New Tour Video, Rootwire Paintings, & Four More Hats

“Buy stout shoes, climb the mountains, search the valleys, the deserts, the sea shores, and the deep recesses of the earth…for in this way and in no other will you arrive at a knowledge of the nature and the properties of things.”

– Severinus 

"And so it was I entered the broken world / To trace the visionary company of love."

– Hart Crane

In this few quiet weeks of respite between the bulk of summer festival season and my whirlwind adventure with FractalNation Village at Burning Man (our camp's last all-star fundraiser party is this Friday at Temple Nightclub in San Francisco), I've been musing on why it is I keep throwing myself into these things.  Living on the road on some fool's crusade to inspire the world is definitely not thankless work – in fact, I am deeply nourished by everyone's appreciation and heartfelt criticism – but sometimes I'm almost overwhelmed with the appeal of getting a weekly gig playing music in some hotel and just laying low.  Getting a studio somewhere and letting my car rust in the parking lot.

Then I remember the travel.  The sacred and secret openness that comes from the chronic shock of constant exposure to new places.  The incredible blessing it is to share these journeys with a global web of friends whose lives don't throw them quite so far as mine does...

Made from highway footage taken on last year's Love Without End Tour, this latest video from A Million Anniversaries is an homage to the sense of wonder that simply moving can instill in you.  Life in fast forward is a lot like death in slow motion, incidentally – as my friend David Titterington puts it, we're moving through tunnels of gates:

Watch this in HD

Download this entire album for free!

While you're listening, here's a recap of the art explosion on my end of Papadosio's Rootwire Music & Arts Festival in Logan, Ohio.  Definitely click on each painting to get a full sense of the detail:

Patience

2011 07 03 Electric Forest (Papadosio, SCI, Pretty Lights)

& 2011 08 04, 05 Rootwire Festival

(Govinda, Papadosio Live PA, Octopus Nebula, The Werks, RoeVy, Emancipator)

24"x36" – paint markers on stretched canvas

check price/availability of original – and leave your comments!

11"x17" prints – $20/1, $30/2 + $5 s/h – email me to order

Starting with the first layer of improvised (some might say channeled) script during Papadosio's set at Electric Forest Festival, this painting just drilled deeper and deeper into scaly, flowing detail until looking at it made my head twist.  Look closely and you can see the reticello pupil and doily iris; look long enough, and it might actually move.  After completing this piece I started wondering how the rest of this entity's face must look...expect richer, more intricate scapes in this style.

Symbiotes

2011 07 22 Jazzhaus (Future Shock)

& 2011 08 06, 07 Rootwire Festival

(Third Nature, Papadosio, The Malah, Damn Right, Invisible Allies, Bluetech, Kilowatts)

18"x24" – paint markers on stretched canvas

check price / availability of original – and leave your comments!

11"x17" prints – $20/1, $30/2 + $5 s/h – email me to order

Something about this one just screams microscopy to me.  Maybe it's the vaguely photosynthetic critters living in the middle of each larger object, or the way everything drifts into each other...an attempt to combine the sensation of earth, fire, air, and water in a single nonrepresentational piece.  A haiku about the elements as they combine in living systems.  Unlike Patience with its strong central locus, Symbiotes doesn't give the eye any obvious place to rest.  Angular, electrical energy leads to the same quivering vitality you get looking into a slide of pond water. 

So yeah, Rootwire was a barnstormer...amazing art, music, and presentations all around.  Huge thanks to Papadosio for inviting me back out there.  In addition to completing those paintings, giving a talk on the future of science, and jamming out a boiler of an afternoon cyber-acoustic set, I somehow found the time to tag a few people and nail out some more custom caps:

Body Art @ Rootwire Festival 2011 (and more)

For Robbie

For Nate

For Jason & Emma

I have some exciting updates aging in an sherry cask for next week's newsletter...in the meantime, here's an in-depth interview I gave to international design collective Arts Projekt a while back.  They ask me how my training as a scientific illustrator informs my live art; about the evolutionary themes I'm expressing through my work; and about my five year plan (hint: solar-flare induced telepathy).

Many thanks for your continued interest and support.  Have a wonderful day!

Announcing "The Body Electric" & My Most Ambitious Painting Yet

"If you're really listening, if you're awake to the poignant beauty of the world, your heart breaks regularly. In fact, your heart is made to break; its purpose is to burst open again and again so that it can hold evermore wonders."

- Andrew Harvey

"The essence of all beautiful art, all great art, is gratitude."

- Friedrich Nietzsche

I'm immensely grateful for the nearly 3,900 people that have signed up for this newsletter over the last three years – for your time and attention, for your encouragement – but most of all, for being blessed with the chance to enrich your lives with my work, to give you something in which you can find meaning and inspiration.

But look, guys. I'm having a hard time balancing "listen" and "express." I don't know how to fill this void, this speakerbox, this opportunity to say – but only what you need to hear. So what do you need to hear? Tell me this and I will do my best.

I'm ready to put the days of unfocused explosive creativity behind me and start channeling this energy into something that will truly serve the needs of the people with whom I have connected. To find the sweet spot that will illuminate and exalt us all the most. To do what only I can do in a way that sets your life on fire like only you can burn.

Because it's time for that. From here on out, this newsletter isn't just my rant box; it's my platform for putting my understanding and ability to work for you in the most ambitious, crazy, brave-hearted way we can conspire to achieve.

And with that, I have some things to share with you that I hope will turn you on and get this started.

..:: Visual Art ::..

The first is the most ambitious live painting I have ever attempted...you'll want to click on this one for a full view so you can appreciate all of the detail:

Going Somewhere (Tree of Flowing Jewels)

2011 01 23 Quixote's (Praang)
2011 02 03 Hodi's Half Note (Invisible Allies, Bluetech, KiloWatts)
2011 02 15 The Aquarium (O Fo Sho, Heavy Is The Head)
2011 02 17 The Whole (William Within, Luke Redfield, Noah Earle)
2011 02 26 Cervantes (Papadosio, Heyoka, Larva Ink)
24"x48" – opaque pens, acrylic, & spray paint on masonite
original painting for sale – email me to inquire
11"x17" poster prints $25 each (two for $35) – order by email
full-size stretched canvas giclée poster prints (series of ten):

$400 – order by email

This painting came with me from Denver to Fort Collins, out to Fargo and Minneapolis, and then back to Denver over the course of a month in which I worked on nothing else (artwise). It's the largest piece I've ever done, and because my markers have three-millimeter tips that set a boundary on detail, it's the first live painting in which I've managed to actually accomplish the multiple levels of fractal self-similarity that I allude to in the rest of my work. There's a quality to it that I've only experienced in states when even solid objects seem fluid and selfhood streams like tattering clouds through the gusty sky of the Great Imagination. I can almost hear this painting. It whines and whirs, whispering insect secrets into auroral night. Everything else, every zipping thought and mammalian contraction, shuts off when I look at it, and there is nothing left but the ancient and infinite truth of life, mind, and time...an open secret in which all of our human splendor and dignity, story and drama recedes into unnoticeability, empty as I stare at a foreign sky in silence.

(click to enlarge)

On a slightly less epic note, I've added several new images to my online sketchbook archive on Facebook. If you're not already a friend of my art page there, you might want to be – you'll get updated about my new work a lot faster that way.

..:: Music ::..

As I've gotten more well-connected in the dance music scene through my live art, I've co-evolved to make my music more suitable for the venues and audiences that ordinarily support music made on laptops and synthesizers. Those of you who've been following me for a while have watched as it has mutated, branching off into both intricate percussive fretboard magic built for festival stages and elaborate acoustic-electronic soundscapes at home in chill-out tents and other dusky liminal spaces.

Now, I'm pleased to announce that the transformation is complete. My newest album drops this Sunday – the Spring Equinox, March 20th – morning after the closest Full Moon in years, and a perfect time for the advent of a new age in which the carbon-based past of rosewood and human flesh meets the silicon-based future of blinking lights and loving machines. The Body Electric is my ode to the marriage of the animal and mineral, tradition and novelty.

Recorded live over two weeks at shows in Colorado and North Dakota (while I was working on the painting above...what an epic month!), it's my latest and greatest effort to redefine the guitar so thoroughly that the music shines through unimpeded by instrument. This is acoustic music liberated into an entirely new sonic landscape and philosophical vista. And it comes complete with a lush, poster-sized hi-res file of the hybrid ink-and-digital cover art I designed as a visual counterpart to the music, for your psychedelic eyeball pleasure:

The Body Electric (2011)

The link goes live on March 20th and then it's a free download for you and everyone else...but anyone who donates more will receive a download code for the unreleased recording of my concert in Sinai, Costa Rica at the Geoparadise Festival on New Year's Day 2011. It's a performance I'm proud of, including my best-to-date live take of fan favorite "You Don't Have To Move" as well as a collaborative loopscape with shamanistic throat-singer Matthew Kocel and some of the more unguardedly silly between-song interludes that have ever flowed through me.

In the meantime, you can listen to and download two tracks from The Body Electric – "Tunnel Run" and "Touring The Body Electric (SHORT)" – on my Soundcloud page. And you can watch the video for "Tunnel Run" – stitched together from a year's worth of going over bridges – right here, right now:

(If you can't see it here, you can watch it on Vimeo, Youtube, or my Facebook music page.)

Again, thank you from the bottom of your heart for following me down these corridors of the imagination and into the ornamented chambers I find there. If I've managed to open you up even a little bit to the vast wild isness of our lives, mission fucking accomplished. Goodnight, you guys.

New Video, Upcoming Radio Appearances, & Art Show This Week!

"Michael Garfield has some absolutely amazing chops...the

musicianship on this album is truly wonderful."
- Marquee Magazine

So said the first official review for Alive With You, my album of highlights from the 30,000 miles of touring I did last year. Of course, they also said that "just when you start to get lost in Garfield's abilities" my rants about aliens, lucid dreaming, and sex in space break the flow, and that "without the stage banter, this album would be a definite winner." Apparently they didn't much care for the storyteller format - and plenty of people probably agree - so I've uploaded an alternate playlist without the talking for everyone who just wants the music. You can listen to it here:

http://bit.ly/banterless

Before I go any further, I want you all to know that this newsletter is an experiment and I'm thankful to you all for following along with me as it unfolds. Some of you came to me through my music, some through my art, and so I cannot possibly hope to please everyone all the time when one or the other of those strands temporarily takes over my life. (To put it another way, I'm like the Obama of Art...only without international banking family connections.)

This week is heavy on the tunes and light on the views, but it's only because I've been working on an epic new live painting (some of you have seen it in progress at the Praang and Invisible Allies shows...my friend Danny Litin took some amazing pics of me at work on it, which you can find on my facebook profile). I have also started curating a new gallery of my sketchbooks from over the years. Both of those things will show up very soon, so thanks for holding tight! In the meantime...

- "Offering Hands" (Unplugged Across America) -

It's finally online: the last of five unplugged, spontaneous road-side music videos I filmed while on tour last fall. Out of the five, I think it's the finest performance...in no small part due to the ludicrous natural beauty that surrounded me and the relief that two months of touring had finally come to a close. Here's my percussive anthem to finding our common ground in the shared joy and suffering of human experience:

Video Link: http://bit.ly/offeringhandsontour

Download This Song Free: http://bit.ly/mgunplugged

- This Week! -

• 8 Feb, Everywhere - Live@Lunch on KRFC FM 88.9 (Fort Collins)

12 - 1 pm MST, instudio performance/interview

Listen Online - Full Details on the FB Event Page

My first instudio radio performance...you can listen via the dial anywhere on the Front Range, or online anywhere on the planet (and in space, although you might have to wait). I'll have a recording up soon for anyone who can't hear it live.

• 10 Feb, Everywhere - Progressive Radio Network

2 pm EST, guest on Expanding Mind with Erik Davis

Listen Online

Expanding Mind is, without question, my favorite radio talk show - a fearless exploration of the fringes of human understanding, guided by author Erik Davis' encyclopedic literacy of the occult and innumerable esoteric subcultures. I was half-joking when I asked him if I could be a guest...and now it's happening! I'm not sure where the conversation will take us, but it's guaranteed to be both profound and bizarre. I highly recommend you tune in if just for Erik's end of the discussion...

• 11 Feb, Boulder CO - 1111 Wellness (on The Hill)

7 - 9 pm, Time Spiral: A Live Art Reception

RSVP at the FB Event Page

Oh, you live in Boulder? Well, awesome! Come out to my first legitimate art show and meet some kindred spirits in the suffuse glow of fourteen of my live paintings. Live music and snacks will be served unmercifully as you bathe in the delightful aroma of one of Boulder's finest medicinal dispensaries. And Lord only knows when you'll get to see this much of my work in one place again.

- Recent Publications -

• My friends at LostInSound.org recently republished "Live Art Is Nonsense," part five in my ongoing series of essays about performance painting. Here's a preview:

Most art forms are kept hidden in the studio until some dramatic Moment Of Unveiling. Instead, the transparency of performance makes this strange behavior distinct enough to deserve a name that will set it apart in people’s minds from the rituals and religions of conventional studio art. Process becomes an obvious, living part of the piece. Journey and destination take on new meanings. Since music, dance, and theater evolved in context as public entertainment or ritual, they belong in a separate category (especially those composed beforehand). In fact, it is the very change of context that makes something like performance painting strange in the first place.

People have taken to calling this kind of thing “live art.” It is probably better than nothing; but insofar as it is used to realistically distinguish one kind of creative expression from the rest, “live art” is nonsense.

• Thanks to Jonathan "Seymor" Sandberg, who has joined The Field Guide To Live Artists with his recent interview about how he got into live painting and what inspires him to keep rocking out for his friends & family in Detroit...

"I see live painting as a turning point in live entertainment that will offshoot into other new ways and combinations of perception. I see actors, comics, light-operators, photographers, writers, musicians, the unnamed and the not-yet-invented sculpting a new media for an awaiting audience."

Thank you, everyone, for your time and attention. I'm a lucky guy to get to share myself for a living like I do, and I'm always happy to hear from you (be it questions, or comments, heckling, commissions, or whatever) so drop me a line any time...and have a wonderful day!