way everything drifts into each other...an attempt to combine the sensation of earth, fire, air, and water in a single nonrepresentational piece.  A haiku about the elements as they combine in living systems.  Unlike Patience with its strong central locus, Symbiotes doesn't give the eye any obvious place to rest.  Angular, electrical energy leads to the same quivering vitality you get looking into a slide of pond water. 


So yeah, Rootwire was a barnstormer...amazing art, music, and presentations all around.  Huge thanks to Papadosio for inviting me back out there.  In addition to completing those paintings, giving a talk on the future of science, and jamming out a boiler of an afternoon cyber-acoustic set, I somehow found the time to tag a few people and nail out some more custom caps:


For Robbie

For Nate

For Jason & Emma

I have some exciting updates aging in an sherry cask for next week's newsletter...in the meantime, here's an in-depth interview I gave to international design collective Arts Projekt a while back.  They ask me how my training as a scientific illustrator informs my live art; about the evolutionary themes I'm expressing through my work; and about my five year plan (hint: solar-flare induced telepathy).

Many thanks for your continued interest and support.  Have a wonderful day!

20 July 2011

Paintings from an Electric Forest; Music from an Acoustic Jungle

"Lend your ears to music, open your eyes to painting, and...stop thinking! Just ask yourself whether the work has enabled you to walk about into a hitherto unknown world.
If the answer is yes, what more do you want?"
– Wassily Kandinsky (possibly the first live painter)

"The waking mind is the least serviceable in the arts."
Henry Miller (reinvented the novel; also a painter)

This is how I started 2011:  playing and painting in the mountainous rain forest village of Sinai, Costa Rica; watchless, clockless, countdownless, uncertain of when consensus time made the New Year official; enchanted by strange bugs and the quiet depth of its isolated village culture.  New Year's Day, I played a concert outside the village kitchen to a receptive lawn-full of international appreciators, deep in the dreamy mystery of our strange little festival.

That show is now my latest free live recording, Vive En Costa Rica.  I released this album in secret back in March – made it available for people who paid for a copy of The Body Electric – and then figured it might as well just be out there for everyone to enjoy:


The spacey, kinda spooky improvised first track (named in honor of a genuine faerie sighting) scores this reel of the travel clips I took down there.  Looking through my eyes:


And here are the paintings from my Fourth of July weekend up in Michigan at Electric Forest Festival. Click on each picture to see it in terrifying full detail:

Looking At The Blue Flame
2011 06 30 & 07 01 Electric Forest Festival
(Toubab Krewe & String Cheese Incident, Tiesto)
18"x24" – opaque pens on stretched canvas
$20/1 or $30/2 for 11"x17" signed posters – email me

My original plan was to have a blue-and-gold series of sculpted pieces based on themes I'd started at Sonic Bloom...but original plans don't count for much in an improvisational sport like live painting.  Especially when the skies open up and drop a huge "welcome to the festival" storm on everyone...which is perhaps why the design ended up with so many little blue dots:


Rainbow Tunnel
2011 07 02 Electric Forest Festival (String Cheese Incident)
18"x24" – opaque pens on stretched canvas
$20/1 or $30/2 for 11"x17" signed posters – email me
check availability/price of original painting

The festival's official documentary team caught a delicious HD timelapse of me (and Christian Jaxtheimer, and Rae Vena) working on this piece, start to finish – check 1:48 of this video to watch the whole Saturday Night String Cheese Incident concert breeze by.  It was a return to older themes, dating all the way back to my idle classroom sketches in college...but in a lively, tribal style that capitalized on my chisel-tip bold markers and completely ignored the patient layer upon layer of outlining I developed in my own pen-specific voice.  Working in the ghost sunlight of my awesome new powerful battery-powered LED lamp, this painting came together like the holographic tunnels in some private realm of sylvan dreaming...I've never felt so eerily transported while working on any other piece.




Lesage's Wall
2011 07 02 & 07 03 Electric Forest Festival
(REO Speedwagon, Big Gigantic, Shpongletron & Railroad Earth)
18"x24" – opaque pens on stretched canvas
$20/1 or $30/2 for 11"x17" signed posters – email me
check availability/price of original painting

In honor of Augustin Lesage, coal-miner turned compulsive visionary artist whose enormous early 20th Century paintings evoked the transcendental architectures of Ancient Egypt as if transcribed onto even greater scale into grandiose heavenly landscapes.  I don't even know where to start in describing how hypnotized I am by Lesage's work, but maybe you'll see it in this Navajo-inflected homage:



...and I painted on a lot of beautiful people while I was there.  Check out the full gallery on my facebook art page:


Body Art at Electric Forest Festival 2011