Michael Garfield's Love Without End Tour Newsletter: talk
Showing posts with label talk. Show all posts
Showing posts with label talk. Show all posts

14 August 2022

A.I. Art Eruption: The Wildest Period of My Art Career is Right Now (Plus New Music, Podcasts, Public Talks, & Thoughts on Human-Tech Co-Evolution)

I finally surrender to letting these roughly-monthly updates be a magazine unto themselves. This one is about a very hot topic right now: the explosion of A.I.-assisted artwork that you've surely seen sprouting up all over the Web, and my experimentation with it. I've always believed that the future would empower "professional dreamers" to share their inner worlds instantaneously, and it feels like that vision is finally substantiating itself in our waking world. But not all is rosy in this magical future, and I'm honored to help act as psychopomp on the River of Souls we're crossing together as these new tools mature and transform society.

But first, an announcement for the thousands of you in my active online fora:

✨ Big Changes for Future Fossils!


After years of volunteering dozens of hours a week in a patrons-only Facebook group and Discord server mostly populated by free riders, I'm finally clearing out the non-patrons and restoring some focus and sanctity to the community we've built together. Spending so much time moderating non-subscribers has been taking time away from podcast production and my family, but I also don't have the heart to just nuke this group. If you'd like to stay involved please consider signing up for at least $2 a month for the part-time job it is to curate and moderate this group.

Let me clarify that old close friends, former guests of the show, and other people who routinely and consistently add value to this group are welcome to remain regardless of whether you're contributing financially. There are many ways to do this, so if you're broke but interested in staying involved please respond to me privately.

✨ There Is No One Path Forward: Pluralism in Science, Philosophy, & Art


A digestible, albeit light-speed, six-minute-and-forty-second talk on the virtues of and need for pluralism, presented at Creative Santa Fe's Pecha Kucha Talks last month. 

You can find their (audio-and-slides-only) presentation on the Pecha Kucha website, or find my own video recording and extensive supplementary notes and resources on Patreon.

Abstract:

Biodiversity is the measure of ecological health. Cognitive diversity is the secret to innovation and effective collaboration. And contrary to popular belief, there will never be one Theory of Everything to unify all of human knowledge in an equation that fits on a t-shirt. Multiplicity is how the cosmos knows itself, because all models of the world — whether they take the form of intellectual theories or organisms in an ongoing dance of adaptation with their environment — are partial, incomplete, and provisional. Every statement of truth is a conjecture based on limited information, conditioned by a specific history, and ultimately up for revision. Even the myriad standards by which we settle on satisfactory explanations are in tension and conflict with each other — and that's a good thing, because unanimous agreement results in brittle, easily disrupted strategies. If humankind stands any chance of navigating the immensely complex challenges we face, it's time for us to jettison the notion that there's One Idea To Rule Them All, and fan out into "The Adjacent Possible," covering as much ground as we can to search the space of what could be more comprehensively.

✨ AI Art Experiments Stash


Lately I've kind of lost myself in the rapture of exploring text-to-image AI art prompts on the invite-only platform Midjourney, which is (at least in some respects) considerably more advanced than similar apps like NightCafé and Wombo Dream.

Part of this is my lifelong commitment to guinea-pigging myself with new creative tools, starting with my immersion into Google Glass and the resultant contemplation on the co-evolution of surveillance technologies and the self (see essay parts 1, 2, 3, 4). Exploring AI-assisted mass production of works that would, just two years ago, have each taken 20-50 hours to paint...well, I'm hardly the only artist that feels drawn into this as a necessary precursor to navigating the disruption of the creative sector by these tools.

In the meantime, I want to give patrons exclusive access to my curated "dream stream" of Midjourney experiments — feel free to download any of these images you like for personal use: wallpapers, desktops, one-off pillow/t-shirt printing, whatever floats your boat.

Here are some of the most exciting images to have emerged from AI "latent space" lately:


✨ Podcasts on AI, Art, and Philosophy

The above experiments have led to a whole series of fantastic conversations on the direction things are moving, how it connects to ancient esoteric practices, the labor market implications, and how I'm engaging with the mysterious Other through these tools.  Here are three solid recordings on this and related topics:


But of course it also raises deep philosophical issues, like those I recently discussed on The Jim Rutt Show with Jim and my friend and frequent Future Fossils guest J.F. Martel — questions of what art even is, whether sentience is required, what if anything is uniquely human, and how different art might be in another few years' time. I recommend digging into that discussion — and staying tuned for more, because this is a conversation I consider very squarely in the Future Fossils wheel house, and more urgent than most people seem to realize.


One conversation wasn't enough so I ALSO just appeared on my friend Michael Phillip's show Third Eye Drops to talk about Google engineer Blake Lemoine's claims of AI sentience and machine ensoulment, labor market disruptions from new creative tools like Midjourney, and what it's like to "breed" images straight out of the ethers of the imagination.


From Shane's show notes: "In this episode, I catch up with my good friend, Michael Garfield. Michael is the host of the Future Fossils podcast and the Complexity podcast. In his 4th appearance on Here We Are, we discuss topics like fatherhood, lifestyle changes, and the ever-changing world we live in."

✨ Recommended Resources on Human-Technology Egregores


I recently got into a very deep and intense conversation with Carnegie Mellon/SFI Professor Simon DeDeo during his latest visit to the Santa Fe Institute campus. (Check out his talk and my Twitter coverage of it, which I found equal parts nightmarish and utterly inspiring.)

Most of that two hours was spent in roundtable discussion with him and our 2022 cohort of Undergraduate Complexity Researchers, making for the most exciting opportunity I've ever had at work to blow the minds of a bunch of awesome, brilliant twenty-somethings.

Here is the epic mind-dump I sent them afterward, collecting resources that came to mind during our rap session. If you've been following the show for a while you've probably heard me bring most of these up at one point or another, but I'm happy to share them all in one place.

I apologize in advance for what my buddy Mitch Mignano would call an "ecodelic avalanche." Enjoy either spending the rest of time getting around to this or immediately binning it all to preserve your mental health!

(Album cover is from my ongoing series of AI art experiments with Midjourney, which as mentioned above I'm archiving for the personal use of my patrons.)

✨ New Future Fossils Podcast Episodes


✨ New Music: Live at the West China Tea House (Austin, Texas 2022.05.28)

Member-exclusive HD download on Patreon or Bandcamp.

On the musical front, here's an intimate "storyteller" format acoustic and electroacoustic concert spanning fourteen years of songwriting, with some teahouse-specific improvisations to accompany gong fu tea ceremony. This was my first show in Austin, Texas in nearly four years, a very emotionally intense reunion with old friends and the land I love and once called home. Big thanks to So Han Fan and Nate Bell at the West China Tea House for making space for me to play a family-friendly concert (you can hear my kids screaming throughout) and for the live Future Fossils Podcast I taped there in between sets with Kevin Welch and David Hensley of EFF-Austin!

(If you want a blast from the past (or into the future?), I played one of my favorite late-night instrumental sets at their pop-up tea house at Utopia Festival back in 2017, when they were still called the Guan Yin Tea House.)

Lastly, for now, here's a link to my ever-growing Spotify playlist of new music discoveries and old favorites. I've been keeping and cultivating this for three years now, and it's EXTENSIVE, over 37 hours long. Enjoy!:



16 February 2015

Love Takes Shape As Art & Music: New Tunes & Talks, Dinosaur & Mantis Art, New Gigs & Articles for Globalish

"Nothing is constant but change! All existence is a perpetual flux of 'being and becoming!' That is the broad lesson of the evolution of the world."

Happy birthday to Ernst Haeckel, born 16 February 1834, who coined the term "ecology" and as one of the most influential and insightful scientist-artists in history, an absolutely prolific illustrator, a romantic, and a visionary, I see him as a kind of patron saint.  And a belated Happy Valentine's Day to each and all of you!  I wouldn't dedicate my life to art and music if I didn't think that love's the most important thing worth sharing and the motivation for it all.  (Love is the feeling, Life the means, of Creativity.)

I have a lot for you in this one.  May it find you well...enjoy, and stay in touch!

love,
Michael

Neverland: Electronic Improvisations on Acoustic Guitar

My latest live album – and my last for a while – is the result of six years of exploration into pushing the envelope with the looper as a live sampling and remix instrument, turning the guitar, voice, and a sixty-pound pedalboard into a quadrapedal one-person electronic orchestra.

These 80 minutes were recorded over five months across the Western US and run the gamut from atmospheric psych-western scores to films that don't exist to glitched-out proggy slow burners.   Enjoy, and thanks for your support!

Fan reviews:

"Like walking through a cathedral being constructed before your eyes. Stained glass shiftin around and mutating with digital light statues."
– Chance Roberts

"'Hopeful' is so amazing! It made me tear up within the first two minutes and had made it into my top twenty favorite songs of ever by halfway through."
– Xandrie Sampson

"A great wake up soundtrack. Your music is so thoughtful, it would be amazing to collaborate with you as a movement artist..."
–  Nnedi Nebula

"Barney Was Real!" (Nanotyrannus lancensis)
12"x12" – Original Painting Available
Oil & Acrylic Pens on Artboard
Buy 11"x17" Prints ~ Like/Share on FB

Believe it or not, there really was such a thing as a pygmy Tyrannosaurus. Nanotyrannus stood about six feet tall and seventeen feet long – still a formidable predator by any modern standards, but more "ride into battle" size than "swallows you whole" size. While scientists can't be sure that they were actually purple, their close relationship to birds makes it likely that they at least occasionally broke out in song...and it's a fair bet, given their stature and dentition, that real life "Barney" would have loved children (probably several at a time).  And in related news, Godzilla Was Real.  ;)

New Art for Cello Joe
Graphite & Digital Coloring

It feels good to be back in the saddle with my Wacom digital stylus working in Photoshop...you can definitely expect more digital shenanigans from me in the months to come.  There's something truly meditative and aligned about working in this format; I found it super easy to get into flow with it.  Anyhow, Cello Joe is a friend of mine and a very talented looping cellist and beatboxer, and I recommend that you go listen to his music (all of it is pay-what-you-like).

My Talk from Gratifly 2014 on Entertainment As Social Action

“Only by realizing that you’re a robot are you able to reprogram that robot. And that’s where the divine invasion occurs. That’s where the choice enters this matrix of causative endless karmic billiards. That’s where the real magic occurs. And that’s the opportunity that we have before us.”

Find an hour to chill on this laid-back but heady talk I gave at Gratifly Festival last year...  The first hour of a longer talk – apologies for the abrupt ending, but what's on tape is still one of the more interesting festival talks I think I've given.  On technology, culture, and consciousness, and how art can be used malevolently as mind control or for the good of all as a liberating force.

(I go into these knowing the theme but they always go off in new directions I didn't plan, so this one is pretty different from my previous rants on the same theme from Art Outside Festival and Firefly Gathering.)

MG on the Project Bring Me To Life Podcast

This conversation with the super fun Project Bring Me To Life crew includes probably my best rant to date on the historical significance of visionary art, as well as a lot of lively banter on adventure and mystery (!) and things like my favorite science fiction, and how to live the life you love and still get along with your family...

New Articles for Globalish: Read. Watch. Awaken

At Globalish, we're offering a totally unique online experience exploring post-religious spirituality in an age of electronic media.  We share the most engaging videos that we can find and frame them each as lessons in non-separation – opportunities to practice how to live and breathe a path of practice that is not afraid to actually be a part of – even celebrate – our wild world.  Here are my latest articles:

Channel 1: Revolution

Channel 2: Travel

Channel 3: Art

Channel 4: Life

Upcoming Gigs

The first night of this new monthly event I'm facilitating at the exquisite Strange Brew Lounge in Austin was a smash success.  Exploring spontaneous collaborations between instrumental electronic musicians is a recipe for emotionally compelling and intellectually intriguing live performances – and next month's way-cheaper-than-it-should-be show is going to feature several awesome new musicians in addition to the crew who took us all to hyperspace the first time!  I'm excited to be part of this.


Still a ways out, with plenty of great things happening between now and then, but I'm happy to announce that I'll be playing music and painting at the new Luminosa Festival in Eastern Texas.  Its ancestor, Archaic Revival, was mentioned in the New York Times in an article on the transformational movement – and this one has a very juicy lineup, including Kalya Scintilla, Bluetech, Erothyme, The Motet, Mingo Fishtrap, Henry & The Invisibles, and more...

"I want to be free in the mystery of love. I want to be wild when the world begins again. I want to wake up and listen, be in love with my life and death. And I want you to be there with me. I want all the children to have enough to eat. I want all the angry men to destroy their own pain. I want us all to be happy and crazy and safe and real. I want everybody to be loved."

05 November 2013

Owl Painting from Rootwire/AO | Gratifly 2013 Live Set | MG on Google Glass at Burning Man

"The next time you get really angry about the evils of the system, notice how good it feels, and understand how that feeling takes power away from the better angels of your nature and turns it over to something that longs for destruction, conflict and brutality as goods unto themselves. Understand that the best practice is the cultivation of your own consciousness."
– KMO

In this issue, I'm proud to share some of my finest work to date – new art, music, and ideas! An illustration from my imaginary field guide to hyperspace creatures; my first-ever full concert recording, from Gratifly Festival; and the talk I gave at Burning Man on the social and philosophical implications of wearable computing.

While I continue my search for an appropriate booking agent and record label, I'm still doing the occasional gig and soaking up inspiration for the next round of cool offerings.  As always, your comments and suggestions are encouraged.  Enjoy, and thank you for your support!

20"x30" – oil & acrylic paint markers on canvas – painted live at:
• Little Tree Art Studios - 2013 08 08 (Atlanta, GA) for Kynara, Feverkin, The Fresh French
• Rootwire Music & Arts Festival 2013 08 15 - 18 for Papadosio Live PA, Evan Marc, Aligning Minds, Open Source, Hundred Waters, Dirtwire, ESKMO, The Malah, Bluetech, Welder
• Be:Tribe Gathering - 2013 09 12 (Dallas, TX) for Kaminanda, The Nadis Warriors
• Art Outside Festival 2013 10 20, 21 for Rena Jones, Bluetech, Psymbionic, Nit Grit, Happy Happy James, Brede, Somatoast, Bird of Prey, Kyle Hollingsworth Band, ISHI, The Nadis Warriors

My latest live painting is the consequence of a collision between hyperspace and the owl fetish that's haunted me since moving to Austin two years ago. Shout out to Augustin Lesage and Louis Wain, two men who went famously mad and became awesome (entirely sober) psychedelic artists.  This piece is inspired by their work,  as well as a few positively strange experiences that got me wondering about the origins of owl medicine.  Basically:  do hyperdimensional intelligences appear to us in the form of cartoon animals, as an interface that helps manage the overwhelming ineffability of higher realms?  Do our folk stories and animal archetypes point to a totally nuts "self-transforming" world beyond mundane appearances?  My vote is yes.

I had this piece scanned, so if you'd like a full-size stretched canvas giclee (practically indistinguishable from the original, and maybe even a little more durable) – email me for pricing.

Click below for a detailed look at the process:


A record of the most ambitious, visionary concert I have ever performed.  Listen to this loud on big speakers...preferably during a storm.

Improvised on guitar, voice, and effects at Gratifly Music & Arts Festival on the LostInSound.org Synergy Stage, 26 July 2013 (Carl Jung & Aldous Huxley's birthday). This chronicles, in its entirety, the first concert ever streamed through Google Glass over video chat and projected back on stage, creating an artist-audience feedback loop!

Lyrics are from poems turned into song on the spot. All instrumental sounds are from live guitar and hardware processing (no computers). The Glass was ceremonially consecrated that evening to ensure its use as an instrument of good.

Special thanks to my Indiegogo campaign supporters:
Adam Scott Miller, Alan Wood, Allan Badiner, Asa Henderson, Austin W. Lucas, Ben Gordon, Billy Mays III, Brett Bonnist, Brett Thomas, Brian Hampton, Candy Hogrefe, Carl Jacobson, Chelsea Schulz, Christopher Ergen, Cody Westerlund, Connor Wood, Dan Sockrider, David Hyde, David Swirsky, Diana Martinez, Douglas Tataryn, Eliza R. Williams, Erin O'Brien, Evan Snyder, George Crosby, Harlan Emil Gruber, Isabella Melo, Jason White, Jessica Nielson, Joey Walter, John Harrison, Jonathan Zap, Jordan Allen, Jordan Sadler, Joseph Chang, Josh Audiss, Kevin Seagraves, Kristen Wood, Kylie stein, Lawrence Wang, Lindsey Wilkinson, Marcello Herreshoff, Marya Stark, Michael William Benton, Molly Gardner, Nick Kampe, Patrick Gomez, Phil Osophical, Philip Heath, Richard Guerra, Robin Arnott, Ryan Meredith, Sandra Lam, Sebastian Siegel, Simon Haiduk, Stephen C. Drena, Steven Sampson, Sven Jorgensen, Tara Fahmie, Taylor Steelman, Thomas Stokes, Tristan Gulliford, Tyler Kimbro, Ursula Anderson, Vance Feldman
...we did it!

Dedicated to Donna Merrill.


"Glass’s success isn’t predicated on how it looks. Rather, it’s all about how Glass invites us to lookand how it makes us more aware of when and where we’re looking. The ecstasy-inducing capacity of Google Glass lies in the pleasure of watching: watching others, being watched, and watching for the meaning of the technocultural moment heralded by Google’s evocative new product. Glass promises a new way to get out of our own bodies and to enter those of others. And we like it."
– John Garrison, "How Glass Magnifies Desire"

My provocative talk on Google Glass as the emblem of a new era – in which democratized surveillance and the "individual" self have become the medium of avant social art, and we have a responsibility to reprogram them for the greater good of an emerging planetary consciousness.  Recorded for the Psychedelic Salon podcast, as part of the Palenque Norte lecture series at Burning Man, 30 August 2013.

If this talk inspires you and you'd like to stay abreast of my tech news and commentary, join the conversation about art, technology, and consciousness in my new facebook group, Life in the Glass Age.

24 October 2013

The Evolution of Surveillance Part 2, Looper's Night Archive, Skateboard Preorders, Perspectives on a New Age, Questions from a Grade-School Art Class, Another Hat

"Tribalism is very hard to reconcile with progressive visions of a world of equality, fairness, and understanding. The moment you being to see other human beings as being somehow outside your perimeter, you can believe they’re less than human – objects to use or, worse, destroy."

"To fight the empire is to be infected by its derangement. Whoever defeats part of the empire becomes the empire; it proliferates like a virus…thereby it becomes its enemies."
– Philip K. Dick, Valis

For the first time in six years, I have no upcoming gigs on my calendar.  Art Outside was a profound, beautiful farewell to my festival season and a lovely port to kiss goodbye as I set out to sea on a frightening new adventure in self-discovery, study, writing, studio work, and wide-eyed travel.

I don't know who I am or what I am becoming, but I promise I'll have even more time to help you even more directly than I did before.

• If you'd like Skype/Hangout lessons in guitar, songwriting, live art, public speaking, or any of the other things I do, email me and I'll be happy to help.

• If you'd like to scoop a superb cut-rate deal on any of my available original live paintings, now is your chance to hit me up with an offer I can't refuse.  Split payments and offensively low bids encouraged.

• If you'd like new custom work, you know how to get ahold of me with your budget and ideas...

• And if you want to book me for music, art, or speaking, it would be my pleasure to fly out there.

For now, I'm off to the cave.  See you with more inspiring goodies in two weeks.  Enjoy, and be well!


Afraid of the machines? Worried the universe is running down into chaos? Afraid of a surveillance state, or ecstatic that we're nearing The Ascension? (Choose your flavor.) Well, cut it out. The more things change, the more they stay the same. This talk should help you keep a healthy realist optimism for, oh, another twenty years or so...

Michael Garfield at Burning Man's Center Camp CafĂ© (in a talk originally titled "These Are The Good Old Days: Reverse Nostalgia From A Citizen Of The Future") explores the basic dyads of life and death, past and future, Heaven & Hell, self & other – and explains how to move beyond them for Better Living in the 21st Century.

Note: Due to dust in the equipment, this recording was cut short right before the Q & A. Typical Burning Man technical difficulties. Apologies!


The next installment of my serial essay on cyborg spirituality and evolutionary conflict is now online at Reality Sandwich:

With the evolution of the eye came predation, and with predation came herd behaviors...So began an evolutionary arms race that modern biologists describe with the Red Queen Hypothesis, named for the way that teeth and armor, poisons and immunities, continue to leapfrog each other on a treadmill as generations come and go. Police call it 'escalation.' The logic is simple: over numberless generations, offensive and defensive strategies sharpen each other, drawing both into remarkable intricacy and precisely interlocking interdependence...  (Read more.)


The boards are almost in – now is your last chance to preorder my limited series Creation Skateboards deck artist-direct!  $85 includes the board (signed, if you like), a sticker of the painting, a download of my forthcoming album, and shipping anywhere in the US.

To order, use paypal to send money to my  email with a note including your shipping address.  That's it!  Your board will be at your doorstep ready to shred or hang on the wall in a few short weeks.


Over the last eight months I have held about a dozen experiments in musical collaboration between people who have never jammed before, all of us running through my multi-channel loop station so I can remix everyone's live performances on the fly.  Half DJ, half conductor, all terror!  What started as a residency at Flipnotics Coffeehouse in Austin grew wings and came with me on tour this summer for awesomely fun experiences at Rootwire Festival and Burning Man, among others.

Now my favorite Looper's Night performances are free for your enjoyment.  Caution: we get weird.


Tia Parr & Cory Nevins collected these questions from their art class with The Homegrown Kids Of Conway, Arkansas, Fall 2013. Here's an excerpt:

Q: Where do you think the future of art is going, and as an artist, do you feel that you are co-creator in the evolution of art?

A: I think we're creating more and more media and that art is more popularly understood as being creative in any medium. So there will be gene-poets who make new kinds of animals and plants, there will be professional dreamers who share their recorded imaginations, there will be mind sculptors who connect people's experiences in novel ways, there will be artistic explorations in robotics (musical sculptures that play along with you like living bandmates, and buildings that respond to your mood), there will be chefs who make impossible foods out of 3D printers...and there will STILL be painters, and blues guitarists, and standup comedians, and all of the other art forms. We will continue finding new ways to express ourselves and share those ideas.
(Read more.)

Aaaand, More Hats

My last bass drop hat ever.  I'm still totally open to other designs – power animals?  magical sigils?  sacred geometries? – if you'd like something with personal flair.  Let's make something that is uniquely YOURS.  You'll still be proud to wear it in a decade...

04 December 2012

My Talk From Rootwire, Best Hat Yet, & New Live Music Archive

"There are some people who live in a dream world, and there are some who face reality
– and then there are those who turn one into the other."
– Douglas Everett

“Everything that is really great and inspiring is created by the individual who can labor in freedom.”
– Albert Einstein

Thank you all for supporting my efforts to make my life an inspiration and example to others, to help people find a way to bring their work and creativity together.  All of us can live a life of passionate and illuminated service.  Here's how I'm doing that, for now:

My Talk From Rootwire Festival

Just say yes to evolution!  The talk I gave at Rootwire Music & Arts Festival in between awesome offerings by Jamaica Stevens of Tribal Convergence and visionary artist Amanda Sage, and featuring a guest appearance by the awesome electronic producer Evan Skytree Snyder.  May it serve you in your continued growth and learning...

"I think there is a great deal of coming out right now, as we admit ourselves to ourselves.  As we step forward and identify as children of the planet to the parents who may still be identifying with nationalistic or industrial concerns, with specific ideologies or cultural affiliations.  These are things to be celebrated because we no longer rely on them.  They're an art form, now, not a technology of survival.  Terence McKenna said that culture is not your friend, but that's not entirely true; culture is an art project, now.  It can be our friend if we raise it to learn to be our friend, because the choice is ours."

Custom-Painted Hats

Orders for more detailed, time-intensive hats have been coming in, and I've been having a blast with it!  Check out my full gallery of 100+ painted hats if you'd like inspiration for your own custom design.





New Live Shows, All Free at Archive.org

I put out a lot of music.  A lot.  In order to separate studio-produced or deeply-curated live albums from less epic (but still worth-sharing) recordings, I've decided to launch a page at archive.org's etree Live Music Archive.  These are all partial shows – some more complete than others – free and fun and full of silly banter and strange sonic experiments.

If you like what I'm doing enough to buy some music, here & here are two great albums worth sharing. I'm about to record a long-overdue studio album and can definitely use your help to bring it into being!

Thanks, and enjoy...


Fifteen minutes of raw, molten basement jams with acoustic & electronic drums.


Twenty minutes of touchstyle guitar etudes & silly banter from my show in Boulder this summer.


On sacred land in the desert outside of Albuquerque this summer, I let it get as weird as possible....


A pretty solid sampling of both my acoustic singer-songwriter music and cyberacoustic improvisations.

06 October 2011

My Burning Man Talk, "Evolutionary Transitions In Individuality"

"The challenge of the transhuman is to actualize our unique individuality within the much larger planetary collective...most recent usages of 'transhuman,' it seems to me, have forgotten most of this, and mistaken the 'transhuman' for the 'ultrahuman' – a kind of upgrade to the same basic model, still denying our connection to each other and the environment.   In my view much of what we call 'transhuman' these days – the technological enhancement of our already existing nature to cling to life and deny the role of death, for example – is, as Friedrich Nietzsche wrote, 'human, all too human.' It is an individual ego’s vision of evolution."

A temporary break from visual art while I run off to Austin's Art Outside Festival this weekend and paint up a storm...in the meantime, enjoy some food for your brain and heart with my definitive rant on the evolution of our species beyond our current notions of selfhood and into a new planetary unity:


From the download page:

As electronic media and ecological catastrophe converge to unify individuals in a new planetary culture and identity, we can look back to the emergence of multicellularity, the advent of social behavior, and the appearance of syntactic language (all of which have occurred numerous times in separate groups of organisms) for insight on how humankind will make it through our own apocalyptic era.

This talk, given at Burning Man 2011's Red Lightning Camp, explores how converging crises catalyze organizational transformations biologists have come to call "evolutionary transitions in individuality" – and how this all applies to humankind's current global rite of passage.  Don't worry, we've been through this before...

(In the spirit of the gift economy, all of my recordings are available for free. If you are inspired by this talk, please carry on the spirit of giving by making a donation, or paying it forward with random kindness.)

For the more visually-oriented, you can watch the first ten minutes of this talk on Youtube:



A Philosophical Disagreement

If you resonate with and would like to join the discussion about the future of the human species, let me suggest jumping in on the comments thread for Jason Silva's recent blog at Huffington Post, "The Beginning of Infinity."

I don't ordinarily invite people to participate in philosophical disputes, but this is a special case: on the one hand, I'm honored to have been quoted by Silva alongside Timothy Leary, Buckminster Fuller, and Paul Stamets; on the other hand, I am horrified that my words were used to support his manic, uncritical techno-utopianism.  Silva completely ignores the reality that new technological power requires an equal evolution in human consciousness, if we are to survive these changes.  It's the exact naĂŻve, power-enchanted hysteria that Disney criticized in The Sorceror's Apprentice seventy years ago.

Of course, I might be over-reacting, or just plain wrong.  Let me know what you think...

For those of you who feel like participating in the debate (or at least watching from the sidelines), I left my response in the comments to the article, permalinked here.

New Cyber-Guitar Video

And in music news, you can now watch me improvise "Mamma Gaia," closing track from my album A Million Anniversaries: CyberAcoustic Guitar For Lovemaking – which, by the way, recently topped 2,000 "likes" and is still completely free to download...



You can watch all six videos from the album in my new Youtube playlist for A Million Anniversaries while I'm getting the next series of live music videos from Burning Man ready to go.  Starting next week, I'll post a new video every week until the free release of Rites of Passage: Live at Burning Man on 11/11/11.  Lots of great footage I'm excited to share!

As always, don't hesitate to reach out to me for any reason.  Thanks for reading and have a wonderful week.

25 September 2011

What do acoustic guitar, hand-painted hats, and the science of fractals have in common?

"There will come a day when music and its philosophy will become the religion of humanity."
– Hazrat Inayat Khan

“Music is everybody's possession; it's only the publishers who think that people own it.”
– John Lennon

After three years of talking about it, I'm taking a leap of faith to more completely dedicate myself to a life of art, music, and performance philosophy...and finally moving from Boulder to Austin at the end of October.  If music is my religion, then Austin is Mecca, and this pilgrimage is the natural fulfillment of my faith.  Just maybe, it'll also be the next stage of my development as an artist in service to the planetization of human culture.

Between now and my official first gig there on 11/11/11, I'll be down in Austin for Art Outside Festival, and playing a few going-away shows in Denver on the 14th and 25th.  I've met a lot of wonderful people over my four years in Colorado.  Hope I'll see some of you out there!


While I'm getting ready to make the move, it's a good time pick up some of my original artwork at cut rates we can decide together.  I'm holding another art sale to help me fund this transition, and you can read all about it and browse the available paintings on my facebook art page.  Please share with anyone you know who's looking for some art to tie the room together...

In other, more gift-related news, editing the talk and concerts I gave at Burning Man is taking longer than I expected.  But while all of that slow-cooks to tender, delicious completion, I'm excited to share my latest live recordings, digital artwork, philosophy talk, live art video, and custom-painted hat.  Enjoy!


These latest live recordings strike a new balance between my jazz-inflected folk roots and more recent forays into improvised cyber-acoustic psychedelia...alternately tender and apocalyptic, it's a showcase for both sides of me: the performing songwriter and the hyperspace engineer.

Performed live at the extremely ironic Buddha Asian Bistro in Kansas City, Alive in the Zone of the Rose is a record of my attempt to transform the restaurant's hipster-chic spirituality into a genuine experience of the transcendent for a roomful of distracted weekend diners.  Did it work?  I don't know...but I got some good tracks out of it.  And an excuse to conjure up some intense new digital artwork for the album cover!

In the spirit of the gift economy, I make all of my music available for free.  Anything you can offer to support my work is greatly appreciated – even if that means simply sharing it with your friends.  Thanks for listening!


"If you ask three questions – 'Who are we?' 'Where do we come from?' 'Where are we going?' – any answer to those will give you a myth. You can give a Marxist answer, you can give a sociobiological answer, you can give a Christian fundamentalist or Moslem answer. So myth is basically macro thinking. Technical thinking is micro. It's saying, 'I'm a neuroscientist, I'm a geneticist and I'm not interested in answering the big questions.' If you step back and ask the big questions then you're beginning to think mythopoeically. Science is inherently mythic."

In this talk I gave at Tribal Convergence 2011, I examine the changing paradigm in modern science – articulating an emerging worldview that sees a fractal self-similarity between cells, organisms, and planets, and a correlation between the complexity of mind and matter – a worldview that highlights our participation in a cosmic superconsciousness which might eventually become a part of the everyday experience for humankind.

Inspired by poet and cultural historian William Irwin Thompson's "intellectual free jazz," this talk roams through chaos theory, developmental psychology, philosophy of science, and personal narrative to suggest a vaster world than any one domain provides...

"The point of philosophy is to start with something so simple as to seem not worth stating, and to end with something so paradoxical that no one will believe it."

"As a poet, of course, I have a highly developed imagination, so I ask no one to believe in anything I write here."


My apologies for taking so freakishly long to publish this in our instantaneous culture, but here it is!  Working as live art director for Sonic Bloom Festival again this summer was so fulfilling – three days, two domes, and over a dozen artists made this one of the real standout live painting events of my summer.  Visit the video page for full information on the artists...

~ New Custom Hat ~

...lastly, here's the latest to show from this enjoyable new pastime.  Click on the picture to take a closer look at the layered design:

for Kyle Dietrich

If you'd like one of these, email me with your budget, hat size, and any stylistic preferences you have.  You can check out my full gallery of custom hats for inspiration...

~ In The Next Newsletter ~

• Full audio from my talk at Burning Man, "Evolutionary Transitions In Individuality;"
• Video from my forthcoming live album of Burning Man musical highlights, Rites of Passage;
• More hand-painted and digital artwork from the highest branches I can reach!