Michael Garfield's Love Without End Tour Newsletter: enamel pins
Showing posts with label enamel pins. Show all posts
Showing posts with label enamel pins. Show all posts

09 January 2014

Live at Burning Man 2013 | Interview w/ Rich Doyle | New GRC Embroidered Flatbill | New Pins & Custom Hats | Life In The Glass Age

“The zen tradition has this great saying, ‘Here comes the hearth god, looking for the fire.’ You’re looking everywhere for the fire, and it’s in you. and when you start to find it in yourself, others find you.”
Richard Doyle

I turned 30 this year on January 8th – sharing a birthday with Elvis Presley, David Bowie, and Stephen Hawking, among others.  Big shoes to fill – which is why this year I'm focused on bigger and more meaningful projects than ever before.

Here are the first preliminary echoes of those great works to come.  Thanks for reading, and enjoy!

I Miss You And It's Okay: Live at Burning Man 2013

55 minutes of dreamy, compelling electronic guitar improvisations inspired by and infused with playa magic. Recorded at Burning Man's Center Camp Café and Fractal Planet Village , this hour of multi-channel looping improvisations on guitar, voice, and hardware effects is the alchemical transmutation of enthusiasm, playa dust, and sheer PATHOS into the angelic psychofluid captured here as a trace fossil for your appreciation.

Recommended listening environment: sprawled out on carpet, couch, or bare earth while making love or waiting for inspiration to strike.  Dedicated to the dream woman for whom I spent long years searching, a fantasy I finally released by fire in this year's Temple.

Download it here and enjoy the ride...

My Chat with Sci-Fi Professor Richard Doyle

Richard Doyle is now Professor of Information Science, Rhetoric, and Science Fiction at Penn State and author of a trilogy on emergent forms of knowledge, the latest and most acclaimed of which is the epic treatise, Darwin’s Pharmacy: Sex, Plants, and the Evolution of the Noösphere – probably the finest example yet of 21st Century “psychedelic” writing.

The latest in my SolPurpose.com series of visionary-yet-personal dialogues with various inspirational thinkers, we focused on how human exploration is turning once again to the inner frontiers of consciousness.  Doyle's love for language shone through for our whole conversation.  Here are a few clips:

“Our brains have been the frontier of capitalism for the last twenty years, of which the internet is just one manifestation, and the pharmaceuticalization of everything is the other. It’s like we’re on the border of Oklahoma in the 19th century and the gunshot goes, and everybody goes to stake their claim – it’s like the inner realm is that space, now.”

“We don’t need to create another identity politics around evolving consciousness. Because that’s how we won’t evolve consciousness. But we do need other like-minded souls…to help us by verifying, and debugging, and debunking all the stuff we’re working through as all this stuff continues to unfold.”

Read more & listen at SolPurpose.

"Compass Mandala" Pins by MG x KolorSpun

1.8", gold-plated, double-posted enamel pins based on my live painting, "Compass Mandala #1" – each colorway (warm and cool) is laser-engraved in a numbered series of 250.  Preorders ship by January 24th.

MG x Herbivore x GRC Embroidered Flatbill

I think my new Grassroots California signature flatbill for Herbivore Designs must be the coolest hat I've ever made – and it damn well better be, because it took almost an entire year to get this most-complicated-design-ever prototyped and ready for sale!  I'm sure you can tell how much work went into this, from the original painted concept to the fully embroidered and sublimation-printed final product (which you can order here):




I'm also still going strong with the custom painted hats.  Here are the latest – email me if you'd like details on getting one of your own:



Join The Discussion: Technology, Art, & Consciousness

I also want you to join me in one of the most important conversations of our times.  Join Life in the Glass Age: Technology, Art, & Consciousness, my new social bookmarking club and discussion group:

We live in an age of accelerating change - not just of our technologies, but of our selves and societies. We define ourselves in relationship to our tools and each other – and as one of us changes, so do we all.  This group is for the exploration of the new worlds coming into being as powerful new knowledge technologies are born and we experience new permutations of old struggles: between privacy and accountability; freedom and security; access and permission.

Encouraged: Posts about the personal and social dimensions of sur- and sous-veillance, Big Data, augmented reality, wearable computing, the Internet of Things, etc. How are we changing - and how are we staying the same? How are we learning to make art out of our increasingly intelligent and responsive environments?  Critical perspectives welcome.

Everyone into the pool!  And thanks again for your support.

24 August 2013

New Painting, Music, & Enamel Pins | Message To Your Future Self | Burning Man Schedule

"Any action can be practiced as an art, as a craft, or as drudgery."
Stephen Nachmanovitch, Free Play (p10)

"From the evidence...it seems that feeling good is not enough. People need meaning to thrive."

I'm leaving today for Burning Man (schedule below) and will spend the next week collecting interviews and other inspirational content to share with you all...in the meantime, my tireless sharing includes:

• My live painting from Gratifly Music & Arts Festival,
• My deepest, jazziest album of cyberacoustic guitar music to date;
• A new series of crowd-sourced inspirational videos taken through Google Glass;

...as well as some very shiny enamel pins!  I think that's already more than I should try and lay on you at once, but I've always been better at making art than hustling it.  Enjoy, and have a magnificent week!

"Message To Your Future Self" Video Series

I think it's very important to have a conversation about what role Glass (and other vastly more powerful technologies just around the bend) can play in our lives - how to wield these double-edged swords constructively, how to bring the new world into being in ways that maximize its promise and minimize its peril.   I really want us to have a thoughtful conversation about this and welcome your thoughts and feedback by email or publicly on this facebook event page.

My first idea for using Glass to empower and uplift people was to take 10-second videos of everyone who wanted to share their message with the world:

Part 1: Gratifly & Unitus Festivals
Watch in HD on Youtube

Part 2: Rootwire Festival

Watch in HD on Youtube

In the last six years I have given almost all of my work away for free to people out of faith that the most important thing is to help people find meaning and purpose in their lives, not set a price on the value of my time. So please take a moment to check out what I'm doing with Glass and make a contribution to my fundraising campaign if you can.

My New Enamel Pin Collection

Thanks to The Headspace for their help making this happen!  A little about each design:

"As Awesome As Three Unicorns" (the dinosaur) – Painted at Sonic Bloom in 2012, this piece bridges my two lives as a scientific illustrator and live artist, and ended up in the collection of Mary Jane, the youngest live painter ever, who is also totally awesome. 

"Every Day Is A New Year" (the dragon) – Painted at Rootwire and Art Outside Festivals as well as innumerable other small shows, this piece was my anticipatory portrait of 2013, an homage to the late Terence McKenna, and led to my being selected by Google for their Glass Explorer Program.

"Takes Flight" (the butterfly) – Painted at the MAPS 2010 Psychedelic Science Conference, this piece was inspired by a vision I received in a workshop with Alex & Allyson Grey the day before the event.

A New Album of Oceanic Cyber-Guitar Grooves

I'm rebranding my work as an electroacoustic improvisational instrumentalist to reflect the inherent contradictions in making electronic music on an acoustic guitar – and to tap into the potent relationship I've developed with owl medicine since moving to Austin two years ago.  Here's a little bit about this release and the work to come:

If Michael Garfield can be said to collect anything, it would be great gigs in strange venues – from The Cave Without A Name to the MAPS Psychedelic Science conference, from Black Rock Desert to all four stages in the Austin-Bergstrom International Airport. 

Possessed by a passion for the feeling of spaces and determined to translate "vibe" into sound, Michael's increasingly all-improvised acoustic-electronic sets wed house concert intimacy with ravetastic cyberdelia in magical performances that draw down the spirit of a place into music. 

Capturing both past and future in alchemical alloys where fingerpicking and hardware live PA join in soaring transcendental freestyles, this is music as adventurous as the stages on which it's performed. Half Zen calligrapher and half starship captain, Michael Garfield is building a cathedral of sound for our paradoxical Age of Transition. 

Album artwork by Bonnie Goodson.

New Live Painting From Gratifly Festival
Splash!
24"x36" - paint markers on masonite
Original available - email me to inquire/offer
Painted live at Gratifly Music and Arts Festival to the music of:
Thriftworks, Gaudi, Papadosio, Kalya Scintilla, The Werks,

Eskmo, Govinda, Desert Dwellers, Akara DJ, Ployd


My Burning Man Schedule

RSVP/Share on FB

• Tuesday ("Monday Night"): Center Camp Café
12:45 - 1:30 am: Cyberacoustic Guitar Improv

• Wednesday: Center Camp Café
4:00 - 5:00 pm: "These are the Good Old Days: Reverse Nostalgia from a Citizen of the Future" (talk)
5:30 - 6:00 pm: Cyberacoustic Guitar for the Aerial Dance Showcase

2:30 - 3:45 pm: Taking A Cosmic Perspective (talk)
7:30 - 8:15 pm: Musical Break - Cyberacoustic Guitar 

2:00 - 3:00 pm: "The Age of Aquarius & The End of the Cargo Cult" (talk)

• Saturday: Sacred Spaces Village
5:00 - 6:00 pm: Cyberacoustic Guitar in the Grand Hall