A.I. Art Eruption: The Wildest Period of My Art Career is Right Now (Plus New Music, Podcasts, Public Talks, & Thoughts on Human-Tech Co-Evolution)

I finally surrender to letting these roughly-monthly updates be a magazine unto themselves. This one is about a very hot topic right now: the explosion of A.I.-assisted artwork that you've surely seen sprouting up all over the Web, and my experimentation with it. I've always believed that the future would empower "professional dreamers" to share their inner worlds instantaneously, and it feels like that vision is finally substantiating itself in our waking world. But not all is rosy in this magical future, and I'm honored to help act as psychopomp on the River of Souls we're crossing together as these new tools mature and transform society.

But first, an announcement for the thousands of you in my active online fora:

✨ Big Changes for Future Fossils!

After years of volunteering dozens of hours a week in a patrons-only Facebook group and Discord server mostly populated by free riders, I'm finally clearing out the non-patrons and restoring some focus and sanctity to the community we've built together. Spending so much time moderating non-subscribers has been taking time away from podcast production and my family, but I also don't have the heart to just nuke this group. If you'd like to stay involved please consider signing up for at least $2 a month for the part-time job it is to curate and moderate this group.

Let me clarify that old close friends, former guests of the show, and other people who routinely and consistently add value to this group are welcome to remain regardless of whether you're contributing financially. There are many ways to do this, so if you're broke but interested in staying involved please respond to me privately.

✨ There Is No One Path Forward: Pluralism in Science, Philosophy, & Art

A digestible, albeit light-speed, six-minute-and-forty-second talk on the virtues of and need for pluralism, presented at Creative Santa Fe's Pecha Kucha Talks last month. 

You can find their (audio-and-slides-only) presentation on the Pecha Kucha website, or find my own video recording and extensive supplementary notes and resources on Patreon.

Abstract:

Biodiversity is the measure of ecological health. Cognitive diversity is the secret to innovation and effective collaboration. And contrary to popular belief, there will never be one Theory of Everything to unify all of human knowledge in an equation that fits on a t-shirt. Multiplicity is how the cosmos knows itself, because all models of the world — whether they take the form of intellectual theories or organisms in an ongoing dance of adaptation with their environment — are partial, incomplete, and provisional. Every statement of truth is a conjecture based on limited information, conditioned by a specific history, and ultimately up for revision. Even the myriad standards by which we settle on satisfactory explanations are in tension and conflict with each other — and that's a good thing, because unanimous agreement results in brittle, easily disrupted strategies. If humankind stands any chance of navigating the immensely complex challenges we face, it's time for us to jettison the notion that there's One Idea To Rule Them All, and fan out into "The Adjacent Possible," covering as much ground as we can to search the space of what could be more comprehensively.

✨ AI Art Experiments Stash

Lately I've kind of lost myself in the rapture of exploring text-to-image AI art prompts on the invite-only platform Midjourney, which is (at least in some respects) considerably more advanced than similar apps like NightCafé and Wombo Dream.

Part of this is my lifelong commitment to guinea-pigging myself with new creative tools, starting with my immersion into Google Glass and the resultant contemplation on the co-evolution of surveillance technologies and the self (see essay parts 1, 2, 3, 4). Exploring AI-assisted mass production of works that would, just two years ago, have each taken 20-50 hours to paint...well, I'm hardly the only artist that feels drawn into this as a necessary precursor to navigating the disruption of the creative sector by these tools.

In the meantime, I want to give patrons exclusive access to my curated "dream stream" of Midjourney experiments — feel free to download any of these images you like for personal use: wallpapers, desktops, one-off pillow/t-shirt printing, whatever floats your boat.

Here are some of the most exciting images to have emerged from AI "latent space" lately:

✨ Podcasts on AI, Art, and Philosophy

The above experiments have led to a whole series of fantastic conversations on the direction things are moving, how it connects to ancient esoteric practices, the labor market implications, and how I'm engaging with the mysterious Other through these tools.  Here are three solid recordings on this and related topics:

But of course it also raises deep philosophical issues, like those I recently discussed on The Jim Rutt Show with Jim and my friend and frequent Future Fossils guest J.F. Martel — questions of what art even is, whether sentience is required, what if anything is uniquely human, and how different art might be in another few years' time. I recommend digging into that discussion — and staying tuned for more, because this is a conversation I consider very squarely in the Future Fossils wheel house, and more urgent than most people seem to realize.

One conversation wasn't enough so I ALSO just appeared on my friend Michael Phillip's show Third Eye Drops to talk about Google engineer Blake Lemoine's claims of AI sentience and machine ensoulment, labor market disruptions from new creative tools like Midjourney, and what it's like to "breed" images straight out of the ethers of the imagination.

From Shane's show notes: "In this episode, I catch up with my good friend, Michael Garfield. Michael is the host of the Future Fossils podcast and the Complexity podcast. In his 4th appearance on Here We Are, we discuss topics like fatherhood, lifestyle changes, and the ever-changing world we live in."

✨ Recommended Resources on Human-Technology Egregores

I recently got into a very deep and intense conversation with Carnegie Mellon/SFI Professor Simon DeDeo during his latest visit to the Santa Fe Institute campus. (Check out his talk and my Twitter coverage of it, which I found equal parts nightmarish and utterly inspiring.)

Most of that two hours was spent in roundtable discussion with him and our 2022 cohort of Undergraduate Complexity Researchers, making for the most exciting opportunity I've ever had at work to blow the minds of a bunch of awesome, brilliant twenty-somethings.

Here is the epic mind-dump I sent them afterward, collecting resources that came to mind during our rap session. If you've been following the show for a while you've probably heard me bring most of these up at one point or another, but I'm happy to share them all in one place.

I apologize in advance for what my buddy Mitch Mignano would call an "ecodelic avalanche." Enjoy either spending the rest of time getting around to this or immediately binning it all to preserve your mental health!

(Album cover is from my ongoing series of AI art experiments with Midjourney, which as mentioned above I'm archiving for the personal use of my patrons.)

✨ New Future Fossils Podcast Episodes

Listen/Subscribe here.

Listen/Subscribe here.

✨ New Music: Live at the West China Tea House (Austin, Texas 2022.05.28)

Member-exclusive HD download on Patreon or Bandcamp.

On the musical front, here's an intimate "storyteller" format acoustic and electroacoustic concert spanning fourteen years of songwriting, with some teahouse-specific improvisations to accompany gong fu tea ceremony. This was my first show in Austin, Texas in nearly four years, a very emotionally intense reunion with old friends and the land I love and once called home. Big thanks to So Han Fan and Nate Bell at the West China Tea House for making space for me to play a family-friendly concert (you can hear my kids screaming throughout) and for the live Future Fossils Podcast I taped there in between sets with Kevin Welch and David Hensley of EFF-Austin!

(If you want a blast from the past (or into the future?), I played one of my favorite late-night instrumental sets at their pop-up tea house at Utopia Festival back in 2017, when they were still called the Guan Yin Tea House.)

Lastly, for now, here's a link to my ever-growing Spotify playlist of new music discoveries and old favorites. I've been keeping and cultivating this for three years now, and it's EXTENSIVE, over 37 hours long. Enjoy!:

Rock Out! New Art & Merch, Music for MDMA Therapy, and Robot Love

It's almost April!  Subscribe to me on Patreon before this Sunday and you're on the list to get my first psychedelic coloring book PDF when it comes out next week.  You'll also get 27 other patrons-only posts, early and exclusive episodes of Future Fossils Podcast, my uncut (deeply psychedelic) interview with Visionary Art Australia, and an increasing share of the time I used to spend on Facebook, shouting into an abyss.

If, like me, you're kind of underwater with your money right now – I still hope that I can welcome you into some awesome conversations that inspire and enlighten.  If you are still using Facebook, join the Future Fossils Facebook group – there are 1100 of us in there sharing links about the future, awesome art, amazing science, deep thoughts, and hilarious asides.  It's where I share most of the cool news that I find, these days...

Thank you so much for staying with me as we grow and change.  And now on to the show!

Rock Out!  (Fighting Rooster)

18"x24" – 2018 – paint pens on canvas

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printed items (iPhone cases, stickers, tapestries, etc.)

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A memorial from 2018 (Year of the Earth Dog in the Chinese calendar) looking back on 2017 (Year of the Fire Rooster) and last year's massive rooster painting, this piece sums up how it feels to me like creativity and raw belligerence so often go together – passion, fire, spirit, drive – to make is to destroy what was. Sometimes you just can't tell the difference between a fight and making love...

HD downloads now on Bandcamp

Also available for streaming on:

Spotify • Apple Music • Amazon • Google Play

Last month I played a benefit for Multidisciplinary Association for Psychedelic Studies (MAPS) at the home of Aubrey Marcus to help raise funds for the Phase 3 FDA-approved clinical trials for MDMA-assisted psychotherapy.

These new clinical protocols are the most successful PTSD intervention known to science, more than four times as effective as antidepressants, and they don't require a lifetime of medication. These are CURES, not treatments.  And in our anxious age of overstimulation and emotional bombardment, this is more necessary than it's ever been.

I'm honored to have music in the therapeutic playlists for these trials, thanks to the endorsement of my friend and MAPS clinician Saj Razvi.  I'm also working on MAPS to release these playlists to the public. But for now, here is an half-hour excerpt from the instrumental set I played last month...

Enjoy, and let me know if any of this makes it into your own therapeutic playlists!

This week’s guest is independent culture critic John David Ebert – mythologist, philosopher, art historian, and author of twenty-six books.  We talk about the rich mythological references of Blade Runner 2049 in light of the larger – and very urgent – matter of mechanizing human reproduction and the (actually rather ancient) male quest to appropriate the mysteries of the goddess…

This week we chat with the philosopher and sociologist John Danaher about the book Robot Sex: Social & Ethical Implications, a fascinating collection of academic articles on our sexbot future he just co-edited with Neil McArthur. Chances are good you’ve seen the “Don’t Date Robots!” public service announcement from the cartoon Futurama, and probably Björk’s “All Is Full of Love” music video. Maybe you’ve seen Heror Ex Machina or Spielberg’s AI. And let’s not forget the Femmebots in Austin Powers. But does any of this media, for or against, paint a realistic portrait of the impact of machines on human intimacy?

That's 50% OR MORE off any of the pieces you see here.  I'm taking an indefinite hiatus from live painting, so the picking's only getting slimmer...but I'm happy to take far less than the asking price if something speaks to you.  Check out the pieces I have left here, then just send an email with an offer, and I'll let you know within a day.

And last, here are a couple things I'm doing soon that you might like to know about:

Thanks again for reading and have a most blessed couple weeks!

“I think it is misplaced to argue for doing fundamental research just because of its technological spinoffs. Our current standard of living vitally depends on the curiosity-driven research that was done a generation or two before…the most important things that we know fifty years from now will be things we have no idea about right now.” 

– Lawrence Krauss

Quick Science Rant // New Live Painting // Hummingbird Stickers! // Art Outside Announcement

But First, A Riff on Science & Wonder

"Modern science has been a voyage into the unknown, with a lesson in humility waiting at every stop."

– Carl Sagan

We have personal stories and collective stories.  I think it will probably help to see the work I do as a writer and speaker as addressing and investigating the collective dimension of our stories.  William Irwin Thompson wrote that history is the ego of society and myth is its soul.  So learning our evolutionary history is to establish a much deeper grounding for our collective ego…and then to recognize it as a provisional and ultimately groundless scientific fairytale (even as the best we have) is akin to seeing past our ego story into our essential Mystery.  

One of my main theses over the last few years has been that science in its finest form as endlessly unfolding inquiry is basically a spiritual practice – the humility of wonder in pure curiosity, beginner’s mind as a prerequisite to any good experiment.  Of course, the process always ends by disconfirming or confirming a hypothesis, and then we start again with some assumptions – how we choose to ask a question’s all about the paradigm from which we’re asking – so there’s always going to be a point of ingress for the myth, the story by which observations are explained.  Laboratory breakthroughs are the moment of divine invasion; scientific journals are the holy texts.  Each has its visionary fringe more sensitive to the anomalies, the saints in wilderness encountering uncanny revelations, and orthodoxy that rejects new revolutionary insights as if they are immune cells.  The only difference between the institutions we call science and religion are the speeds at which each culture is reformed; the process is identical.  Organized religion’s like a solid; science is a liquid.

And I think we’re on the cusp of something even quicker – the networks that we’re growing are accelerating our adventures in discovery and peer review – and we are possibly approaching our real biological constraints of how fast we can mentally adapt to seeing things in totally new ways.  (Of course, we’re also learning how to be more flexible.  In my finest moments I can let new worldviews flow through me…though I always settle back into a lower state of order.)

Do any of you think about this stuff?  I'd love to hear your thoughts!

Endothelial Goo Conveyor

Poster Prints & Giclées Here

The first piece that I ever got so fed up with halfway through that I actually tried to destroy it, but the spray paint ran out and it ended up looking so cool, I decided to roll with it and finish what I'd started.  Another step closer to the "H.R. Giger takes 2-CB and gets over his natal trauma" aesthetic I started carving out with this year's painting, "New Age Cleopatra Basks Apocalyptically..."

Painted live with oil & acrylic markers and aerosol paint on canvas (36" x 24") at the following events in 2015:

07-25 Quixotes (Cream Cheese Accident), Denver, CO
07-28 Boulder City Park ("painting in the park" with Randal Roberts, Morgan Mandala, Chelsey Crandell, Joshua Wine Morriston, and many others), Boulder, CO
08-01 Taos Mesa Brewing (Treavor Moontribe, Planewalker, Desert Dwellers, Kaminanda, Kannizle, Buno), Taos, NM
09-02 Empire Patio, Create Culture (Zonra, Soundshaman, Sanjiwan, Fractala), Austin, TX
09-23 The Other Side (Spiritual Rez, Red Sage), Denver, CO
10-02 Westbank String Shop, Austin, TX

Original piece still available – email me with inquiries.

New Hummingbird Stickers!

Get Some Stickers

A few years ago, in preparation for Burning Man, I marked up a plain white tee-shirt with the slogan, "Imagination Is Our Greatest Natural Resource."  This motto grew some wings and flew away, just possibly inspiring this book by futurist Ramez Naam.  It's been a while since I had any stickers, and the time felt ripe to resurrect the motto with a kiss from Beija Flor.

If I see you in person, ask me for one – or you can buy them in quantities both small and large at michaelgarfieldart.com.  Help me spread inspiration and encouragement in your town!

A Roadrunner in Progress

One of the reasons I love live painting is to share the entire process with people. To demystify the creative work and invite other people to imagine themselves as empowered creatives (who much have to spend a few years sleeping in their cars, and postpone having kids for a decade, in order to cultivate their dreams into their waking lives). 

This roadrunner kept showing up on my journey through the enchanted American Southwest and, like so many of my other paintings, just asserted itself as the subject of my next piece. Little did I know that I would have to paint through a vicious windstorm, the easel gorilla taped down and still bucking I'm the gusts, to finish this the night it needed to be finished...

You can read more about this piece, and pick up a print, on my art site.

Playing + Painting + Speaking at Art Outside

I'm honored and delighted to share my first singer-songwriter set in years (here and here are some older recordings) with this year's Art Outside family! We've all got to live our passion, and mine is writing songs about psychedelics, making love in zero gravity, the landscape of eternity, and running from the terrifying beauty of our higher selves.

Years of experimental guitar practice will definitely enrich the atmosphere we'll feed and share together in the pecan grove at the Folk It Up Stage on Saturday at 12:30 pm – but this will be a set of finely crafted ballads, odes, and anthems for the dreamers and lovers. I've played this festival each year since 2010 and feel like I'll be coming home – I cannot wait to share an album's worth of new material with you!  (If you're not going, it will be recorded.)

Love and thanks for all of your support!

...In Which I Share New Paintings and Apparel, Muse on Art As Activism, and Recount Guitar Adventures!

So ends my festival season and begins a fertile period of work at home and in the cybernetic ethers...

Here's round one: a wrap-up on the best of my adventures in experimental electronic fingerstyle guitar; my talk from Firefly 2014 about our power to create world-changing media; two eggs I laid (proverbially); a bunch of great new articles for Globalish; and more new shirts than you have time to shake a stick at.  Thanks for reading!

On Four Years of Raw Guitar Experiments at LostInSound

Read More & Listen Here.

Above all, looping’s an experiment with time travel – evoking different faces of both Kronos (linear clock time, measurement, eternity) and Kairos (the quality or feel of time, duration, opportunity). These pieces are, then, time machines – transporting audience and artist to specific times of day or moments in the mythic cycle.

Certain pieces presence layers in the archeology of consciousness: primordial intensity, nostalgic sweetness, sci-fi western sunsets, bad trips, and android blues.

Others sound like they were made by clocks. And in a sense, they were – these tunes are the performance of a complex biochemical machine that tracks the rhythms of the seasons, night and day, and plugs itself into the pulsing periodic thrum of our electronic infrastructure, the two uniting musically.

Art As Activism 101: 

Your Primer To Participation in the New Millenium

Free Download Here.

On the significance of claiming our authority as artists in a world shaped by mass communication's influence on mental states.  How everything we do is a creative act – how visionary art and marketing are both forms of activism – and how we can use a basic understanding of the human mind to tell a more contagious story, so it sticks and shapes a better future.  

These ideas inspired me – and they might inspire you – to take a more enthusiastic, savvy, and empowered role in our short lives on Earth...

Two New Studio Paintings

Buy Prints of "Phoenix Egg" or "Holy Hand Grenade"

October 2014 – 18"x24" each – oil & acrylic pens on canvas

Originals for sale independently or as a pair – email me.

More time at home means more time listening to podcasts with a paint pen in my hand.  For the first time ever, really, I am taking live art home with me and doing it as therapy and meditation in my downtime.  Since I've always had a thing for fabergé – maybe as part of my enduring fascination with the odd geometries and jeweled, mutating entities of hypnagogic space – these eggs seemed like a fine place to begin.  (There's something incubating here, for sure.  I'll share what's hatched from these in my next updates.)

More Revolution, Travel, Art, & Life at Globalish

My gig with Globalish is such a fabulous new evolution of my love for writing and my interest in exploring the Big Picture of the changes we are feeling as a species.  This website is for "creative urban seekers" and the odds are good that if you're reading this, that's you.  

Here are my latest articles – enjoy!:

Prepare To Be Seduced By The Sacred Music of the Manganiyar

Underground Roots: A Map of the Territory Only Psychonauts Experience

Wearable Technology Allows You To See Your Feelings

Little Girls & Wild Animals: Who's Aware of the Story?

Nowhere: A Visual Symbol of 30 People Becoming A Single Organism

Here's What A Human Body Looks Like Doing Yoga in an X-Ray machine

European Space Agency Lands A Robot Probe on a Moving Comet

Tyler: A Film About Boyhood, Young Love, and Growing Pains

Rotating Anamorphic Glass Animals: Who's Aware of the Story?

God Is Not A Wizard: Pope Francis Supports Evolution & Big Bang

Psychedelic Rock Band Telesma & Adam Scott Miller with Chapter One of Lotus Chain

And Then, I Release Entirely Too Much New Apparel

Rants 2010 - 2013 | Purging The Music Vaults | New Live Painting | SonArte | Nocturnal Sketches | BassAware

“It’s absolutely irrational to not be filled with the fire of consuming hope.”

- Terence McKenna

“You need a balance of gloom and optimism.  Let one get out of control and take over and you are in trouble.”

- Howard Bloom

I hope you guys don't mind that I don't have much to say in preface to the fullest, most abundant newsletter I've ever put out there.  My hands are sore from typing this week - the natural consequence of preparing pics of my latest live painting; a collection of my best concert banter from the last four years; not one but FOUR musical releases (mostly old material for super-fans only – to clear the brush from the trail of my mind, as it were, in preparation for a few truly excellent releases in 2014); previews of the collected sketchbooks I plan to publish in the next year; news on my recent partnership with audio-to-artwork startup SonArte; an article on the coolest new music technology I've seen in years; and the long-overdue page I created for Live Painting on Facebook.

I'm as open to your correspondence as ever.  Stay in touch, and have a beautiful last few days of 2013!

Rants: Concert Banter on Aliens, Love,

and Other Great Mysteries, 2010 - 2013

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Culled from four years of live concert recordings, "Rants: 2010 - 2013" highlights the visionary diatribes, cornball goofery, and contagious enthusiasm that make my shows so distinct and personal. Every set is an opportunity to blow minds - and not just with music. 

Enjoy this journey into the mind of a modern performance philosopher coming of age on tangents both profound and profane. Thirty-six minutes of sheer...sheerness, somewhere between bardic wit, standup comedy, and raving lunacy.

 

"Amazingly well-spoken."

- Charles Eisenstein, author of Sacred Economics

"[Michael has] a wonderful ability to articulate the difficult and complex divinity of this world."

- Sarah Dawn Haynes, coordinator for Bioneers Colorado

"You goof-a-potamus."

- Nicole Taylor, Beautiful Music Violins

Purging The Music Vaults – Happy Holidays!

  

Free Download | Share on FB || Free Download | Share on FB

B Universe: Experiments & Outtakes

Here is a little journey through my developing sound over the past four years, as improvised guitar loopscapes became a bigger and bigger part of my singer-songwriter sets...and eventually took over, as I gathered new gear, new techniques, and new confidence in flying by the seat of my pants.

I think each of these performances has something to love, but the recordings are too raw to justify putting them out on a "big" release. So here they are, the black sheep and weirdos – which, maybe, say more about me than anything else.

(If you only download one of the four releases I threw at you this week, this is the one.)

A Global Odyssey of the Arts

Just over one year ago, Dixon's Violin, Texas State University experimental music professor Richard Hall, and myself got together for a show withARTheism and acclaimed hooper Brecken Rivara.

"A Global Odyssey of the Arts" was a night to remember. Here is a free recording of the instrumental magic that transpired...a superb soundtrack to peaceful winter ambiance. Enjoy!

  

Free Download | Free Download

Listening to these is kind of painful now, but also proud – to hear how far I've come.  Recommended for anyone interested to know my roots, here are two windows into the very early days of my experimental guitar work.  Scapegoat was the first of my annual winter holiday releases, back in the dinosaur-infested yonder-year of 2008; Live From Zero Point is mostly made of good songs performed by someone who hasn't grown into his pants, but features "Zipline," my first ever attempt at a danceable cyberacoustic groovescape.  

Both of them are beyond free...if you're dedicated enough to listen to these greenhorn releases, let me know who you are so I can declare you a super-fan and lavish you with appreciation.

~ New Live Painting ~

Feathered Tongues of Flame

Buy 11"x17" Prints | View on FB

20"x30" - paint markers on canvas

Painted during the music of:

The Parish, 2013-11-15 ... A.J. Vincent, Holiday Mountain, ishi

The Parish Austin, 2013-11-22 ... Holding Space, The Motet

Speakeasy, 2013-11-29 ... Immortal Guardian, Consider the Source

Emo's East, 2013-11-30 ... D.V.S*, PANTyRAiD
Email me to bid on the original painting.

Part nudibranch, part fire elemental, kind of erotic, based on this sketch I did on the plane coming back from playing a New Year's concert in Costa Rica in 2011.  Click on the picture for a closer look – I'm really happy with all of the subtle detail that went into this one, the transparencies and jellylike rippling effects.  Evidence that the more things change, the more they stay the same...

Alien Queen & Black Pearl 

 

View on FB | View on FB

I don't doodle as much as I used to.  But I did just scan hundreds of pages of my sketchbooks in preparation for a formal release sometime in 2014.  Stay posted, and enjoy these two more recent white-paint-marker-on-black-construction-paper pieces in the meantime!

Making Sound Into Art w/ SonArte

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Sample graphic for the kind of sonograph-to-painting commission work I'm now doing for a new Los Angeles-based company, SonArte. Cool concept, check it out:

"Behind every sound is a story told through a waveform. With each beat, note and tone comes a beautiful pattern which is the physical representation of sound. Now you can have that waveform created as a work of art. SonArte takes the unique waveform of any sound be it a song, a phrase, or a heartbeat and creates luxuriously handmade custom paintings and digital art. SonArte paintings and digital art are created by real artists, not computers. The parameters are specified by the customer so each piece of art sent out is unique and will never be duplicated. Using a waveform of sound of your choice, SonArte’s artists transfer your sound onto a canvas."

I'm one of six artists on the ground floor. If you want your favorite sounds transformed into visual poetry, go here.

~ New Article on SolPurpose ~

Introducing BassAware: A Revolution In Wearable Audio

I have been tracking audio technology developments since 2007, excited to imagine how our accelerating world might change the way we relate to our senses. But years of speculation takes its toll, resulting in a kind of “future fatigue” (“Where is my hoverboard?”) – and so it was with immense delight that, on a trip to New York this summer, I met inventor Michael White and experienced his new device bassAware, a wearable subwoofer that takes personal audio into an entirely new and sexy dimension.

This isn’t just a concept; it’s a reality, market-ready, and poised to change the way we relate to our favorite music forever. Michael was kind enough to indulge SolPurpose with an email interview on the history and social implications of bassAware...

Read the interview here.

Live Painting has a home on Facebook

Visit the Live Painting Community Page

FINALLY.

Blessings, everyone.  Thanks for your support!

The Evolution of Surveillance Part 2, Looper's Night Archive, Skateboard Preorders, Perspectives on a New Age, Questions from a Grade-School Art Class, Another Hat

"Tribalism is very hard to reconcile with progressive visions of a world of equality, fairness, and understanding. The moment you being to see other human beings as being somehow outside your perimeter, you can believe they’re less than human – objects to use or, worse, destroy."

– Connor Wood

"To fight the empire is to be infected by its derangement. Whoever defeats part of the empire becomes the empire; it proliferates like a virus…thereby it becomes its enemies."

– Philip K. Dick, Valis

For the first time in six years, I have no upcoming gigs on my calendar.  Art Outside was a profound, beautiful farewell to my festival season and a lovely port to kiss goodbye as I set out to sea on a frightening new adventure in self-discovery, study, writing, studio work, and wide-eyed travel.

I don't know who I am or what I am becoming, but I promise I'll have even more time to help you even more directly than I did before.

• If you'd like Skype/Hangout lessons in guitar, songwriting, live art, public speaking, or any of the other things I do, email me and I'll be happy to help.

• If you'd like to scoop a superb cut-rate deal on any of my available original live paintings, now is your chance to hit me up with an offer I can't refuse.  Split payments and offensively low bids encouraged.

• If you'd like new custom work, you know how to get ahold of me with your budget and ideas...

• And if you want to book me for music, art, or speaking, it would be my pleasure to fly out there.

For now, I'm off to the cave.  See you with more inspiring goodies in two weeks.  Enjoy, and be well!

View From The Horizon: Perspectives On A New Age

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Afraid of the machines? Worried the universe is running down into chaos? Afraid of a surveillance state, or ecstatic that we're nearing The Ascension? (Choose your flavor.) Well, cut it out. The more things change, the more they stay the same. This talk should help you keep a healthy realist optimism for, oh, another twenty years or so...

Michael Garfield at Burning Man's Center Camp Café (in a talk originally titled "These Are The Good Old Days: Reverse Nostalgia From A Citizen Of The Future") explores the basic dyads of life and death, past and future, Heaven & Hell, self & other – and explains how to move beyond them for Better Living in the 21st Century.

Note: Due to dust in the equipment, this recording was cut short right before the Q & A. Typical Burning Man technical difficulties. Apologies!

The Evolution of Surveillance, Part 2: Red Queens & Evil Eyes

The next installment of my serial essay on cyborg spirituality and evolutionary conflict is now online at Reality Sandwich:

With the evolution of the eye came predation, and with predation came herd behaviors...So began an evolutionary arms race that modern biologists describe with the Red Queen Hypothesis, named for the way that teeth and armor, poisons and immunities, continue to leapfrog each other on a treadmill as generations come and go. Police call it 'escalation.' The logic is simple: over numberless generations, offensive and defensive strategies sharpen each other, drawing both into remarkable intricacy and precisely interlocking interdependence...  (Read more.)

Last chance to preorder my skateboard!

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The boards are almost in – now is your last chance to preorder my limited series Creation Skateboards deck artist-direct!  $85 includes the board (signed, if you like), a sticker of the painting, a download of my forthcoming album, and shipping anywhere in the US.

To order, use paypal to send money to my  email with a note including your shipping address.  That's it!  Your board will be at your doorstep ready to shred or hang on the wall in a few short weeks.

Looper's Night Collaboration Jam Archive!

Free (Pay-What-You-Like) Downloads

Over the last eight months I have held about a dozen experiments in musical collaboration between people who have never jammed before, all of us running through my multi-channel loop station so I can remix everyone's live performances on the fly.  Half DJ, half conductor, all terror!  What started as a residency at Flipnotics Coffeehouse in Austin grew wings and came with me on tour this summer for awesomely fun experiences at Rootwire Festival and Burning Man, among others.

Now my favorite Looper's Night performances are free for your enjoyment.  Caution: we get weird.

My Answers To Questions from a Grade-School Art Class

Tia Parr & Cory Nevins collected these questions from their art class with The Homegrown Kids Of Conway, Arkansas, Fall 2013. Here's an excerpt:

Q: Where do you think the future of art is going, and as an artist, do you feel that you are co-creator in the evolution of art?

A: I think we're creating more and more media and that art is more popularly understood as being creative in any medium. So there will be gene-poets who make new kinds of animals and plants, there will be professional dreamers who share their recorded imaginations, there will be mind sculptors who connect people's experiences in novel ways, there will be artistic explorations in robotics (musical sculptures that play along with you like living bandmates, and buildings that respond to your mood), there will be chefs who make impossible foods out of 3D printers...and there will STILL be painters, and blues guitarists, and standup comedians, and all of the other art forms. We will continue finding new ways to express ourselves and share those ideas. (Read more.)

Aaaand, More Hats

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My last bass drop hat ever.  I'm still totally open to other designs – power animals?  magical sigils?  sacred geometries? – if you'd like something with personal flair.  Let's make something that is uniquely YOURS.  You'll still be proud to wear it in a decade...

What We Can Learn From Mass Extinctions | Metaphors & Meta-organisms | The Science of Transformation | Back in the Hat Game

"You don't own your reputation. Most people think they do, but the reality is different. Your reputation is the accumulation of what other people think about what they think you have done or said. In other words, your reputation consists of other people's projections. You don't own that and you don't control it. You can influence it, but only up to a point."

– Ken McLeod

“If you don't have enemies, you don't have character.”

– Paul Newman

Life in the Glass Age: Technology, Art, & Consciousness

Thank you to everyone who supported my recent crowdfunding campaign!  We managed to raise enough to keep me warm and fed this winter as I get cracking on the backbone of my new book and continue to freely share more videos and writing through and about Google Glass (and living through intense technological change in general).

I've started a new FB group – "Life in the Glass Age: Technology, Art, & Consciousness" – to keep the conversation going.  Please join us there with your questions, comments, and news items.

If you'd still like to donate but missed the window for contributing to my Indiegogo campaign, don't sweat it - you can make a paypal donation, and just let me know in the "note" section which of the perks from my campaign you'd like as a gesture of my appreciation for your support.

And now for some big new stuff:

Organizing my thoughts for The Long-Delayed Book!

From catastrophe, new life.  Luckily I've been a compulsive note-taker for the last eight years...

Back in the Hat Game

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My summer tour is over and I'm ready again for cozy months of painting while I listen to inspiring podcasts.  If you'd like a custom hat, feel free to drop me a line.  Orders start at $150 (including the hat) and I am not doing any more Bassnectar or Pretty Lights designs.  (Sorry, kids, but I'd rather not capitalize on someone else's stardom – and you'll thank me when you can still wear the hat in ten years.)

What We Can Learn From Mass Extinctions

Read at BigThink.com

Since “no problem can be solved from the level of thinking that created it,” let’s look at our ecological crisis from the only angle that will help us solve it: not as an invasive species separate from the rest of the biosphere and “killing the planet,” but as something the Earth is doing, part of the story of life, participants in the distributed intelligence of the evolutionary process and thus performing a valuable function we cannot fully understand. This is the sixth mass extinction, so let’s look at how we (identifying with life as a whole, since we have never been completely removed from the layer of life that covers this planet) made it through a comparable crisis before.  (Read more...)

Find hope for the future by studying the past.

Or if you're more of a video person, here is the article above in improvised rant form.  Not as articulate, perhaps, but you can read along to the transcript and listen to the stirring musical accompaniment!

Meta-phors & -organisms, my talk from Rootwire 2013

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"Metaphorical thinking — our instinct not just for describing but for comprehending one thing in terms of another, for equating I with an other — shapes our view of the world, and is essential to how we communicate, learn, discover, and invent. Metaphor is a way of thought long before it is a way with words."

– James Geary

My talk from Rootwire Music and Arts Festival 2013 on how to use a suite of new metaphors to navigate the shifting landscape of 21st Century self and society. Topics include:

• What "The Great Oxygenation Event" of 2.5 billion years ago has in common with our current industrial eco-catastrophe, and how it might inform a solution;
• Why the universe is equally well-described as ramping "up" and "down" – and how these forces merge in the ever-morphing now;
• How every act of communication is both a manifestation of mind and an attempt to promote a specific perspective;
• How experiencing the Earth as a superorganism informs a more responsible theory of economics;
• And more ideas from the fractal horizons of human experience...

Mark Heley at Fractal Planet: The Science of Transformation

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Mark Heley, author of The Everything Guide to 2012, speaks on taking a galactic perspective at Fractal Planet, Burning Man, 29 August 2013.  I sit in, along with my friends Mitch Mignano and Jonathan Zap, on the conversation.  We discuss the cosmic timing of mass extinctions, our need to understand the dynamic environment of interstellar space, and how we are learning to pilot "Spaceship Earth" into a new and stranger century...