Michael Garfield's Love Without End Tour Newsletter: Cello Joe
Showing posts with label Cello Joe. Show all posts
Showing posts with label Cello Joe. Show all posts

16 February 2015

Love Takes Shape As Art & Music: New Tunes & Talks, Dinosaur & Mantis Art, New Gigs & Articles for Globalish

"Nothing is constant but change! All existence is a perpetual flux of 'being and becoming!' That is the broad lesson of the evolution of the world."

Happy birthday to Ernst Haeckel, born 16 February 1834, who coined the term "ecology" and as one of the most influential and insightful scientist-artists in history, an absolutely prolific illustrator, a romantic, and a visionary, I see him as a kind of patron saint.  And a belated Happy Valentine's Day to each and all of you!  I wouldn't dedicate my life to art and music if I didn't think that love's the most important thing worth sharing and the motivation for it all.  (Love is the feeling, Life the means, of Creativity.)

I have a lot for you in this one.  May it find you well...enjoy, and stay in touch!

love,
Michael

Neverland: Electronic Improvisations on Acoustic Guitar

My latest live album – and my last for a while – is the result of six years of exploration into pushing the envelope with the looper as a live sampling and remix instrument, turning the guitar, voice, and a sixty-pound pedalboard into a quadrapedal one-person electronic orchestra.

These 80 minutes were recorded over five months across the Western US and run the gamut from atmospheric psych-western scores to films that don't exist to glitched-out proggy slow burners.   Enjoy, and thanks for your support!

Fan reviews:

"Like walking through a cathedral being constructed before your eyes. Stained glass shiftin around and mutating with digital light statues."
– Chance Roberts

"'Hopeful' is so amazing! It made me tear up within the first two minutes and had made it into my top twenty favorite songs of ever by halfway through."
– Xandrie Sampson

"A great wake up soundtrack. Your music is so thoughtful, it would be amazing to collaborate with you as a movement artist..."
–  Nnedi Nebula

"Barney Was Real!" (Nanotyrannus lancensis)
12"x12" – Original Painting Available
Oil & Acrylic Pens on Artboard
Buy 11"x17" Prints ~ Like/Share on FB

Believe it or not, there really was such a thing as a pygmy Tyrannosaurus. Nanotyrannus stood about six feet tall and seventeen feet long – still a formidable predator by any modern standards, but more "ride into battle" size than "swallows you whole" size. While scientists can't be sure that they were actually purple, their close relationship to birds makes it likely that they at least occasionally broke out in song...and it's a fair bet, given their stature and dentition, that real life "Barney" would have loved children (probably several at a time).  And in related news, Godzilla Was Real.  ;)

New Art for Cello Joe
Graphite & Digital Coloring

It feels good to be back in the saddle with my Wacom digital stylus working in Photoshop...you can definitely expect more digital shenanigans from me in the months to come.  There's something truly meditative and aligned about working in this format; I found it super easy to get into flow with it.  Anyhow, Cello Joe is a friend of mine and a very talented looping cellist and beatboxer, and I recommend that you go listen to his music (all of it is pay-what-you-like).

My Talk from Gratifly 2014 on Entertainment As Social Action

“Only by realizing that you’re a robot are you able to reprogram that robot. And that’s where the divine invasion occurs. That’s where the choice enters this matrix of causative endless karmic billiards. That’s where the real magic occurs. And that’s the opportunity that we have before us.”

Find an hour to chill on this laid-back but heady talk I gave at Gratifly Festival last year...  The first hour of a longer talk – apologies for the abrupt ending, but what's on tape is still one of the more interesting festival talks I think I've given.  On technology, culture, and consciousness, and how art can be used malevolently as mind control or for the good of all as a liberating force.

(I go into these knowing the theme but they always go off in new directions I didn't plan, so this one is pretty different from my previous rants on the same theme from Art Outside Festival and Firefly Gathering.)

MG on the Project Bring Me To Life Podcast

This conversation with the super fun Project Bring Me To Life crew includes probably my best rant to date on the historical significance of visionary art, as well as a lot of lively banter on adventure and mystery (!) and things like my favorite science fiction, and how to live the life you love and still get along with your family...

New Articles for Globalish: Read. Watch. Awaken

At Globalish, we're offering a totally unique online experience exploring post-religious spirituality in an age of electronic media.  We share the most engaging videos that we can find and frame them each as lessons in non-separation – opportunities to practice how to live and breathe a path of practice that is not afraid to actually be a part of – even celebrate – our wild world.  Here are my latest articles:

Channel 1: Revolution

Channel 2: Travel

Channel 3: Art

Channel 4: Life

Upcoming Gigs

The first night of this new monthly event I'm facilitating at the exquisite Strange Brew Lounge in Austin was a smash success.  Exploring spontaneous collaborations between instrumental electronic musicians is a recipe for emotionally compelling and intellectually intriguing live performances – and next month's way-cheaper-than-it-should-be show is going to feature several awesome new musicians in addition to the crew who took us all to hyperspace the first time!  I'm excited to be part of this.


Still a ways out, with plenty of great things happening between now and then, but I'm happy to announce that I'll be playing music and painting at the new Luminosa Festival in Eastern Texas.  Its ancestor, Archaic Revival, was mentioned in the New York Times in an article on the transformational movement – and this one has a very juicy lineup, including Kalya Scintilla, Bluetech, Erothyme, The Motet, Mingo Fishtrap, Henry & The Invisibles, and more...

"I want to be free in the mystery of love. I want to be wild when the world begins again. I want to wake up and listen, be in love with my life and death. And I want you to be there with me. I want all the children to have enough to eat. I want all the angry men to destroy their own pain. I want us all to be happy and crazy and safe and real. I want everybody to be loved."

28 May 2013

...So Begins Another Epic Festival Summer! Live in SF, New Mindfolds, & The Lost Painting

"I think of mythology as a function of biology, a statement of the impulse system of the body and the organs. Not something that’s made up in the head. What’s made up in the head is fiction. What comes out of the heart is myth."
Joseph Campbell

"The history of the song is based on the ballad, and the ballad is based on the narrative, and the narrative is based on the epic, and the epic is based on the anecdote.  It's all very interrelated."

We start with the dissolution of boundaries, and a new complex space opens up between us...


When The Orbit Curtain Falls

My ode to the day we meet our extraterrestrial neighbors and learn to sit at the galactic Adult's Table.  Inspired by half a dozen UFO sightings at Clinton Lake, just outside of Lawrence, Kansas, in 2006 - 2007. What's not to love about our initiation into a vaster cosmic understanding than we currently imagine?
Live at The Center SF

So, I played this amazingly fun show during the solar eclipse at The Center SF on Fillmore with Cello Joe and eitch.  We were blessed with live painting by Randal Roberts and Dela and Scott Ferguson, and dancing by Cressie Mae.  If you weren't there you can download this and pretend like you were – and if you were, you can get all sentimental while we're waiting on the next one.

Also, I found out that someone recorded my entire set opening for Papadosio in Lawrence on May 1st!  (Not a bad set, either...see video above.)

And the love is still going strong for my latest EP, Yellow Leaves.  Go grab yourself a free copy of that one if you haven't already; definitely one of the most inspired instrumental sets I've ever played.

If you're curious about what inspires me:

From my recent interview on UniTiger:

"The reason I call it 'cyberacoustic' music, and the reason I understand it as a performance of a Unity paradigm, is because of how this music is inspired by my study of cybernetics, nondual spirituality, and the evolution of consciousness. Cybernetics is all about feedback loops and understanding a living organism more as a pattern of relationships with the environment – a dynamic nexus of energies – than as a discrete individual living 'in' and acting 'on' the world. By using a live microphone and a magnetic soundhole pickup my musical inputs are open to the sound coming through the speakers, so there is a chaotic sensitivity to the environment that weaves all of these unplanned variables into the creative act. Just as 99% of our decisions are not made by the conscious mind and the pursuit of a deeper-lived Unity calls us to integrate what we consider self with what we consider other, I invite the unexpected and the audience and the mechanical and architectural context of the performance into its actual musical expression as much as possible.

It’s also a way of saying that we have no clear boundary between organic/born and artificial/made, the analog and the digital, producers and consumers, past/present/future…it’s a way of preserving these distinctions while still pointing to the arch-reality in which you and I and all of this equipment are here together, now, participating as polarities within one phenomenal event. Looking at us as interpenetrating fields of influence that are also harmonics within a greater unified field. Nature and Culture, Inner and Outer worlds in an alchemical wedding."


The Lost Painting:
Tunnel of Glass & Ferns
Buy 11"x17" Prints


Started in Deerfields, North Carolina at Trinumeral 888 (and made of 8s, if you look) for EOTO and Conspirator on the day that Beijing opened the Olympics; compounded and layered in Denver, Colorado in a DIY gallery weekend throwdown in 2010; rounded out in spring of 2011 in New Orleans, where I was on a streak of working over old pieces.  Lost in New Orleans for a while.  Rediscovered.  Gifted away.

Custom Mind Folds

I'm pleased with this development, let me tell you.  Email me if you'd like to order one and I'll send you the details.  (Hats are still an option, of course.  As is pretty much anything else.)



Wow, That Happened Fast...

The festivals I'm delighted to be romping with, this summer – including a few promising upstarts:

(View my full calendar on the left sidebar here.)


Thank you for your time and your support.  We nourish each other!