Michael Garfield's Love Without End Tour Newsletter: AURA Festival
Showing posts with label AURA Festival. Show all posts
Showing posts with label AURA Festival. Show all posts

12 June 2013

Your Summer Soundtrack, New Festivals, & MG on Psychedelic Salon!

"You can kill people with sound. And if you can kill, maybe there is something opposite of killing."
Arvo Pärt

  "In any field, find the strangest thing and then explore it." 


Recorded live at AURA Music & Arts Festival at the Tribal Council dome as live musical accompaniment for a yoga class (tracks 1 - 5) and a guided meditation (tracks 6 - 9) on February 16 - 17, 2013.

This 33 minutes of music is my latest gift to you, a musical trace fossil chronicling one of the most buoyant, sunny, optimistic sets I have ever played.  In other words, perfect music for your summer soundtrack.  Download it for free here.  My first review:

"You've got soul my friend; very nice work...you can really feel into the music and spaces as you create. It is beautiful. Some of your final tracks awaken my kundalini without me even sitting for meditation. I had you playing in the background as I was doing work on my computer, and I suddenly noticed your instrumental energizing something deep within, coaxing an unwinding and rising of my kundalini energy. Amazing!"

Ashley RayCrisis Intervention Specialist

Juicy!  If you've had an interesting experience listening to my music, feel free to leave your own impressions here.  About the album:

Michael Garfield defies expectations, remixing the familiar conventions of acoustic music with a fifty-pound pedalboard of beat slicers, filters, delays, and multi-channel loopers, welding fingerstyle technique into a cybernetic bed of live hardware production. 

Picking (or often bowing, with an electromagnet) while twisting knobs and DJ'ing live samples with his toes, Michael's performances embody his other life as an evolutionary theorist and futurist – liberating the organic into the digital, and the idioms of Americana into a new species of transcendental trance.

MG on the Psychedelic Salon Podcast!

One of the biggest honors I've received so far is to join the ranks of psychedelic philosophers like Terence McKenna and Robert Anton Wilson as a guest in the legendary podcast, Notes From The Psychedelic Salon.  Last December, guest host Matthew Pallamary and I met in Austin to discuss the hyperspatial landscape of time, the stage production of his apocalyptic shamanic novel Land Without Evil, and the future of humankind...

From host Lorenzo Hagerty's program notes:

Today we only go back in time a short way, back to December 12, 2012 when Matt Pallmary and Michael Garfield took a break during their work on the stage production of Matt's novel, “Land Without Evil”, in Austin, Texas. In this wide ranging discussion between salon favorite, Matt Pallamary, and long time saloner, burner, artist, and musician, Michael Garfield, one of my favorite topics was Michael's very positive take on the long-term impact of the work of Terence McKenna, regardless of the fact that the Timewave theory had obviously been disproven. Michael is also a regular performer on the festival circuit, and his schedule may be found online at michaelgarfield.net.

Meme of the Week

My homie Jonathan Zap, dream interpreter and fierce critic of the Singularity, will be one of several amazing speakers on this year's all-star Sonic Bloom panel discussion – along with Mark HeleyJordan PearceJamie JanoverAlaya LoveLux ModernaVerDarLuz, & ReSUNator.  Word on the street is that it might be recorded by The Bloom Series, which would be awesome!  I hope to share what I know will be an inspiring and invigorating conversation between a real bouquet of perspectives...

Fan-Made Custom Homage Electric Guitar

Badass!  Michael Aronson's wife Jane reproduced my painting, "This Was All Ocean, Once" on his hand-built electric guitar.  I can only imagine it'll affect his playing...maybe even the tone.  ;)

This is the first time that anyone has copied one of my paintings and if that weren't a great enough honor, it is also definitely on a guitar this man built with his own hands.  I mean, damn...look at that!


Exclusive Interview w/ Incision Magazine

Incision News just interviewed me in depth about music, magic, and my five-year participation in Colorado's Sonic Bloom Festival.  Read the whole interview here.

Q: What makes SONIC BLOOM unique to you?

A: Sonic Bloom is the first festival that gave me any responsibility as an organizer, and I’m deeply grateful to festival director Jamie Janoverfor giving me an occasion to which I could rise. Funny story, back in 2006 I actually emailed every single one of his 900-plus Myspace friends and introduced myself as someone who wanted to apprentice under him, because here I saw a guy who was successfully bridging the worlds of acoustic and electronic music, facilitating a community of visionary artists and musicians, and generally just rocking out in all kinds of cool collaborations worldwide.

That apprenticeship never formally happened and like everyone I’ve had to follow my own star, but I still look up to Jamie (in a more mature, grounded, realistic, human way), and after my four-year stint living in Boulder, Colorado, I have a lot of powerful heart connections to the people and the land of Colorado’s Front Range. So in many ways this festival is a homecoming for me every year, and it’s a delight to see it grow and change, and to grow and change along with it.


I'm doing another wedding at Sonic Bloom this year, establishing a new annual tradition.  If you will be at the festival, please join us half an hour before my set at the Hummingbird Stage, 6:30 pm on Sunday June 16th, in your festival Sunday finest, and celebrate the union of my friends Michele Schenk and Andy Beyer.  More info here.

New Festival Announcements

After I let go of trying to plan everything in advance, this summer started to overflow with beautiful gigs at smaller festivals and healing arts convergences.  You may not have heard of these events – check them out – there are amazing things happening!

If you want to help me in my tireless mission to inspire people and spread the excitement about great stuff like this, you can join my more enterprising friends at the Michael Garfield Street Team FB Page they made.  I'm not responsible for it, but I am honored.

Thank you for reading.  May this work nourish your soul and benefit all beings!


24 April 2013

Taking A Cosmic Perspective + My Latest Cyberacoustic Guitar EP

"Death is a stripping away of all that is not you. The secret of life is to 'die before you die' – and find that there is no death."
Eckhart Tolle

"What man can stand with autumn on a hilltop and fail to see the span of his world and the meaning of the rolling hills that reach to the far horizon?"
Hal Borland

It isn't autumn – at least here in Austin.  But everyone I know is going through so much change – so much letting go, so much making room for new things – that the theme of autumn is timely nonetheless.

I'm proud to share with you my latest record, as well as the talk I gave at AURA Music Festival back in February – both of which center on facing the transcendental unknown with our heads up and our hearts open.  They're both free downloads.  Enjoy!

And stay in touch – I'm putting together a tour of the Southeast United States in early August and if you live nearby it would be great to connect.  Friends near Austin, Dallas, Denver, Boulder, and Kansas City, check out my concert calendar to check out the wonderful dates I already have planned to spend with you.  Love and blessings!

Yellow Leaves
Stream/Download for Free
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Recorded in a single take at a private backyard concert on Thanksgiving 2012, this 33:33 of improvised "cyberacoustic" instrumentals is my most spacious and poignant yet – evoking big autumn skies, far horizons, and the crunch of fallen leaves by bonfire light – but it defies expectations, remixing the familiar conventions of acoustic music with a fifty-pound pedalboard of beat slicers, filters, delays, and multi-channel loopers, welding fingerstyle technique into a cybernetic bed of live hardware production.

Picking (or often bowing, with an electromagnet) while twisting knobs and DJ'ing live samples with my toes, I perform as an embodiment of my training as an evolutionary biologist and futurist – liberating the organic into the digital, and the idioms of Americana into a new species of transcendental trance. 

Yellow Leaves is a definitive take on the adventurous and visionary musical attitude that earned my tenure as ReverbNation's #1 Experimental Musician in the world.

This performance was recorded on Thanksgiving 2012 and is a kind of musical fossil of that atmosphere of abundance and gratefulness. I hope that it serves you in your self-discovery. That its folksy-yet-futuristic vibe lends itself to your integration of past and future into the ever-blooming now. That it gets you laid by faeries.  (Based on the feedback so far, it may also be good for driving, painting, doing yoga, etc. I encourage you to experiment with set and setting.)

Pay whatever you like if the music works for you. I've had people reporting kundalini experiences, mad love sessions, and other wild shit going on with what I consider to be a pretty tame, if pretty, release.

Regardless, I would deeply appreciate it if you would share it with your people, and tag my music page.

Have a beautiful time with it, and thank you for receiving what I have to give!  Feedback welcome.

My talk from AURA Festival 2013
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My latest fleet jaunt through the wooded trails of the human imagination.  A philosophical performance examining our relationship to the transcendent – whether through awe and wonder or good old Fear of God, we all have an intense relationship with the Mystery – and how that relationship is due to change.

This time I took on the illusion of the individual, the evolution of technology, and the strangely familiar ancient future – weaving them all into a ripping speculative yarn on worlds beyond our imagination. I discuss right and wrong motivations for transhumanism, the prehistoric origins of the internet, and how the next industrial revolution might bring about a #festivalearth...

Here's the track list, to pique your interest.


Download it here.  Talk about it here.  Feel free to tag or email me with questions!

Customized MGxGRC Signature Flatbills

I still have a few hats in every size except 7 3/4 and 8.  If you'd like to order one of these with or without custom paint, email me and I'm happy to give you the details.




Custom Painted Hats

I don't have a lot of time to do hats before debarking for summer tour; but if you'd like one, hit me up!





18 March 2013

Angels, Dragons, & My Live Painting From AURA 2013

"It is high time to ask whether it is really any scandal, any deplorable inconsistency,
for a human being to be both angel and animal with equal devotion."

Seraphim

Painted with opaque markers on 24"x36" stretched canvas at:
2013 02 15, 16, 17 AURA Festival at Spirit of the Suwannee Music Park
(Consider The Source, Break Science, Kung Fu, Perpetual Groove, 
Greenhouse Lounge, Papadosio x2, Infinite Geometry)
02 23 Cirque de L'Amour at Austin Music Hall (Vibesquad, Quixotic, Tipper)
02 28 The Parish (The Digital Connection, ONE4ALL, Chris B.)
03 01, 02 Head For The Hills at Quiet Valley Ranch (Eliot Lipp, A Live One)

Click below to check out the whole process of this piece:

How many different animals can you see in this painting?  I obviously meant to put snakes in there, but was surprised to find forms that remind me of an owl, an octopus, and a tiger (or crocodile)...and someone surprised me with "elephant," as well.

The chimeric nature of this piece makes sense, since it's a remix of several of my earlier paintings.  There are many different visual references to my other work collected here and alloyed, sublimated.  Taken together you can see my work as a kind of evolutionary progression – not a linear march but a melody, returning time and again to weave through certain themes...

Painting is a process of discovery for me, a kind of intuitive listening, and this painting connected more dots for me than most – namely, the relationship between angels and dragons.  The Old Testament word for the highest angels, "seraphim," literally means "the burning ones," and is used throughout the Bible as a synonym for "snakes."  Flaming snakes with wings?  Gosh, that sounds familiar...

I don't know why it hadn't occurred to me – even after years of savoring the connection between "Archangel Michael & The Serpent" and "St. George & The Dragon" (and "Lord Garuda & The Naga," further East...birds versus snakes, world round).  The snake – which as many of you know shows up in the yogic traditions as a symbol for the wriggling, electric life force called "kundalini," sprouts wings when our animal nature reaches its crescendo and sprouts from the crown of the head, fully integrated with subtler, perceptibly "feathery" celestial energies.

Following that rabbit down (or up?) its hole, I remembered that to the Chinese, the dragon is an occulted natural force, a terrible mystery that reveals itself through what insurance companies call "Acts of God" – lightning, wildfires, and floods.  In other words, the dragon appears worldwide as a kind of mythological shorthand for the terribly transcendent, especially in what author Erik Davis calls "the electromagnetic imaginary" – our collective mystical experience of electricity and magnetism, whose awesome power has captured social imagination for thousands of years.

In a blog post describing his vision of the coming alchemical, musical paradigm he believes will replace materialism, cultural historian and former MIT professor William Irwin Thompson draws a straight line through angels, aliens, and electromagnetism:

"Since [our experience of] space would no longer be empty and separating, space itself would be a plenum of vibrating streams of energy that in the medieval lore of the Jewish Zohar in Spain and of the Muslim Sufis in Andalusia were known as angels. At the end of industrial civilization, through the popularity of science fiction, these beings were often re-presented as high-tech extra-terrestrials."

In other words, aliens = electricity = dragons = angels.  Chew on that for a minute.

(Then watch this documentary, Thunderbolts of the Gods, which argues that enormous electrical storms in space were responsible for much of our ancient mythos...)

It's no wonder that all of these things captivate me, and so many other people.  Whatever else they are, angels and dragons and aliens (as well as flames and lightning, the concrete natural phenomena in which these symbols are experientially anchored) are all wrapped up in one big ball of myth together, implicated as the various faces of the transcendentally Big-Loud-And-Scary.  Their popularity persists because they help us discuss the Mysterium Tremendum – that truth greater than our own, before which we quake as children...

Speaking of which:

Definitive New Live Recordings

Definitive live recordings of nine incendiary guitar tapping etudes and space-hued transpersonal love songs, performed to an intimate listening room audience at Flipnotics in Austin, TX, 30 January 2013. 

A return from improvised electronic guitar work to my roots as an instrumental composer and singer-songwriter, this album features my "nice guitar," a 2001 Martin D35, and its new LR Baggs Anthem amplification system - the first pickup capable of reproducing the gorgeous tone of this instrument.

Seriously, these songs have never sounded this good.

You can get the album free for buying a print of the cover painting.  It's $3.33 or more if you just want clear, brilliant live recordings of my most dazzling solo guitar work, without the art.  (And if you like my music but not enough to support it, here are some decent live recordings you can have for free.)

"Michael Garfield has some absolutely amazing chops...
the musicianship on this album is truly wonderful."
- Marquee Magazine (on Alive With You, 2010)

"Esoteric and intricate, I found myself struggling to describe his sound and style...
some surprisingly pleasurable heartbreak."
- Mousike Magazine (on Double-Edged Sword, 2008)


That's all for now.  Thank you for reading!  In the next update I'll share pics of my Barton Springs Salamander painting!  I'm super excited to show you that – but in the meantime be well and have a beautiful day!

14 February 2013

MG Music on PBS! | Winning Skateboard | New Collab Painting | On The Road To AURA

"Confusion is a word we have invented for an order which is not understood."
– Henry Miller

"Some things, though right, were considered wrong for generations. Since the value of righteousness may be recognized after centuries, there is no need to crave an immediate appreciation."
– Zengetsu


Good advice for navigating an increasingly novel universe, don't you agree?  At any rate, here are my latest creative (or possibly not) offerings, for you to evaluate now and then again in a few hundred years:

MG music featured in KLRU's Arts in Context: Sky Candy

A milestone moment came for me last week when I watched the PBS documentary on my friends Austin aerial dance troupe Sky Candy and our show together last fall...and found my music woven into most of the 26-minute film.

I have film scoring fantasies, and am super honored that the producers at Arts In Context went with the music I offered them – which is now available to you for free, my first soundtrack, taken from four albums from the last two years:


You can watch the KLRU documentary at this link.  And do, because it rocks.  I have a few quick appearances on screen around 7:25 and 20:00, during rehearsal and performance for the amazing Land Without Evil.

Creation Skateboards Contest -- We Won!


Thanks to everyone's help, my entry into the Creation Skateboards skateboard design contest won with over 1,300 votes – the most "likes" I've ever gotten on anything, ever.  Y'all rock, I am so grateful for my frands!  This board will join the fall lineup and live forever alongside boards by some of my favorite visionary artists.

Creation Skateboards interviewed me about my inspiration for this painting and more:

This is a year for both more light and darkness, but that dragon has a buddha riding in its brow, and that’s the Master we each have in us that knows how to abide and ride this out. We all have many voices in our heads, many neural subroutines, but we can develop the Master self-pattern that organizes and integrates the rest. That’s the best way to make it through an age of crazy transitions…

Read the whole interview here and then cruise around their site, it's pretty cool.

HeARTs Aware Collaboration Painting
Like/Share/Comment on FB
painted live by 
Chaeli Cardenas, Chance Roberts, Molly Gardner
Michael Garfield, Randi Southard, Nathan Jones
(...did I leave anyone out?)
on 2012 February 9 - 10 at La Zona Rosa, Austin, TX
for HeARTs Aware, a benefit for The Amala Foundation

I don't know if I can say anything authoritative about what was essentially a transpersonal effort.  Live art collabs are a very special kind of special...some kind of greater vision emerges silently from the interaction of our partialities.  Our techniques complement one another, our rhythms playing across one another sometimes intimately.  This piece is just wow, for me.  Just...wow.  It's raw, because I told everyone to just leave it be after a weekend of attention.  Time for us to move on to the next more perfectly visioned landscape....

Nonetheless, we were all still itching to touch it up.  I had to remind my friends of our half a dozen other unfinished collaborations.  Get a hefty serving of integrity with your rainbow cat!



Playing, Painting, & Speaking at AURA This Weekend!

I'm excited about this.  Beautiful locale, fabulous musicians, world-class artists in the gallery.  Stretch your body and mind together while I play live music for yoga with Kelly Searcy...or download those yoga sets and listen later, because I record so many of my sets, after all.

There will be so much cool stuff going down in the Tribal Council dome alone, not to mention the rest of this event...really, truly, I hope I'll see you there.  Florida in February.

You Know, "Hats"

The latest custom numbers for adventurous heads:



A note on hats for the invested reader:  I'm honestly swamped with hat orders, so unless you want something ambitious and pricey, then I hope you're willing to wait.  It's a meditative, patient task, not exactly lucrative, more of a way to pray and play and practice and make money all at the same time while living in what my grandmother calls "holy poverty."  Which I enjoy...but it's not scalable – hence my renewed focus on licensing and merchandising.  If you have any ideas for how my art could be applied to something useful, let me know.  I'm open to and appreciative for your suggestions.

And with that, I must disappear into a smoke bomb to rest my fingers.  Love you.  Stay in touch if you want to.  And live amazed, because it's good for you, and all of us...

29 January 2013

New Live Painting | MG at AURA Festival | Make My Skateboard Real!

‎"No one should be ashamed to admit they are wrong, which is but saying, in other words, that they are wiser today than they were yesterday."

"To a sincere student, every day is a fortunate day. Time passes but he never lags behind. Neither glory nor shame can move him."

Thanks in no small part to the support of everyone reading this, 2013 already feels like a success.  Not like things have been easy for me or anyone, but they're certainly moving!  Among my recent merit badges:

• Winning "Live Painter of the Year" for 2012 in Treethugger's national people's choice awards, on the heels of completing my most time-intensive painting so far;
• Hitting #1 Experimental Musician in the world on the Reverb Nation charts (hard to believe, but I'll take it) and booking a slew of great gigs for this spring;
• Getting back to my paleontologist roots to tell the story behind my latest live painting (below).  Integration!

It's my goal this year to climb my two biggest projects – a book and a studio album – through steady, incremental work.  Telling you the stories behind each new piece gives me the chance to integrate art, science, and spirituality and put flesh on the bones of this long-avoided book-to-be.  So thanks for reading, and enjoy...!

Last Day To Vote For My Skateboard

I'm gonna squee if this becomes an actual skateboard.  And it can!  Just take two second to click the pic above and "like" my design in the Creation Skateboards design contest.  The competition is almost over and it's neck-and-neck...voting and sharing it with your friends really makes a difference!

Thanks to the 800+ people who have already voted to make this skateboard a reality...!

MG @ AURA Music & Arts Festival

This will be my first year at AURA – one juicy berry of a festival, happening this month in Florida.  Not only will I be on their all-star live art team alongside legends like Jack Shure and Jeff Wood, but I will be working in close collaboration with yoga teacher Kelly Searcy to offer live acoustic-electronic guitar music during her classes all weekend!

SAT & SUN: 11:00 am (Morning Yoga) & 4:20 pm (Savasana Meditation)
w/ Yoga Teacher Kelly Searcy

I'll also be speaking in a fabulous lineup of presenters at the Tribal Council dome – giving a talk entitled "Taking A Cosmic Perspective."  And then of course you have the two dozen musical acts, including my friends Papadosio and their awesome sound therapy side project, EarthCry.

If you can, join us!  If you can't, I'll do my best to bring you back something beautiful.

Last Call for Preorders on Grassroots Collab #2

Would you just look at that fine hat/woman combination?  Thanks to my hottie guitar tech-slash-BFF Nicole Taylor for modeling my new artist signature design, to be released any day now (!) by Grassroots California.

Here's how you can buy one direct from the artist for $55.  That price includes shipping and handling, as well as courtesy waterproofing, so not only is it cheaper than retail but it'll last longer.  Only 420 will be made and then it's on to the next idea...

If you've already ordered yours, thanks for your patience; I'll let you know as soon as I do exactly when it'll ship.  If you haven't received the download code for that complimentary "secret" musical EP to enjoy while you wait, let me know!

This Was All Ocean, Once
24"x32" - paint markers on stretched canvas
Painted live at:
2012 09 21, 22 Alloveus Music and Arts Festival
(Loose Leaf, Holding Space, Sheer Khan & The Space Case)
2012 11 16 The Parish (Austin, TX) (The Floozies)
2013 01 18, 19 Crown Plaza Hotel (IAAF Convention)
2012 01 20 The Granada (Eliot Lipp, Sound Remedy)

“It is absolutely impossible to transcend the laws of nature. What can change in historically different circumstances is only the form in which these laws expose themselves.”

I grew up in Los Angeles, Orlando, and Kansas City – three places with vivid recognition of their prehistory:  L.A. has the La Brea Tar Pits; all of Florida is basically a giant fossil reef crawling with living fossils; and the whole Midwest has been for most of its existence a warm and shallow sea.  No matter where I clambered as a kid, there were fossil shells beneath my feet.

On the one hand, it's easy to imagine how ancient people, our ancestors, would have thought these grew out of the land – that the soil had its own simple kind of life, an intuition of our planet's invisible bioplasm, the bacterial layer into which we are born and within which we live our entire lives.  To a simple, natural religion for which life is an elemental force of nature, the stones themselves are living and "inanimate" is unthinkable.  Crystals dream their own part in the world being, resting in an ageless knowing of geometric truth – direct apprehension of "the music of the spheres."  And so of course the earth, just as the air and water, would spill forth its own kind of rocky life.

On the other hand, it's native to my own upbringing, my own wild current culture, that the Earth is in a state of constant transformation.  There are mountains where oceans used to be, and oceans where mountains used to be.  As a child I would (and still do) frequently look across valleys or up at stretching architecture, and imagine it all under water.  There are pictures of The Great Flood of 1993 all over Kansas City and Lawrence, where familiar buildings poked out like ruins from the water.  Some of those buildings have lines on them above where I can jump to reach.

In recent years, as weather has become more unpredictable, there are more and more people around the world who have lived through these drastic shifts in local landscape.  The not-always-ness of everything is sharper in relief.  The utter sameness of the news cycle is increasingly a joke against the quickening fertile chaos of our daily experience.  Everyone's a Heraclitus, these days.

And yet that groundlessness has yet to really land itself in us.  Physicists recently measured variations in what they call the "fine structure constant", or the strength of the electromagnetic force.  Modern science relies on universal constants in order to maintain its conceit that the universe can be essentially known; postmodern science, by contrast, recognizes that all knowledge is relative and that what we have really sought and found are local consistencies.  

Somewhere, billions of light years away, there are in all likelihood life forms dependent upon an entirely alien physics.  We could never teleport to meet them, or even send a message by beaming a transmission.  We would have to change, from inhabitants of our own physics to inhabitants of theirs, in order to make the trip.

This is the kind of change I believe we must hold in heart as we pass through the years to come...


Since I'm spending so much more time on each painting than I used to, it makes sense for me to try and offer these graphics in as many formats as possible.  Here are a few ways you can grab the new piece in useful formats to carry around with you or gift your friends...

(If you want this on another item, just let me know and I'll make it happen for you!)


(Click to enlarge & view the process...)

Custom Hats Are Taking Over My Life

Yes, it's true.  But I don't mind, because it keeps me in a non-stop creative flow, always trying out new ideas, always honing my technique for the larger, more time-intensive paintings.  Here are the newest designs...  




If you'd like one of your own, hit me up with your ideas – but be aware that my waiting list is about a month long right now.  (Not because it takes that long, but because I have so many other things to do!)

New Experimental Guitar Set FREE @ Archive.org

I have released so many free live albums in the last couple of years that my bandcamp page is starting to look a little crowded...so henceforth I'll be putting up my free sets in the Live Music Archive over at archive.org.

This 40-set from December of last year was improvised start to finish for an audience of noise-lovin' experimental music appreciators, so I got even weirder and more rambunctious than I ordinarily would.  If you're in the mood for a real psych-rock trance-fest, this is where I would suggest you start.

(But if you're looking for prettier, more melodic, subtle stuff, then go have a listen to Love Scenes & Field Recordings, my double-disc highlights reel from last summer's tour.)

...And that's all for now.  Bless it and bless you!  You know where I am if you want to reach out.