Michael Garfield's Love Without End Tour Newsletter: Kolorspun
Showing posts with label Kolorspun. Show all posts
Showing posts with label Kolorspun. Show all posts

04 August 2014

Mantis Shrimp Painting | The Future of Art | Merch to Blow Minds | Last Festivals of Summer

“Above all, I would like to extend the boundaries of what is not regarded as unthinkable, in light of how little we really understand about the world.”

“The only thing that we can be sure of the future is that it will be absolutely fantastic.”

Happy August, everyone!  It's fully summer and I'm fully in it:  Gearing up to record and release my first studio music since the Double-Edged Sword EP – that's six years, far too long.  Shredding a series of animal-themed paintings, satisfying my underfed inner scientific illustrator.  Enjoying this summer's double-feature workshop series on "Entertainment As Social Action" and "Visionary Sobriety," explaining how we are all intoxicated by culture, but can use the instruments of media mind control to liberate rather than oppress.  (On that note, did you see my recent interview with poet-philosopher and legendary badass William Irwin Thompson?)

And more...as usual, too much to share at once.

As soon as I am back from this weekend's Arise Festival, I'll get to work on readying it all to share with you.  But for now, enjoy this relatively lightweight update – and feel free to write if you have anything to share!  I love hearing from you, and with most of y'all it's been too long.

love and blessings 
"King Prawn" (Mantis Shrimp)
20"x20" – paint pens on canvas
Original painting available – Email me with inquiries

Painted live at:
2014.07.01, 04, 07, 14, 20 Studio

"Imagine a color you can't imagine. Now do that nine more times. This is how the mantis shrimp do."

"The mantis shrimp is my new favorite animal, because in the presence of such extraordinary light and beauty it embraces DARKNESS.  It extols DEATH with the luminescent brilliance of a dying star."

I can't say anything about this amazing animal that isn't said at the two links in those quotes above...both of which I highly recommend to you.  This is one of the strangest, most wonderful creatures in the ocean, which is saying a lot, obviously, I mean the ocean is pretty huge.  And this thing is so awesome it got its own section on one of the best episodes of NPR's Radiolab.

Part of a series of charismatic critters, with previous entries including the Red-Tailed Hawk, Western Meadowlark, Barton Springs Salamander, Ruby-Throated Hummingbird, and Common Kingfisher...this is the first invertebrate, though.  And how.

Which animals (or plants) should I paint next?

Interview with Sara Huntley for SolPurpose.com


“No holds barred, I’d describe myself as a pattern hunter in nature – a synesthesia artist seeking to see things normally unwitnessed, translating waveforms of data into different spectrums of perception.”

Oakland-based Sara “Seraphinianus” Huntley is a shining example of a generation of multimedia artists eagerly taking to emerging media – a wave of renaissance people fluidly adapting to the shifting technocultural landscape by anchoring their expressions in a broader and more comprehensive understanding of nature, consciousness, and the human experience. Where art meets science, tribal meets future, and movement meets music, you’ll find Sara, leading her explosively creative intermedia life-as-art existence. I was delighted to catch up with her about what inspires her and the new forms of trans-verbal communication appearing on our cultural horizons…

Various Rent-Paying Items of Note

I'm not a starving artist.  But I do give most of my creative work away in the form of free music, writing, and rhetorical performances.  So I deeply appreciate it when people (such as yourself) step up to show their support (or yours) by purchasing prints of my artwork, or by acquiring some wearable token of cosmic bling like these fine souvenirs below:


Last year I designed my final embroidered hat with Grassroots California for Herbivore Designs – a piece I consider one of my crowning achievements.  The first two less intricate designs sold out almost instantly, but somehow there are still plenty of these left for sale, so if you've ever felt the urge to decorate your head beyond compare, here is your opportunity!


RaveNectar is retiring the men's and women's tees of my painting "Every Day Is A New Year" this Friday, August 8th. Until then, they're 20% off – get yours for $40 while supplies last!

I'm a fan of pushing the envelope – designing stuff that tests the resolution limits of production equipment and the sanity of random passersby.  These pins definitely qualify; the original vectors actually had to be simplified because we aren't living in the future, apparently.  So these are, literally, the most complicated pins possible for their size at this moment in history.  Pretty cheap, considering.

My Natural Habitat Includes These Festivals

This event has something for everyone: jam bands, bluegrass, electronica, spoken word, yoga, reggae, meditation, tribal funk, you name it.  I'm co-headlining the Starwater Bar, an impressive maté bar and festival-within-a-festival that will also feature performances by such luminaries as Anne Waldman (beat poet who founded the Naropa University Creative Writing program), Future Simple Project (the superb DJ tag team whose music inspired many of my early live paintings), and Beth Preston (songstress of wide renown, whose work deserves your listening)...among many others.


Hands down, the best festival in Texas – assuming you like epic art installations, huge teams of live painters, unbeatable eclectic music lineups, strange and beautiful cross-media collaborations, on-site organic kitchens, and gorgeous Texas pecan groves.  For their tenth year and my fifth, I'm cooking up an unprecedented and totally awesome production with special guest appearances by some of my favorite humans.  But there are more reasons to go than I can enumerate here.

09 January 2014

Live at Burning Man 2013 | Interview w/ Rich Doyle | New GRC Embroidered Flatbill | New Pins & Custom Hats | Life In The Glass Age

“The zen tradition has this great saying, ‘Here comes the hearth god, looking for the fire.’ You’re looking everywhere for the fire, and it’s in you. and when you start to find it in yourself, others find you.”
– Richard Doyle

I turned 30 this year on January 8th – sharing a birthday with Elvis Presley, David Bowie, and Stephen Hawking, among others.  Big shoes to fill – which is why this year I'm focused on bigger and more meaningful projects than ever before.

Here are the first preliminary echoes of those great works to come.  Thanks for reading, and enjoy!

I Miss You And It's Okay: Live at Burning Man 2013

55 minutes of dreamy, compelling electronic guitar improvisations inspired by and infused with playa magic. Recorded at Burning Man's Center Camp Café and Fractal Planet Village , this hour of multi-channel looping improvisations on guitar, voice, and hardware effects is the alchemical transmutation of enthusiasm, playa dust, and sheer PATHOS into the angelic psychofluid captured here as a trace fossil for your appreciation.

Recommended listening environment: sprawled out on carpet, couch, or bare earth while making love or waiting for inspiration to strike.  Dedicated to the dream woman for whom I spent long years searching, a fantasy I finally released by fire in this year's Temple.

Download it here and enjoy the ride...

My Chat with Sci-Fi Professor Richard Doyle

Richard Doyle is now Professor of Information Science, Rhetoric, and Science Fiction at Penn State and author of a trilogy on emergent forms of knowledge, the latest and most acclaimed of which is the epic treatise, Darwin’s Pharmacy: Sex, Plants, and the Evolution of the Noösphere – probably the finest example yet of 21st Century “psychedelic” writing.

The latest in my SolPurpose.com series of visionary-yet-personal dialogues with various inspirational thinkers, we focused on how human exploration is turning once again to the inner frontiers of consciousness.  Doyle's love for language shone through for our whole conversation.  Here are a few clips:

“Our brains have been the frontier of capitalism for the last twenty years, of which the internet is just one manifestation, and the pharmaceuticalization of everything is the other. It’s like we’re on the border of Oklahoma in the 19th century and the gunshot goes, and everybody goes to stake their claim – it’s like the inner realm is that space, now.”

“We don’t need to create another identity politics around evolving consciousness. Because that’s how we won’t evolve consciousness. But we do need other like-minded souls…to help us by verifying, and debugging, and debunking all the stuff we’re working through as all this stuff continues to unfold.”

Read more & listen at SolPurpose.

"Compass Mandala" Pins by MG x KolorSpun

1.8", gold-plated, double-posted enamel pins based on my live painting, "Compass Mandala #1" – each colorway (warm and cool) is laser-engraved in a numbered series of 250.  Preorders ship by January 24th.

MG x Herbivore x GRC Embroidered Flatbill

I think my new Grassroots California signature flatbill for Herbivore Designs must be the coolest hat I've ever made – and it damn well better be, because it took almost an entire year to get this most-complicated-design-ever prototyped and ready for sale!  I'm sure you can tell how much work went into this, from the original painted concept to the fully embroidered and sublimation-printed final product (which you can order here):




I'm also still going strong with the custom painted hats.  Here are the latest – email me if you'd like details on getting one of your own:



Join The Discussion: Technology, Art, & Consciousness

I also want you to join me in one of the most important conversations of our times.  Join Life in the Glass Age: Technology, Art, & Consciousness, my new social bookmarking club and discussion group:

We live in an age of accelerating change - not just of our technologies, but of our selves and societies. We define ourselves in relationship to our tools and each other – and as one of us changes, so do we all.  This group is for the exploration of the new worlds coming into being as powerful new knowledge technologies are born and we experience new permutations of old struggles: between privacy and accountability; freedom and security; access and permission.

Encouraged: Posts about the personal and social dimensions of sur- and sous-veillance, Big Data, augmented reality, wearable computing, the Internet of Things, etc. How are we changing - and how are we staying the same? How are we learning to make art out of our increasingly intelligent and responsive environments?  Critical perspectives welcome.

Everyone into the pool!  And thanks again for your support.